{"title":"All Synthesizers","description":"","products":[{"product_id":"sherman-filterbank-2-desktop","title":"Sherman Filterbank 2 Desktop","description":"\u003cp\u003eA huge list of major producers already use the Sherman Filterbank. Why? Because no plug-in sounds like this!\u003c\/p\u003e  \n\n\u003cp\u003eThese days, the market is overwhelmed with DSP gear. Secondhand analog stuff is hard to find and even harder to maintain. Sherman offers you the Filterbank, which is basically a small modular synth that includes two multimode filters with an external audio input instead of oscillators. The box is equipped with 23 rotating knobs, a rotary and 6 toggle switches, 7 indicators, and 11 jack connections plus 5 MIDI sockets on the rear side. No analog machine on the market contains so many features in just one handy box!\u003c\/p\u003e  \n\n\u003cp\u003eThe main idea behind the Filterbank is that the sound of an analog synth is determined by the filter and the VCA; the reason for the absence of an oscillator is because nowadays there are plenty of sound sources. The architecture of this Sherman is based on filters and VCAs—they shape the sound. It's the missing link in your setup!\u003c\/p\u003e  \n\n\u003cp\u003eThe Filterbank incorporates a lot more than just a low pass filter and a normal VCA. The wide-range knobs allow you to go 'over the top' like you've always wanted to but never could. The VCAs are specially designed to achieve tube overdrive behavior. Once familiar with a Sherman you will fully understand what it means to have no limitations in sound shaping. Beware: the Sherman user group is one that you can enter, but never leave!\u003c\/p\u003e  \n\n\u003cp\u003eThe Sherman Filterbank feels at home in a variety of surroundings. If you're lucky enough to posess a modular system, the Sherman will be your favorite module. It is patchable at any point in your modular chain and will provide simply exquisite filtered and overdriven sound. Connections may also include trigger and voltage signals in both directions. Wipe the dust off your old FM synth, as the Sherman Filterbank generates nice results with this type of signal. Even a simple sawtooth will be enough to discover new, amazing sounds at the turn of a knob.\u003c\/p\u003e  \n\n\u003cp\u003eThe Sherman Filterbank is an analog synthesizer with no competition in its price class. In any studio it's the most inspiring effect unit of all. From precise equalizing on critical tracks to brain-frying filter sweeps, you always have total control. The knobs have different colors to guide you quickly. Get a hands-on feel and just keep kicking the sonic energy in this pure analog machine, over and over again.\u003c\/p\u003e  \n\n\u003cp\u003eIt's no wonder many engineers become real Sherman Filterbank addicts. Guitar and bass players will discover a whole new dimension in the creation of their personal sound; what's more, without giving up their familiar way of performing they will find an updated place in today's sound world.\u003c\/p\u003e  \n\n\u003cp\u003eFilterbank's input sensitivity is a perfect line level adjuster up to the middle position; there it becomes more sensitive, up to overdrive with microphone level. Plug in a mic and enjoy processing any acoustic sound source. Drums and percussion can trigger the ADSR and AR generators, or you can apply their dynamics via the envelope follower, e.g., to a string pad passing through the Filterbank. In the meantime, MIDI out will send out the acoustic triggering in a very accurately timed way for later re-use or for direct triggering of another Filterbank. Simple, but more useful in practice than you might think. Not happy with the internal filter sound of your sampler? Sherman Filterbank is the cure, providing the nice velvet feel of a rotating knob for each parameter included!\u003c\/p\u003e  \n\n\u003cp\u003eSherman is small company founded in 1988 by musician and producer Herman Gillis. Although his passion for electronics dates back to his childhood, it wasn't until 1995 that he decided to market his gear. All the features of the Filterbank are basically the 'best of' many earlier experiments. Such a long development time is rather unusual these days!\u003c\/p\u003e  \n\n\u003cp\u003eEvery unit is finished, adjusted and checked with care. The small overhead costs and the lack of a huge marketing budget make the Sherman a good value-for-money tool. The heavy duty steel case is of high quality and finish: as your music deserves quality sound shaping, your eyes and fingers have the right to pleasure, too. You get the power of a real modular system in a compact box, your inspiring friend in studio or on stage.\u003c\/p\u003e\n\n\u003cul\u003e   \n\n\u003cli\u003eA powerful analog filtering and distortion unit with a huge frequency range and killer tube-style overdrive behavior\u003c\/li\u003e   \n\n\u003cli\u003eAn affordable small modular filter, easy and fun to use both live and in the studio\u003c\/li\u003e   \n\n\u003cli\u003eApplication: processing every sound source, effect mixing, expanding modular systems, etc.\n\u003c\/li\u003e   \n\n\u003cli\u003eIndependent low pass, band pass and high pass filters with resonance, frequency and bipolar ADSR envelope controls\u003c\/li\u003e   \n\n\u003cli\u003eThe two filters are switchable between parallel or serial\u003c\/li\u003e   \n\u003cli\u003eThe second filter has a 6 octave switch, and is synchronizable with the first filter\u003c\/li\u003e   \n\u003cli\u003eADSR generator with an external output for use with more Filterbanks or modular systems, triggered by the incoming signal, by a second sound source or by a gate\u003c\/li\u003e   \n\u003cli\u003eFM input for the filters, usable with internal or external audio, LFO or CV\u003c\/li\u003e   \n\u003cli\u003eVCA overdrive with separate AR generator\u003c\/li\u003e   \n\u003cli\u003eRing modulator input, usable with internal or external audio, LFO or CV\u003c\/li\u003e \n\n\u003c\/ul\u003e","brand":"Sherman","offers":[{"title":"Default Title","offer_id":45257191883026,"sku":"SHE-FB2DESKTOP","price":749.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/sherman_filterbank2_top.jpg?v=1695405212"},{"product_id":"sherman-filterbank-2x2-double-rack","title":"Sherman Filterbank 2x2 Double Rack","description":"\u003cp\u003eA huge list of major producers already use the Sherman Filterbank. Why? Because no plug-in sounds like this!\u003c\/p\u003e  \n\n\u003cp\u003eThese days, the market is overwhelmed with DSP gear. Secondhand analog stuff is hard to find and even harder to maintain. Sherman offers you the Filterbank, which is basically a small modular synth that includes two multimode filters with an external audio input instead of oscillators. The box is equipped with 23 rotating knobs, a rotary and 6 toggle switches, 7 indicators, and 11 jack connections plus 5 MIDI sockets on the rear side. No analog machine on the market contains so many features in just one handy box!\u003c\/p\u003e  \n\n\u003cp\u003eThe main idea behind the Filterbank is that the sound of an analog synth is determined by the filter and the VCA; the reason for the absence of an oscillator is because nowadays there are plenty of sound sources. The architecture of this Sherman is based on filters and VCAs—they shape the sound. It's the missing link in your setup!\u003c\/p\u003e  \n\n\u003cp\u003eThe Filterbank incorporates a lot more than just a low pass filter and a normal VCA. The wide-range knobs allow you to go 'over the top' like you've always wanted to but never could. The VCAs are specially designed to achieve tube overdrive behavior. Once familiar with a Sherman you will fully understand what it means to have no limitations in sound shaping. Beware: the Sherman user group is one that you can enter, but never leave!\u003c\/p\u003e  \n\n\u003cp\u003eThe Sherman Filterbank feels at home in a variety of surroundings. If you're lucky enough to possess a modular system, the Sherman will be your favorite module. It is patchable at any point in your modular chain and will provide simply exquisite filtered and overdriven sound. Connections may also include trigger and voltage signals in both directions. Wipe the dust off your old FM synth, as the Sherman Filterbank generates nice results with this type of signal. Even a simple sawtooth will be enough to discover new, amazing sounds at the turn of a knob.\u003c\/p\u003e  \u003cp\u003eThe Sherman Filterbank is an analog synthesizer with no competition in its price class. In any studio it's the most inspiring effect unit of all. From precise equalizing on critical tracks to brain-frying filter sweeps, you always have total control. The knobs have different colors to guide you quickly. Get a hands-on feel and just keep kicking the sonic energy in this pure analog machine, over and over again.\u003c\/p\u003e  \n\n\u003cp\u003eIt's no wonder many engineers become real Sherman Filterbank addicts. Guitar and bass players will discover a whole new dimension in the creation of their personal sound; what's more, without giving up their familiar way of performing they will find an updated place in today's sound world.\u003c\/p\u003e  \n\n\u003cp\u003eFilterbank's input sensitivity is a perfect line level adjuster up to the middle position; there it becomes more sensitive, up to overdrive with microphone level. Plug in a mic and enjoy processing any acoustic sound source. Drums and percussion can trigger the ADSR and AR generators, or you can apply their dynamics via the envelope follower, e.g., to a string pad passing through the Filterbank. In the meantime, MIDI out will send out the acoustic triggering in a very accurately timed way for later re-use or for direct triggering of another Filterbank. Simple, but more useful in practice than you might think. Not happy with the internal filter sound of your sampler? Sherman Filterbank is the cure, providing the nice velvet feel of a rotating knob for each parameter included!\u003c\/p\u003e  \n\n\u003cp\u003eSherman is small company founded in 1988 by musician and producer Herman Gillis. Although his passion for electronics dates back to his childhood, it wasn't until 1995 that he decided to market his gear. All the features of the Filterbank are basically the 'best of' many earlier experiments. Such a long development time is rather unusual these days!\u003c\/p\u003e  \n\n\u003cp\u003eEvery unit is finished, adjusted and checked with care. The small overhead costs and the lack of a huge marketing budget make the Sherman a good value-for-money tool. The heavy duty steel case is of high quality and finish: as your music deserves quality sound shaping, your eyes and fingers have the right to pleasure, too. You get the power of a real modular system in a compact box, your inspiring friend in studio or on stage.\u003c\/p\u003e\n\n\u003cul class=\"disc\"\u003e   \n\n\u003cli\u003e2X2 Rack version puts two individual Filterbank 2 units into one rackmountable enclosure and moves all jack connections and MIDI sockets to the front of the unit\u003c\/li\u003e \n\u003cli\u003eThe two individual Filterbank 2 units in the 2X2 Rack can be run independently or linked\u003c\/li\u003e\n\u003cli\u003eThe specs of an individual Filterbank 2 are as follows:     \n\n\t\u003cul class=\"disc\"\u003e      \u003cli\u003eA powerful analog filtering and distortion unit with a huge frequency range and killer tube-style overdrive behavior\u003c\/li\u003e   \n    \t\t\t\t\t\t\u003cli\u003eAn affordable small modular filter, easy and fun to use both live and in the studio\u003c\/li\u003e   \n                            \u003cli\u003eApplication: processing every sound source, effect mixing, expanding modular systems, etc.\u003c\/li\u003e   \n                            \u003cli\u003eIndependent low pass, band pass and high pass filters with resonance, frequency and bipolar ADSR envelope controls\u003c\/li\u003e   \n                            \u003cli\u003eThe two filters are switchable between parallel or serial\u003c\/li\u003e   \n                            \u003cli\u003eThe second filter has a 6 octave switch, and is synchronizable with the first filter\u003c\/li\u003e   \n                            \u003cli\u003eADSR generator with an external output for use with more Filterbanks or modular systems, triggered by the incoming signal, by a second sound source or by a gate\u003c\/li\u003e   \n                            \u003cli\u003eFM input for the filters, usable with internal or external audio, LFO or CV\u003c\/li\u003e   \n                            \u003cli\u003eVCA overdrive with separate AR generator\u003c\/li\u003e   \n                            \u003cli\u003eRing modulator input, usable with internal or external audio, LFO or CV\u003c\/li\u003e \n                            \u003c\/ul\u003e  \n  \u003c\/li\u003e   \n  \u003c\/ul\u003e","brand":"Sherman","offers":[{"title":"Default Title","offer_id":45257192571154,"sku":"SHE-FB2X2DOUBLERACK","price":1550.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/sherman_filterbank2x2rack_thumb_007a0e6a-1442-4908-bf2c-45a0d7c12cfd.jpg?v=1695405220"},{"product_id":"sherman-filterbank-2-compact","title":"Sherman Filterbank 2 Compact","description":"\u003cp\u003eA huge list of major producers already use the Sherman Filterbank. Why? Because no plug-in sounds like this!\u003c\/p\u003e\n\n\u003cp\u003eThese days, the market is overwhelmed with DSP gear. Secondhand analog stuff is hard to find and even harder to maintain. Sherman offers you the Filterbank, which is basically a small modular synth that includes two multimode filters with an external audio input instead of oscillators. The box is equipped with 23 rotating knobs, a rotary and 6 toggle switches, 7 indicators, and 11 jack connections plus 5 MIDI sockets. No analog machine on the market contains so many features in just one handy box!\u003c\/p\u003e\n\n\u003cp\u003eThe main idea behind the Filterbank is that the sound of an analog synth is determined by the filter and the VCA; the reason for the absence of an oscillator is because nowadays there are plenty of sound sources. The architecture of this Sherman is based on filters and VCAs — they shape the sound. It's the missing link in your setup!\u003c\/p\u003e\n\n\u003cp\u003eThe Filterbank incorporates a lot more than just a low pass filter and a normal VCA. The wide-range knobs allow you to go 'over the top' like you've always wanted to but never could. The VCAs are specially designed to achieve tube overdrive behavior. Once familiar with a Sherman you will fully understand what it means to have no limitations in sound shaping. Beware: the Sherman user group is one that you can enter, but never leave!\u003c\/p\u003e\n\n\u003cp\u003eThe Sherman Filterbank feels at home in a variety of surroundings. If you're lucky enough to possess a modular system, the Sherman will be your favorite module. It is patchable at any point in your modular chain and will provide simply exquisite filtered and overdriven sound. Connections may also include trigger and voltage signals in both directions. Wipe the dust off your old FM synth, as the Sherman Filterbank generates nice results with this type of signal. Even a simple sawtooth will be enough to discover new, amazing sounds at the turn of a knob.\u003c\/p\u003e\n\n\u003cp\u003eThe Sherman Filterbank is an analog synthesizer with no competition in its price class. In any studio it's the most inspiring effect unit of all. From precise equalizing on critical tracks to brain-frying filter sweeps, you always have total control. The knobs have different colors to guide you quickly. Get a hands-on feel and just keep kicking the sonic energy in this pure analog machine, over and over again.\u003c\/p\u003e\n\n\u003cp\u003eIt's no wonder many engineers become Sherman Filterbank addicts. Guitar and bass players will discover a whole new dimension in the creation of their personal sound; what's more, without giving up their familiar way of performing they will find an updated place in today's sound world.\u003c\/p\u003e\n\n\u003cp\u003eFilterbank's input sensitivity is a perfect line level adjuster up to the middle position; there it becomes more sensitive, up to overdrive with microphone level. Plug in a mic and enjoy processing any acoustic sound source. Drums and percussion can trigger the ADSR and AR generators, or you can apply their dynamics via the envelope follower, e.g., to a string pad passing through the Filterbank. In the meantime, MIDI out will send out the acoustic triggering in a very accurately timed way for later re-use or for direct triggering of another Filterbank. Simple, but more useful in practice than you might think. Not happy with the internal filter sound of your sampler? Sherman Filterbank is the cure, providing the nice velvet feel of a rotating knob for each parameter included!\u003c\/p\u003e\n\n\u003cp\u003eSherman is small company founded in 1988 by musician and producer Herman Gillis. Although his passion for electronics dates back to his childhood, it wasn't until 1995 that he decided to market his gear. All the features of the Filterbank are basically the 'best of' many earlier experiments. Such a long development time is rather unusual these days!\u003c\/p\u003e\n\n\u003cp\u003eEvery unit is finished, adjusted and checked with care. The small overhead costs and the lack of a huge marketing budget make the Sherman a good value-for-money tool. The heavy duty steel case is of high quality and finish: as your music deserves quality sound shaping, your eyes and fingers have the right to pleasure, too. You get the power of a real modular system in a compact box, your inspiring friend in studio or on stage.\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eA powerful analog filtering and distortion unit with a huge frequency range and killer tube-style overdrive behavior\u003c\/li\u003e\n\u003cli\u003eAn affordable small modular filter, easy and fun to use both live and in the studio\u003c\/li\u003e\n\u003cli\u003eApplication: processing every sound source, effect mixing, expanding modular systems, etc.\u003c\/li\u003e\n\u003cli\u003eIndependent low pass, band pass and high pass filters with resonance, frequency and bipolar ADSR envelope controls\u003c\/li\u003e\n\u003cli\u003eThe two filters are switchable between parallel or serial\u003c\/li\u003e\n\u003cli\u003eThe second filter has a 6 octave switch, and is synchronizable with the first filter\u003c\/li\u003e\n\u003cli\u003eADSR generator with an external output for use with more Filterbanks or modular systems, triggered by the incoming signal, by a second sound source or by a gate\u003c\/li\u003e   \u003cli\u003eFM input for the filters, usable with internal or external audio, LFO or CV\u003c\/li\u003e\n\u003cli\u003eVCA overdrive with separate AR generator\u003c\/li\u003e\n\u003cli\u003eRing modulator input, usable with internal or external audio, LFO or CV\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"Sherman","offers":[{"title":"Default Title","offer_id":45257194307858,"sku":"SHE-FB2COMPACT","price":749.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/she-fb2compact_main.jpg?v=1695405216"},{"product_id":"sherman-filterbank-2-rack","title":"Sherman Filterbank 2 Rack","description":"\u003cp\u003eA huge list of major producers already use the Sherman Filterbank. Why? Because no plug-in sounds like this!\u003c\/p\u003e  \n\n\u003cp\u003eThese days, the market is overwhelmed with DSP gear. Secondhand analog stuff is hard to find and even harder to maintain. Sherman offers you the Filterbank, which is basically a small modular synth that includes two multimode filters with an external audio input instead of oscillators. The box is equipped with 23 rotating knobs, a rotary and 6 toggle switches, 7 indicators, and 11 jack connections plus 5 MIDI sockets on the rear side. No analog machine on the market contains so many features in just one handy box!\u003c\/p\u003e  \n\n\u003cp\u003eThe main idea behind the Filterbank is that the sound of an analog synth is determined by the filter and the VCA; the reason for the absence of an oscillator is because nowadays there are plenty of sound sources. The architecture of this Sherman is based on filters and VCAs—they shape the sound. It's the missing link in your setup!\u003c\/p\u003e  \n\n\u003cp\u003eThe Filterbank incorporates a lot more than just a low pass filter and a normal VCA. The wide-range knobs allow you to go 'over the top' like you've always wanted to but never could. The VCAs are specially designed to achieve tube overdrive behavior. Once familiar with a Sherman you will fully understand what it means to have no limitations in sound shaping. Beware: the Sherman user group is one that you can enter, but never leave!\u003c\/p\u003e  \n\n\u003cp\u003eThe Sherman Filterbank feels at home in a variety of surroundings. If you're lucky enough to posess a modular system, the Sherman will be your favorite module. It is patchable at any point in your modular chain and will provide simply exquisite filtered and overdriven sound. Connections may also include trigger and voltage signals in both directions. Wipe the dust off your old FM synth, as the Sherman Filterbank generates nice results with this type of signal. Even a simple sawtooth will be enough to discover new, amazing sounds at the turn of a knob.\u003c\/p\u003e  \n\n\u003cp\u003eThe Sherman Filterbank is an analog synthesizer with no competition in its price class. In any studio it's the most inspiring effect unit of all. From precise equalizing on critical tracks to brain-frying filter sweeps, you always have total control. The knobs have different colors to guide you quickly. Get a hands-on feel and just keep kicking the sonic energy in this pure analog machine, over and over again.\u003c\/p\u003e  \n\n\u003cp\u003eIt's no wonder many engineers become real Sherman Filterbank addicts. Guitar and bass players will discover a whole new dimension in the creation of their personal sound; what's more, without giving up their familiar way of performing they will find an updated place in today's sound world.\u003c\/p\u003e  \n\n\u003cp\u003eFilterbank's input sensitivity is a perfect line level adjuster up to the middle position; there it becomes more sensitive, up to overdrive with microphone level. Plug in a mic and enjoy processing any acoustic sound source. Drums and percussion can trigger the ADSR and AR generators, or you can apply their dynamics via the envelope follower, e.g., to a string pad passing through the Filterbank. In the meantime, MIDI out will send out the acoustic triggering in a very accurately timed way for later re-use or for direct triggering of another Filterbank. Simple, but more useful in practice than you might think. Not happy with the internal filter sound of your sampler? Sherman Filterbank is the cure, providing the nice velvet feel of a rotating knob for each parameter included!\u003c\/p\u003e  \n\n\u003cp\u003eSherman is small company founded in 1988 by musician and producer Herman Gillis. Although his passion for electronics dates back to his childhood, it wasn't until 1995 that he decided to market his gear. All the features of the Filterbank are basically the 'best of' many earlier experiments. Such a long development time is rather unusual these days!\u003c\/p\u003e  \n\u003cp\u003eEvery unit is finished, adjusted and checked with care. The small overhead costs and the lack of a huge marketing budget make the Sherman a good value-for-money tool. The heavy duty steel case is of high quality and finish: as your music deserves quality sound shaping, your eyes and fingers have the right to pleasure, too. You get the power of a real modular system in a compact box, your inspiring friend in studio or on stage.\u003c\/p\u003e\n\n\u003cul\u003e \n\n\u003cli\u003e4U rack version moves all the jack connections and MIDI sockets to the front of the unit\u003c\/li\u003e   \n\u003cli\u003eA powerful analog filtering and distortion unit with a huge frequency range and killer tube-style overdrive behavior\u003c\/li\u003e   \n\u003cli\u003eAn affordable small modular filter, easy and fun to use both live and in the studio\u003c\/li\u003e   \u003cli\u003eApplication: processing every sound source, effect mixing, expanding modular systems, etc.\u003c\/li\u003e   \u003cli\u003eIndependent low pass, band pass and high pass filters with resonance, frequency and bipolar ADSR envelope controls\u003c\/li\u003e   \n\u003cli\u003eThe two filters are switchable between parallel or serial\u003c\/li\u003e   \n\u003cli\u003eThe second filter has a 6 octave switch, and is synchronizable with the first filter\u003c\/li\u003e   \u003cli\u003eADSR generator with an external output for use with more Filterbanks or modular systems, triggered by the incoming signal, by a second sound source or by a gate\u003c\/li\u003e   \n\u003cli\u003eFM input for the filters, usable with internal or external audio, LFO or CV\u003c\/li\u003e   \n\u003cli\u003eVCA overdrive with separate AR generator\u003c\/li\u003e   \n\u003cli\u003eRing modulator input, usable with internal or external audio, LFO or CV\u003c\/li\u003e \n\n\u003c\/ul\u003e","brand":"Sherman","offers":[{"title":"Default Title","offer_id":45257194209554,"sku":"SHE-FB2RACK","price":779.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/sherman_filterbank2rack_thumb_55470f6d-9782-4072-8cf3-df8ba6c9c31a.jpg?v=1695405218"},{"product_id":"sherman-filterbank-2-desktop-replacement-rackmount-kit","title":"Sherman Filterbank 2 Desktop Replacement Rackmount Kit","description":"\u003cp\u003eReplacement rackmount hardware for Sherman Filterbank 2.\u003c\/p\u003e","brand":"Sherman","offers":[{"title":"Default Title","offer_id":45257194864914,"sku":"SHE-FB2TTRACKKIT","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/sherman_filterbank2_rackkit.jpg?v=1695405211"},{"product_id":"studiologic-magnetic-music-stand","title":"Studiologic Magnetic Music Stand","description":"\u003cp\u003eA sturdy magnetic music stand. Designed for the SL Controllers, the SL Magnetic Music Stand is the ideal support for your composition and you music.\u003c\/p\u003e\n\u003cstrong\u003eComputer Stand Dimensions and Weight\u003c\/strong\u003e\n\u003cul\u003e\n  \u003cli\u003eWidth: 16.53\"\u003c\/li\u003e\n  \u003cli\u003eHeight: 10.55\"\u003c\/li\u003e\n  \u003cli\u003eDepth: 1.42\"\u003c\/li\u003e\n  \u003cli\u003eWeight: 2.7 lbs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eCompatible Models\u003c\/strong\u003e\n\u003cul\u003e\n  \u003cli\u003eSL88 Grand\u003c\/li\u003e\n  \u003cli\u003eSl88 Studio\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Studiologic","offers":[{"title":"Default Title","offer_id":45257198666002,"sku":"STU-SLMUSICSTAND","price":89.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/stu-slmusicstand.jpg?v=1695405232"},{"product_id":"teenage-engineering-mc-3-sync-cables","title":"Teenage Engineering MC-3 Sync Cables","description":"\u003cp\u003eOne of the neat features of the Pocket Operator synthesizers is their ability to be daisy chained together to play them all in sync and pass through audio. These 1\/8\" mini sync cables allow you to connect the Pocket Operators together through their sync\/audio ins and outs. This package includes three cables.\u003c\/p\u003e","brand":"Teenage Engineering","offers":[{"title":"Default Title","offer_id":45257206464786,"sku":"TE-MC3","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/te-mc3.jpg?v=1695405246"},{"product_id":"tiptop-audio-1000ma-uzeus-happy-ending-kit-universal-adapter","title":"Tiptop Audio 1000mA uZeus \/ HEK Universal Adapter","description":"\u003cp\u003eThis 15-volt \/1000mA power adapter allows you to power your uZeus eurorack and is a replacement for the adapter that ships with the Tiptop Audio Happy Ending Kit.\u003c\/p\u003e","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":45257207939346,"sku":"TIP-1000MA","price":29.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/tip-1000ma.jpg?v=1695405251"},{"product_id":"tiptop-audio-z-ears-tabletop-pair-black","title":"Tiptop Audio Z-Ears Tabletop Pair - Black","description":"\u003cp\u003eThe Z-Ears Tabletop are standard 3U rack ears that can be used as either a tabletop frame, or a standard rack mount. These parts are made of anodized aluminum and are custom made to work with Eurorack Mounting rails like Tiptop Audio's Z-Rails.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePlease Note:\u003c\/strong\u003e Rails are not included with this product. These are the rack ears ONLY. 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On-Stage's Clip-On LED Light features 10 LED lights, which provides a wide area of coverage and illuminates up to four pages of sheet music. The power switch is conveniently located and features two brightness levels - high and low. The back shade blocks any glare from the audience. The sturdy and flexible gooseneck can be positioned in many directions and the padded clip easily attaches to your music stand or pedalboard. The compact design also sits flat on a desktop! 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Then the KSA7100 is for you! The KSA7100 mounts to any On-Stage X-Style keyboard stand*, instantly turning it into a 28\" x 14.5\" table top. It is perfect for mixers, turntables, drum machines, computers, lighting controllers, monitors or anything else you need at working height. It even makes a great trap stand for percussion instruments. Adjustable bottom-mounted brackets accommodate the height\/width settings of your keyboard stand. 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The entire stand folds to a compact T-shape for easy storage and transport.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePortable, heavy-duty T-Stand\u003c\/li\u003e\n  \u003cli\u003eApplications: Medium-format keyboards, mixers, racks, DJ coffins and speakers\u003c\/li\u003e\n  \u003cli\u003eFolds to a compact \"T\" shape for easy transport\u003c\/li\u003e\n  \u003cli\u003eTubing: 30mm\u003c\/li\u003e\n  \u003cli\u003eWeight Capacity: 300 lbs\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"On-Stage","offers":[{"title":"Default Title","offer_id":45257214656786,"sku":"TMP-WS8540","price":165.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/tmp-ws8540.jpg?v=1695405265"},{"product_id":"ultimate-cmp-485-super-clamp-assembly","title":"Ultimate CMP-485 Super Clamp Assembly","description":"\u003cp\u003eThe CMP-485 Super Clamp is built for use with two Ultimate Support Tri-bar arms (sold separately). 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Its capable configuration and versatile internal routing connections make it a valuable tool for every modular synthesizer.\u003c\/p\u003e\n\n\u003cp\u003eFor each VCA, the amplification ratio can be switched from exactly 1:1 to 1:4. This allows for handy boosting of weak input signals. At the same time, audio signals with high input levels will be harmonically saturated and compressed.\u003c\/p\u003e\n\n\u003cp\u003eThe response curves of both VCAs can be independently switched from linear to a semi-logarithmic curve specially adapted to musical audio signals.\u003c\/p\u003e\n\n\u003cp\u003eBoth VCAs can be used independently or in combination:\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eVCA1 may serve as offset-generator for VCA2\u003c\/li\u003e\n\u003cli\u003eBoth VCAs can share the same control voltage\u003c\/li\u003e\n\u003cli\u003eThe summed output of both VCAs will be output separately\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\u003cp\u003etwinVCAmp is more than just two VCAs in a single module: use them as dual- or stereo-VCA, a voltage controlled 2-in-1 mixer, overdrive unit, etc.\u003c\/p\u003e\n\n\u003cp\u003eEvery VERMONA module is carefully produced, checked and packed in their 'elektroakustischen Manufaktur' in Erlbach, Germany. 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It allows easy sound manipulation with drastic results. But why should synthesizers have all the fun? Drum machines, grooveboxes, guitars and other instruments are equally suited for filtering. This is why external filter boxes like the Filter Lancet exist! They allow sound manipulation for different kinds of audio signals. In addition, such manipulation should be intuitive. A good filter box therefore demands lots of knobs, switches and connections. Filter Lancet was created to be a highly flexible and easy to use filter box with multiple possibilities to be controlled. As you can expect from Vermona, this unit uses the finest analog technology.\u003c\/p\u003e  \n\n\u003cp\u003eFilter Lancet is packed with useful features. It's a great and powerful addition to any synthesizer including the Vermona Mono Lancet (sold separately). But Filter Lancet is also designed for stringed instruments. It creates standard effects like WahWah and tremolo with ease and even adds a palette of extraordinary sounds to any effect repertoire.\u003c\/p\u003e  \n\n\u003cp\u003eFilter Lancet is the right weapon against static sound and boredom and is made for any kind of audio signal.\u003c\/p\u003e\n\n\u003cul\u003e   \n\n\u003cli\u003eCompact but versatile standalone multimode filter for your desktop\u003c\/li\u003e   \n\n\u003cli\u003e24dB low- and high-pass filters\u003c\/li\u003e   \n\u003cli\u003e12dB band-pass filter\u003c\/li\u003e   \n\u003cli\u003eBALLS knob pushes low and high frequencies of the signal before being filtered for extra punch\u003c\/li\u003e   \n\u003cli\u003eTriggered via MIDI, fully velocity sensitive\u003c\/li\u003e   \n\u003cli\u003eLFO has two frequency ranges and goes up to 250Hz\u003c\/li\u003e   \n\u003cli\u003eLFO can be re-triggered by gate or audio signals at low frequencies\u003c\/li\u003e   \n\u003cli\u003eLFO has sample and hold and five waveforms: saw up, saw down, square, sine and triangle\u003c\/li\u003e   \n\u003cli\u003eEnvelope follower transforms the contour of the input signal into control voltages that can serve as modulation source\u003c\/li\u003e   \n\u003cli\u003eLFO modulation intensity can be set separately from modulation intensity of envelope generator and envelope follower on the VCF and VCA sections\u003c\/li\u003e   \n\u003cli\u003eFeatures drive circuit built right into the input section to add subtle shades of overdrive up to solid distortions\u003c\/li\u003e \n\n\u003c\/ul\u003e","brand":"Vermona","offers":[{"title":"Default Title","offer_id":45257215508754,"sku":"VER-FILTERLANCET","price":439.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/vermona_filterlancet_thumb_1fe3f553-2558-44dc-9edd-82b964c61207.jpg?v=1695405273"},{"product_id":"vermona-retroverb-lancet-wood-side-panels","title":"Vermona Retroverb Lancet Wood Side Panels","description":"\u003cp\u003eGet the looks to match the sound with these fantastic wood side panels made specifically for Vermona's Retroverb Lancet. Use these wood panels to dress up your desktop spring reverb and give it a classic vintage look. These panels make your retroverb lancet stand out on its own, or look the part along with your other instruments.\u003c\/p\u003e","brand":"Vermona","offers":[{"title":"Default Title","offer_id":45257215574290,"sku":"VER-WOODENPANELSRETR","price":49.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/woodsides_2.jpg?v=1695405272"},{"product_id":"vermona-perfourmer-mkii-wood-side-panels","title":"Vermona PERfourMER MKII Wood Side Panels","description":"\u003cp\u003eAdd an extra touch of class to your PERfourMER MKII with these easy to install wood panels from Vermona.\u003c\/p\u003e","brand":"Vermona","offers":[{"title":"Default Title","offer_id":45257215607058,"sku":"VER-WOODPANELPER4","price":59.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/ver-woodpanelper4.jpg?v=1695405278"},{"product_id":"vermona-drm1-wooden-side-panels","title":"Vermona DRM1 Wooden Side Panels","description":"\u003cp\u003ePair of wooden side panels to fit any variety of Vermona DRM1.\u003c\/p\u003e","brand":"Vermona","offers":[{"title":"Default Title","offer_id":45257215705362,"sku":"VER-WOODPANELDRM1","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/vermona_drm1woodpanels_zoom.jpg?v=1695405268"},{"product_id":"vermona-mono-lancet-modular-dock-eurorack-module","title":"Vermona Mono Lancet Modular Dock Eurorack Module","description":"\u003cp\u003eVermona Mono Lancet Modular Dock brings the sound of the Vermona Mono Lancet (sold separately) to your modular system. Discover new soundscapes through extended modulation possibilities and use the fantastic Mono Lancet filter to refine external sound sources.\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eModule controls\u003c\/li\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eVCO1 FM intensity\u003c\/li\u003e\n\u003cli\u003eVCO1 PWM intensity\u003c\/li\u003e\n\u003cli\u003eVCO2 FM intensity\u003c\/li\u003e\n\u003cli\u003eVCO2 PWM intensity\u003c\/li\u003e\n\u003cli\u003eVCF FM intensity\u003c\/li\u003e\n\u003cli\u003eVCA CV intensity\u003c\/li\u003e\n\u003cli\u003eVCOs OFF switch (switches off Mono Lancet oscillators)\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\u003cli\u003ePatch points\u003c\/li\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e1V\/OCT frequency CV in\u003c\/li\u003e\n\u003cli\u003eGATE (VCO1 \u0026amp; VCO2) in\u003c\/li\u003e\n\u003cli\u003eGATE out\u003c\/li\u003e\n\u003cli\u003eVCO1 FM\u003c\/li\u003e\n\u003cli\u003eVCO1 PWM\u003c\/li\u003e\n\u003cli\u003eVCO1 audio output\u003c\/li\u003e\n\u003cli\u003eVCO1 1V\/OCT frequency CV out\u003c\/li\u003e\n\u003cli\u003eVCO2 FM\u003c\/li\u003e\n\u003cli\u003eVCO2 PWM\u003c\/li\u003e\n\u003cli\u003eVCO2 audio output\u003c\/li\u003e\n\u003cli\u003eVCO2 1V\/OCT frequency CV out\u003c\/li\u003e\n\u003cli\u003eVCF audio input\u003c\/li\u003e\n\u003cli\u003eVCF FM in\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\u003cli\u003ePhysical specifications\u003c\/li\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eMONO LANCET IN sub-D connector\u003c\/li\u003e\n\u003cli\u003eSize: 22hp\u003c\/li\u003e\n\u003cli\u003ePower usage: 25mA @ +12V\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\u003cli\u003eIncluded\u003c\/li\u003e\n\n\u003cul\u003e\n\n\u003cli\u003esub-D cable to connect to Mono Lancet\u003c\/li\u003e\n\u003cli\u003eMounting screws\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\u003c\/ul\u003e","brand":"Vermona","offers":[{"title":"Default Title","offer_id":45257215738130,"sku":"VER-MONOLANCETDOCK","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/vermona_monolancetmodulardock_top.jpg?v=1695405267"},{"product_id":"vermona-mono-lancet-15-monophonic-analog-desktop-synthesizer","title":"Vermona Mono Lancet '15 Monophonic Analog Desktop Synthesizer","description":"\u003cp\u003eVermona Mono Lancet '15 is a compact synthesizer with a big sound, an uncomplicated user interface and lots of charm. The original Mono Lancet was an instant classic, and the '15 update adds three extra LFO waveforms and a USB port for firmware updates.\u003c\/p\u003e\n\u003cp\u003eTwo analog oscillators ensure a solid sound foundation. Oscillator one creates triangle, sawtooth and square waves and has a range one octave lower than the second oscillator. The latter has the same sawtooth and square waves but replaces the triangle with a white noise source. The pulse width can be modulated over MIDI via the modulation wheel. The glide generator has a legato mode or can be permanently engaged.\u003c\/p\u003e\n\u003cp\u003eThe voltage controlled lowpass filter has a slope of 24db per octave. On high resonance settings it self-oscillates, producing a stable sine wave that can be played over a range of about 2½ octaves. Using MIDI, the cutoff frequency can be set to respond to velocity and\/or aftertouch.\u003c\/p\u003e\n\u003cp\u003eThere's a strong VCA inside Mono Lancet '15 that can be modulated by the ADSR envelope generator or a fixed, 'organ-like' envelope. It can also be switched via MIDI CC to respond to velocity.\u003c\/p\u003e\n\u003cp\u003eThe ADSR envelope generator can modulate the VCO and VCF frequency as well as the VCA. The LFO offers saw up, saw down, sine, rectangle and triangle waveforms as well as sample \u0026amp; hold and can be a modulation source for the VCF and\/or VCO.\u003c\/p\u003e\n\u003cp\u003eThere's a 25-pin D-sub 'extension' connector on the rear of Mono Lancet '15. The optional Mono Lancet Modular Dock (sold separately) is a eurorack module that widens the potential of the synthesizer enormously through numerous inputs and outputs for control voltages and audio signals, per-oscillator PWM and filter cutoff inputs being just two examples.\u003c\/p\u003e\n\u003cul class=\"disc\"\u003e\n\u003cli\u003eVCO1\u003c\/li\u003e\n\u003cul class=\"disc\"\u003e\n\u003cli\u003eWaveforms: square, sawtooth, triangle\u003c\/li\u003e\n\u003cli\u003eOctaves: 8', 16', 32'\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul class=\"disc\"\u003e\n\u003cli\u003eVCO2\u003c\/li\u003e\n\u003cul class=\"disc\"\u003e\n\u003cli\u003eWaveforms: square, sawtooth\u003c\/li\u003e\n\u003cli\u003eWhite noise generator\u003c\/li\u003e\n\u003cli\u003eOctaves: 4', 8', 16'\u003c\/li\u003e\n\u003cli\u003eDetune ±7 semitones\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul class=\"disc\"\u003e\n\u003cli\u003eVCO1 and VCO2\u003c\/li\u003e\n\u003cul class=\"disc\"\u003e\n\u003cli\u003eAdjustable LFO intensity to pitch\u003c\/li\u003e\n\u003cli\u003eBipolar adjustable envelope generator intensity\u003c\/li\u003e\n\u003cli\u003eGlide (legato mode or always active)\u003c\/li\u003e\n\u003cli\u003eOscillator 1\/2 mix control\u003c\/li\u003e\n\u003cli\u003ePulse width modulation via MIDI (modulation wheel)\u003c\/li\u003e\n\u003cli\u003eMaster tune ±1 note\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul class=\"disc\"\u003e\n\u003cli\u003eVCF\u003c\/li\u003e\n\u003cul class=\"disc\"\u003e\n\u003cli\u003e24 dB\/octave lowpass filter\u003c\/li\u003e\n\u003cli\u003eResonance can be played over a range of approximately 2½ octaves\u003c\/li\u003e\n\u003cli\u003eBipolar adjustable envelope generator intensity\u003c\/li\u003e\n\u003cli\u003eAdjustable LFO intensity\u003c\/li\u003e\n\u003cli\u003eSwitchable keytrack: Off, 50%, 100%\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul class=\"disc\"\u003e\n\u003cli\u003eVCA\u003c\/li\u003e\n\u003cul class=\"disc\"\u003e\n\u003cli\u003eModes: envelope generator, gate envelope, on\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul class=\"disc\"\u003e\n\u003cli\u003eLFO\u003c\/li\u003e\n\u003cul class=\"disc\"\u003e\n\u003cli\u003eWaveforms: saw up, saw down, square, triangle, sine, sample \u0026amp; hold\u003c\/li\u003e\n\u003cli\u003eFrequency range: ±0.05 Hz to 250 Hz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul class=\"disc\"\u003e\n\u003cli\u003eEnvelope generator\u003c\/li\u003e\n\u003cul class=\"disc\"\u003e\n\u003cli\u003eAttack, decay, sustain, release\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul class=\"disc\"\u003e\n\u003cli\u003eMIDI functions\u003c\/li\u003e\n\u003cul class=\"disc\"\u003e\n\u003cli\u003eNote on\/off\u003c\/li\u003e\n\u003cli\u003ePitch bender - affects VCO pitch (±4 tones)\u003c\/li\u003e\n\u003cli\u003eModulation wheel - affects square wave pulse width\u003c\/li\u003e\n\u003cli\u003eAftertouch - affects cutoff frequency\u003c\/li\u003e\n\u003cli\u003eVelocity - affects VCA\u003c\/li\u003e\n\u003cli\u003eVelocity can additionally be set to affect cutoff frequency\u003c\/li\u003e\n\u003cli\u003eAuto-glide on\/off - controls whether glide only works when playing legato\u003c\/li\u003e\n\u003cli\u003eLegato on\/off - controls whether envelope will be retriggered when playing legato\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e","brand":"Vermona","offers":[{"title":"Default Title","offer_id":45257215770898,"sku":"VER-MONOLANCET15","price":589.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/VER-MONOLANCET15_Main_c657e59b-0d1b-49da-975c-ab8bc796258c.jpg?v=1740506987"},{"product_id":"vermona-twinout-eurorack-module","title":"Vermona twinOUT Eurorack Module","description":"\u003cp\u003eBesides spectacular sound-engines and -shapers, conventional and uncommon sources and modulators of control voltages, a modular synthesizer also needs a selection of utility modules to handle the 'daily routine.' Vermona twinOUT is just such a module: the perfect connection to your studio.\u003c\/p\u003e\n\n\u003cp\u003eThis 'DI box in a module' offers two adjustable, electronically-balanced XLR outputs for stereo or independent dual mono use. An additional headphone output, also suited for line level output, completes twinOUT's feature set.\u003c\/p\u003e\n\n\u003cp\u003eTo bring out the best of your modular synthesizer, there's no getting around the twinOUT!\u003c\/p\u003e\n\n\u003cp\u003eJust like every Vermona module, each twinOUT is produced in their 'elektroakustischen Manufaktur' in Erlbach, Germany. Advanced circuits and the usage of high quality components provide the foundation for a long-lasting module of the highest utility.\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eModule controls\u003c\/li\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eDUAL\/STEREO switch: toggles between dual\/mono or stereo operation\u003c\/li\u003e\n\u003cli\u003eLEVEL 1 knob: Sets the output level of channel 1\u003c\/li\u003e\n\u003cli\u003eLEVEL 2 knob: Sets the output level of channel 2 (inactive in stereo mode)\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\u003cli\u003ePatch points\u003c\/li\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e1\/left INPUT 1\/8\" jack\u003c\/li\u003e\n\u003cli\u003e2\/right INPUT 1\/8\" jack\u003c\/li\u003e\n\u003cli\u003e1 OUTPUT balanced XLR jack\u003c\/li\u003e\n\u003cli\u003e2 OUTPUT balanced XLR jack\u003c\/li\u003e\n\u003cli\u003eHeadphone output 1\/8\" jack\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\u003cli\u003ePhysical specifications\u003c\/li\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eSize: 8hp\u003c\/li\u003e\n\u003cli\u003eModule depth: 36mm\u003c\/li\u003e\n\u003cli\u003ePower usage: 25mA @ +12V, 25mA @ -12V\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\u003c\/ul\u003e","brand":"Vermona","offers":[{"title":"Default Title","offer_id":45257215803666,"sku":"VER-TWINOUT","price":279.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/ver-twinout_thumbnail.jpg?v=1695405271"},{"product_id":"on-stage-ws7500rb-workstation-desk-rosewood-black","title":"On-Stage WS7500RB Workstation Desk - Rosewood\/Black","description":"\u003clink rel=\"stylesheet\" type=\"text\/css\" href=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/vip.css\"\u003e\n\n\u003cdiv\u003e\n\n\u003cp\u003eOn-Stage WS7500 Workstation Desk is ergonomically designed for maximum comfort and work efficiency. The rectangular steel tube frame is sturdy enough to support all of your computer\/keyboard gear, while the compact Z-frame and slide-out keyboard tray keep your set-up clean and sleek.\u003c\/p\u003e\n\n\u003cul class=\"disc\"\u003e\n\n\u003cli\u003ePerfect for the home studio\u003c\/li\u003e\n\u003cli\u003eErgonomic Z-frame constructed from steel\u003c\/li\u003e\n\u003cli\u003eLaminate surfaces\u003c\/li\u003e\n\u003cli\u003eSlide-out keyboard tray\u003c\/li\u003e\n\u003cli\u003eSteel tubing 1\" × 1\"; 1\" × 2\" on horizontal floor legs\u003c\/li\u003e\n\u003cli\u003eWeight capacity 175 lb\u003c\/li\u003e\n\u003cli\u003eKeyboard tray height 25\"\u003c\/li\u003e\n\u003cli\u003ePlatform height 29\"\u003c\/li\u003e\n\u003cli\u003eTop platform height 37.5\"\u003c\/li\u003e\n\u003cli\u003eDimensions 43\" W × 30\" D\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n \u003cbr\u003e\n\n\u003c\/div\u003e\n\n\u003cdiv id=\"flexy-wrapper\"\u003e\n\n\u003cdiv class=\"flexy-row\"\u003e\n\t\u003cdiv class=\"flexy-image-area hide-this\"\u003e\n\t\u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/ws7500rb\/detail.png\" alt=\"detail image of On-Stage WS7500B showing black surface finish and black frame finish\"\u003e\n\t\u003c\/div\u003e\n\n \t\u003cdiv class=\"flexy-text-area left-padding\"\u003e\n     \u003cp\u003eThe Z-frame design offers strength and stability. The desk creates a comfortable and efficient working space for your recording studio or sound production environment. This particular model comes in rosewood with a black frame.\u003c\/p\u003e\n      \u003c\/div\u003e    \n\u003c\/div\u003e\n    \n\u003cdiv class=\"flexy-row\"\u003e   \n     \u003cdiv class=\"flexy-image-area hide-this hide-m2 show-mobile\"\u003e\n        \u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/ws7500rb\/top-platform.png\" alt=\"assembly illustration detail showing attachment of top surface\"\u003e       \n      \u003c\/div\u003e\n \n      \u003cdiv class=\"flexy-text-area right-padding\"\u003e\n           \u003cp\u003eThe top platform can be mounted aligned with the back legs of the Z-frame to line up your workstation flush with a wall, or mounted 2\" back to allow more usable space on the first platform.\u003c\/p\u003e\n      \u003c\/div\u003e\n     \n      \u003cdiv class=\"flexy-image-area hide-this hide-mobile\"\u003e\n        \u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/ws7500b\/top-platform.png\" alt=\"assembly illustration detail showing attachment of top surface\"\u003e       \n      \u003c\/div\u003e     \n\u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"On-Stage","offers":[{"title":"Default Title","offer_id":45257216065810,"sku":"TMP-WS7500RB","price":349.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/tmp-ws7500rb.jpg?v=1695405265"},{"product_id":"ultimate-tbr-180-tribar-support-arms","title":"Ultimate TBR-180 Tribar Support Arms","description":"\u003cp\u003eTBR-180 Tribar arms are support arms that hook into a CMP-485 Super Clamp (sold separately). When used together, Tribar arms and a Super Clamp form one APEX tier to be used on an APEX AX-48 Pro keyboard stand. Total load capacity is not to exceed 250 lbs. and only two tiers are encouraged. The TBR-180 Tribar arms are 18\" in depth and are intended to support deeper, larger keyboards, synths, and workstations. Also available are TBR-130 13\" Tribar arms for use with mid- to small-sized keyboard instruments.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eExtraordinarily strong tier support arms\u003c\/li\u003e\n  \u003cli\u003eFor use with Ultimate Support CMP-485 Super Clamp (sold separately)\u003c\/li\u003e\n  \u003cli\u003eTo be used on an Ultimate Support APEX AX-48 Pro keyboard stand\u003c\/li\u003e\n  \u003cli\u003e18\" Tribar arms for supporting deeper, larger keyboards, synths, and workstations\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Ultimate Support","offers":[{"title":"Default Title","offer_id":45257216098578,"sku":"ULT-TBR180","price":44.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/ultimate_tbr180.jpg?v=1695405272"},{"product_id":"on-stage-ksa7550-2nd-tier-for-z-frame-stand","title":"On-Stage KSA7550 2nd Tier for Z-Frame Stand","description":"\u003cp\u003eThe On-Stage Stands KSA7550 with its internal locking mounting attachment, let you convert your keyboard stand into a 2nd-tier stand. This height adjustable, tilting tier is also width adjustable to adjust along with the width of your stand.\u003c\/p\u003e\n\u003cp\u003eFor use with the On-Stage KS7350 and KS360 folding Z stands.\u003c\/p\u003e","brand":"On-Stage","offers":[{"title":"Default Title","offer_id":45257216131346,"sku":"TMP-KSA7550","price":114.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/on-stage_ksa7550.jpg?v=1695405260"},{"product_id":"vermona-perfourmer-mkii-cv-gate-quad-analog-synthesizer","title":"Vermona PERfourMER MKII CV\/Gate Quad Analog Synthesizer","description":"\u003cp\u003eVermona's original PERfourMER has long been admired, both conceptually and for its unique sound. Always iterating on their successful synthesizer designs, Vermona added a few extra ingredients and a little more spice and cooked up PERfourMER MKII — give it a try!\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eThe concept\u003c\/strong\u003e\u003cbr\u003ePERfourMER MKII combines four discrete built monophonic analog synthesizers into a single rackmountable desktop unit. What sounds simple will surprise you with its large sound variety. The individual synthesizer channels can be coupled in different ways and played monophonically or polyphonically. At the same time, the synthesizer channels can interact with one another via oscillator synchronization or frequency modulation.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eThe synthesizer channel\u003c\/strong\u003e\u003cbr\u003eAll four synthesizer channels are based upon the classic structure of VCO, VCF and VCA. The oscillator offers sine, triangle, square and sawtooth waveforms or a noise generator. In addition, the square waveforms' pulse width can be modulated using a LFO or MIDI control data. The resonant low pass filter that follows offers a slope of 24 dB per octave and is followed by the voltage controlled amplifier. A flexible LFO and an ADSR envelope generator allow for modulations of the oscillator's pitch as well as the filter's cutoff frequency.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eFM and sync\u003c\/strong\u003e\u003cbr\u003ePERfourMER MKII's synthesizer channels can interact with one another. For example, a frequency modulation of oscillator or filter will significantly expand the available spectrum of sounds. Another possible interaction is the synchronization of adjacent oscillators. SYNC and FM can even be used at the same time! However, it's not just the oscillators that can be synchronized: in addition, the LFOs can be synced either to each other or to an internal or external (MIDI) clock source.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003ePlay modes\u003c\/strong\u003e\u003cbr\u003ePERfourMER MKII's clever voice assignment lets you choose among six operational modes. Coupled synthesizer channels can be played polyphonically, duophonically or monophonically. This way you can create expressive, lively sequences that may use a rotating\/cycling voice assignment where each note addresses a successive individual synthesizer channel.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eFilter bank\u003c\/strong\u003e\u003cbr\u003eEach synthesizer channel has an external audio input to replace the oscillator waveform as sound source. This way, PERfourMER MKII also makes a versatile and complex filter bank with four filter sections, four VCAs, four envelopes and four LFOs.\u003c\/p\u003e\n\n\u003cp\u003eBelying its immense flexibility, PERfourMER MKII was carefully designed to be used effortlessly and in a straightforward way. Its no-compromise, hands-on, direct-access design to all relevant parameters was an imperative for the development team at Vermona.\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eSubtractive analog synthesis engine\u003c\/li\u003e\n\u003cli\u003eSingle output\/insert per channel\u003c\/li\u003e\n\u003cli\u003eVCO output and external input per channel\u003c\/li\u003e\n\u003cli\u003e6 different play modes: 2 × monophonic, 2 × duophonic and 2 × polyphonic\u003c\/li\u003e\n\u003cli\u003e24dB\/octave resonant low pass filters\u003c\/li\u003e\n\u003cli\u003eExternal inputs for each individual voice for use as filterbank\u003c\/li\u003e\n\u003cli\u003eLFO sync to internal or external MIDI clock\u003c\/li\u003e\n\u003cli\u003eMIDI in and thru\u003c\/li\u003e\n\u003cli\u003e1V\/octave CV\/gate inputs for each synthesizer voice\u003c\/li\u003e\n\u003cli\u003eIndividual output per voice as well as stereo output with pan control\u003c\/li\u003e\n\u003cli\u003eAdvanced editing menu for even more possibilities\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"Vermona","offers":[{"title":"Default Title","offer_id":45257216262418,"sku":"VER-PER4MERMKIICV","price":1729.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/VER-PER4MERMKIICV.jpg?v=1720195841"},{"product_id":"vermona-vcdrive-voltage-controlled-overdrive-eurorack-module","title":"Vermona VCDrive Voltage Controlled Overdrive Eurorack Module","description":"\u003cp\u003eVermona VCDrive is a voltage-controlled distortion module suited for all kind of signals within your eurorack modular system.\u003c\/p\u003e\n\n\u003cp\u003eThe wide sonic spectrum of VCDrive ranges from slight fattening of audio signals to intense overdrive. At the same time, it will always preserve its elegant basic nature. This module is not a brutal destroyer, but rather an enormous muscle packed with a classy core.\u003c\/p\u003e\n\n\u003cp\u003eThe amount of distortion can be manually adjusted or modulated by a control voltage from, say, an envelope or an LFO. However, with a little creativity, VCDrive will easily deliver more complex results and therefore can be much more than just a 'typical' distortion unit.\u003c\/p\u003e\n\n\u003cp\u003eVCDrive is a premium sound-shaping device that should not be missing in any modular system. It is an effective team player when it comes to creating cutting bass, lead and drum sounds. It's also a huge help when designing weird sound effects.\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eSize: 6hp\u003c\/li\u003e\n\u003cli\u003eModule depth: 36mm\u003c\/li\u003e\n\u003cli\u003ePower usage: 30mA @ +12V, 30mA @ -12V\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"Vermona","offers":[{"title":"Default Title","offer_id":45257216524562,"sku":"VER-VCDRIVE","price":279.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/ver-vcdrive_front.jpg?v=1695405277"},{"product_id":"vermona-tai-4-transformer-isolated-audio-interface-eurorack-module","title":"Vermona TAI-4 Transformer-Isolated Audio Interface Eurorack Module","description":"\u003cp\u003eVermona TAI-4 is a 2x2 channel audio interface module for balancing signals coming from a modular system and for un-balancing audio signals that are sent to a modular system. Unlike similar modules that work with electrical balancing, TAI-4 has isolating transformers and thus features true balancing.\u003c\/p\u003e\n\n\u003cp\u003eThe upper section of the module consists of two identical channels with balanced XLR female connectors as inputs and 1\/8\" jacks as outputs. Rocker switches are provided for adjusting levels (0dB, +6dB, +12dB). The bottom section has two output channels with 1\/8\" jacks as inputs and XLR males as outputs. There are rocker switches for adjusting levels here as well (-12dB, -6dB, 0dB).\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eSize: 14hp\u003c\/li\u003e\n\u003cli\u003eModule depth: 42mm\u003c\/li\u003e\n\u003cli\u003ePower usage: 20mA @ +12V\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"Vermona","offers":[{"title":"Default Title","offer_id":45257217868050,"sku":"VER-TAI4","price":399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/vermona_tai4_thumb_c5595041-c861-437e-9752-358cbf4fd8ea.jpg?v=1695405276"},{"product_id":"vermona-perfourmer-mkii-quad-analog-synthesizer","title":"Vermona PERfourMER MKII Quad Analog Synthesizer","description":"\u003cp\u003eVermona's original PERfourMER has long been admired, both conceptually and for its unique sound. Always iterating on their successful synthesizer designs, Vermona added a few extra ingredients and a little more spice and cooked up PERfourMER MKII — give it a try!\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eThe concept\u003c\/strong\u003e\u003cbr\u003ePERfourMER MKII combines four discrete built monophonic analog synthesizers into a single rackmountable desktop unit. What sounds simple will surprise you with its large sound variety. The individual synthesizer channels can be coupled in different ways and played monophonically or polyphonically. At the same time, the synthesizer channels can interact with one another via oscillator synchronization or frequency modulation.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eThe synthesizer channel\u003c\/strong\u003e\u003cbr\u003eAll four synthesizer channels are based upon the classic structure of VCO, VCF and VCA. The oscillator offers sine, triangle, square and sawtooth waveforms or a noise generator. In addition, the square waveforms' pulse width can be modulated using a LFO or MIDI control data. The resonant low pass filter that follows offers a slope of 24 dB per octave and is followed by the voltage controlled amplifier. A flexible LFO and an ADSR envelope generator allow for modulations of the oscillator's pitch as well as the filter's cutoff frequency.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eFM and sync\u003c\/strong\u003e\u003cbr\u003ePERfourMER MKII's synthesizer channels can interact with one another. For example, a frequency modulation of oscillator or filter will significantly expand the available spectrum of sounds. Another possible interaction is the synchronization of adjacent oscillators. SYNC and FM can even be used at the same time! However, it's not just the oscillators that can be synchronized: in addition, the LFOs can be synced either to each other or to an internal or external (MIDI) clock source.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003ePlay modes\u003c\/strong\u003e\u003cbr\u003ePERfourMER MKII's clever voice assignment lets you choose among six operational modes. Coupled synthesizer channels can be played polyphonically, duophonically or monophonically. This way you can create expressive, lively sequences that may use a rotating\/cycling voice assignment where each note addresses a successive individual synthesizer channel.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eFilter bank\u003c\/strong\u003e\u003cbr\u003eEach synthesizer channel has an external audio input to replace the oscillator waveform as sound source. This way, PERfourMER MKII also makes a versatile and complex filter bank with four filter sections, four VCAs, four envelopes and four LFOs.\u003c\/p\u003e\n\n\u003cp\u003eBelying its immense flexibility, PERfourMER MKII was carefully designed to be used effortlessly and in a straightforward way. 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You can use it in a standing or sitting position, it’s highly versatile (use it to hold DJ gear or mixers), and provides plenty of space at the base for all your keyboard pedals. The V-Stand Pro is also extraordinarily portable, folding up into a mere 28.5\" x 9.5\" x 6\" space!\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eDistinctive Design and Style\u003c\/li\u003e\n  \u003cli\u003eHighly Versatile Stand\u003c\/li\u003e\n  \u003cli\u003eFoot Pedal Clearance\u003c\/li\u003e\n  \u003cli\u003eInnovative Portability\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003cstrong\u003eDistinctive Design and Style\u003c\/strong\u003e\u003cbr\u003e\nThe V-Stand Pro features a sleek design and provides a distinctive look to your keyboard rig. You can use it in a standing or sitting position, and it looks as great as it functions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHighly Versatile Stand\u003c\/strong\u003e\u003cbr\u003e\nHeight and width adjustable for optimal sitting or standing positions, the V-Stand Pro holds keyboards, DJ equipment, and mixing consoles. In addition V-Stand Pro accommodates portable audio and lighting consoles. Whatever you might need to support at your next gig, the V-Stand Pro can hold it!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFoot Pedal Clearance and Cable Management\u003c\/strong\u003e\u003cbr\u003e\nThe V-Stand Pro provides a wide footprint for easy access to pedals. And, since you can use it in a standing or sitting position, we've designed plenty of room to set up as many pedals as you wish - in whatever arrangement you desire! Plus, the V-Stand Pro features two cable clips, one on each leg, so you can keep your cables from getting in the way of your performance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInnovative Portability\u003c\/strong\u003e\u003cbr\u003e\nUltimate Support understands that many of today's keyboard players are playing in the studio AND out in the field - often in the same week - and that portability is a must for your favorite keyboard stand. The V-Stand Pro quickly and easily folds into a 28.5\" x 9.5\" x 6\" compact unit so you can take it anywhere!\u003c\/p\u003e","brand":"Ultimate Support","offers":[{"title":"Default Title","offer_id":45257218720018,"sku":"ULT-VS88B","price":249.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/ultimate_vs88b.jpg?v=1695405280"},{"product_id":"vermona-retroverb-lancet-desktop-spring-reverb-module","title":"Vermona Retroverb Lancet Desktop Spring Reverb Module","description":"\u003cp\u003eToday's digital effects and plug-ins can create almost perfect room simulations. However, when it comes to characteristic and charismatic reverb, analog effect processors are yet to be beat. The reverberating sound of a spring is so lively and unique that its sound is almost impossible to recreate in the digital domain. In addition to this, Retroverb Lancet is not just a spring reverberation system; it is also an analog multi-effects-processor. It offers overdrive, filtering, VCA, envelope and LFO to manipulate the spring sound and create different sounds like auto-wah, tremolo, distortion, delay, gater and, of course, reverb.\u003c\/p\u003e\n\n\u003cp\u003eThe typical spring reverb sound is generated by a Belton\/Accutronics type 4 spring tank with three individual springs. It can be placed pre or post the VCF\/VCA section and equalized by the TONE parameter.\u003c\/p\u003e\n\n\u003cp\u003eThe CRASH function generates the popular 'thunder' effect that occurs when kicking an amplifier with spring tank. You don't have to kick Retroverb Lancet; you can achieve this effect simply by pressing the CRASH button. It can also be triggered by a GATE voltage.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eCompact tabletop analog spring reverb\n  \u003c\/li\u003e\n  \u003cli\u003eBelton\/Accutronics type 4 spring tank with three individual springs\u003c\/li\u003e\n  \u003cli\u003eSpring reverb effect can be placed pre- or post-VCF\/VCA\u003c\/li\u003e\n  \u003cli\u003eMultimode filter works as lowpass or highpass with a slope of 24dB per octave, or as bandpass with 12dB per octave. It is followed by a voltage controlled amplifier\n  \u003c\/li\u003e\n  \u003cli\u003eFilter and amplifier can be modulated individually by different sources\n  \u003c\/li\u003e\n  \u003cli\u003eRetroverb Lancet offers three internal modulation sources:\n  \u003cul\u003e\n    \u003cli\u003eEnvelope follower: converts the amplitude characteristic of the audio input signal into a control voltage\n      \u003c\/li\u003e\n    \u003cli\u003eEnvelope generator: can be triggered by the input signal itself, a second audio signal or a gate voltage. Depending on the trigger source it works as attack\/decay or as attack\/sustain\/release envelope\n      \u003c\/li\u003e\n    \u003cli\u003eLFO: offers saw up and saw down, square, sine as well as sample and hold. Additionally, it can use the envelope generator's settings as its waveform. It can oscillate freely or be reset by different trigger sources\u003c\/li\u003e\n  \u003c\/ul\u003e\n  \u003c\/li\u003e\n  \u003cli\u003eCV\/pedal input for control via external control voltage sources or expression pedals.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Vermona","offers":[{"title":"Default Title","offer_id":45257218949394,"sku":"VER-RETROVERBLANCET","price":579.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/ver-retroverblancet.jpg?v=1695405280"},{"product_id":"waldorf-blofeld-keyboard-synthesizer","title":"Waldorf Blofeld Keyboard Synthesizer","description":"\u003cp\u003eWaldorf Blofeld is offspring from a noble house, the little synthesizer machine with the big and evil sound. This synthesizer offers all the unique qualities that made Waldorf a truly legendary brand. The engine inside the heavy duty, full metal chassis of Blofeld delivers the same fat and rich sound that so many Waldorf users worldwide love when they play their Pulse, Q, Q+, Micro Q, Microwave, Microwave II\/XT or even the flagship Wave.\u003c\/p\u003e\n\n\u003cp\u003eYes, you heard right: Blofeld is not only capable of producing the warm, organic analog sounds known from the Q synthesizer line, it also sports a wavetable engine like its predecessors with 'Wave' in their names. This unique synthesis system is based upon the revolutionary PPG Wave synthesizers of the early 80s, so when you listen to Blofeld for the first time you will instantly recognize those edgy, hard-hitting and bell-like timbres that have been an integral part of so many world hits from the PPG era onwards and have become increasingly popular once more. In fact, it is amazing to realize that nowadays this complex technology fits into such a slim and elegant device, and for a price nobody would have imagined back in the days of its predecessors.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eOscillators\u003c\/strong\u003e\u003cbr\u003eEach of the three oscillators offers authentic circuit models of analog waveforms: pulse with variable pulsewidth, sawtooth, triangle and, as found in relatively few analog synthesizers these days, sine wave. Furthermore, oscillators 1 and 2 feature the two wavetables that were introduced by the Waldorf Q and appeared shortly thereafter in the Micro Q series. Not only that, Blofeld includes all ROM wavetables from the mighty flagship Waldorf Wave as well as Microwave II\/XT. Plus, lo and behold, the desperately requested 'upper wavetable' from PPG Wave! For the first time in the history of Waldorf and PPG, each of these two oscillators can have its own wavetable.\u003c\/p\u003e\n\n\u003cp\u003eWhat's more, you have control over the brilliance of these wavetables, which is especially important for waves with lots of harmonics in the bass end. You decide if you prefer pure and perfect harmonics or the same edgy timbre you know and love from the earlier Waldorf and PPG synthesizers. Brilliance also affects the sawtooth and pulse oscillator models, ranging from warm and soft (for those typical LA string pads) to the hard shapes you need for punchy and biting bass sounds. Note, though, that Brilliance is not a simple filter applied after the oscillators; rather, the oscillator model itself is modified.\u003c\/p\u003e\n\n\u003cp\u003eEach of the three oscillators can be frequency-modulated by any of the other oscillators, the noise generator or one of the LFOs. With low FM amounts you can add a little dirt to the oscillator sound; with higher amounts you get typical FM effects. On top of all that, oscillator 2 can be hard-synced to oscillator 3.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eRing modulation\u003c\/strong\u003e\u003cbr\u003eOscillators 1 and 2 can be ring modulated to create bell-like metallic sounds and eerie sound effects as well as pumping basses and leads. The noise generator delivers white noise that can be filtered lowpass or highpass, depending on the noise color setting. The three oscillators, the ring modulator and the noise generator can be freely mixed into filter 1 and filter 2. This allows fine control over the harmonic content of each of the tone generators.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eFilters\u003c\/strong\u003e\u003cbr\u003eBlofeld has two multimode filters per voice that can be routed in series or in parallel. Each filter has its own pan parameter for easy creation of stereo sounds. The selection of filter types includes low pass, band pass, high pass and notch (band reject), each with 12dB\/oct or 24dB\/oct slope. The filter models are based on several famous Waldorf filter algorithms found in all their products. They offer resonance up to self-oscillation as well as frequency modulation (filter FM). Furthermore, Blofeld features the same comb filter types (with positive and negative feedback) first introduced in the Waldorf Q. These can be used to thicken bass and pad sounds or to create percussive, string or flute sounds reminiscent of physical modeling.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eOverdrive, saturation, distortion, shaping\u003c\/strong\u003e\u003cbr\u003eBlofeld offers a freely controllable drive behind each filter with more than a dozen curves. These include such standards as the drive from the Q and Micro Q, low\/medium\/hard saturation, tube saturation, two types of electric pickups, a rectifier, digital overflow as well as esoteric stuff such as 'binary distortion,' a sinusoidal waveshaper and even a distortion controlled by oscillator 1. And because Blofeld has two filters that can be routed in series, you can control the timbre of the drive output of filter 1 by dampening or emphasizing certain frequencies with filter 2.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003cbr\u003eBlofeld has two effect slots with various types. In Multimode, the first effect slot is available per part, while the second one is used for all 16 parts (i.e., global) with controllable mix levels. Part 1 determines the settings of the second effect. The first effect slot offers modulation effects such as chorus and flanger as well as a combined type called 'Triple FX.' The latter gives you several effects at once, but with a reduced parameter set. The second effect slot offers all the same types as the first, but with the addition of delay, clocked delay and reverb.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eEnvelopes\u003c\/strong\u003e\u003cbr\u003eFour envelopes with different types and trigger modes affect any sound parameters you choose. Each envelope can be either polyphonic or single trigger. This is especially interesting with the monophonic voice allocation, as the filter envelope can be set to be triggered only by the first note(s) while the amp envelope is triggered on each note — think 'organ percussion register,' for instance. The envelope types include the standard ADSR as well as an enhanced ADSR variant with controllable attack level and two decay and sustain stages, two different loop envelopes and a 'one shot' envelope. The loop types can be used to act as additional LFOs, while the 'one shot' is perfectly suited for percussion sounds, which typically ignore the note release.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eLFOs\u003c\/strong\u003e\u003cbr\u003eEach of the three LFOs offers sine, triangle, square and sawtooth waveforms, plus sample \u0026amp; hold and random. LFOs can be synchronized to MIDI clock, they can be polyphonic or monophonic, can be reset on key trigger to a freely definable phase, and the speed can be scaled by MIDI note (key follow). There are separate delay and fade in\/out parameters for, say, delayed vibrato (positive fade values) or a burst of vibrato at the start of each note (negative fade values). One important feature of the Blofeld LFOs is that higher rates reach well into the audio frequency range, thus making them useful extra FM sources. There are two basic modes: either linear FM as seen in classic digital synths, or logarithmic FM, which is primarily the domain of analog modular systems.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eModulations\u003c\/strong\u003e\u003cbr\u003eHere's where the real Waldorf power lies. Each and every instrument designed and built by Waldorf lets you connect dozens of modulation sources to all the important sound generation parameters. Individual or multiple oscillator pitches, their pulsewidths and waveforms, their levels and filter-balances, FM modulation amounts, individual filter cutoff and resonance, filter FM amounts and stereo panning, or just the good old sound output level — everything can be controlled from internal modulation sources or from a variety of MIDI messages such as velocity, keytrack, continuous controllers (including wheels, breath and foot controllers), etc.\u003c\/p\u003e\n\n\u003cp\u003eYou can of course 'modulate the modulators,' i.e., control LFO speeds and individual envelope rates and levels, but in Blofeld you can even specify that these sources modulate themselves — recursive modulation! For instance, modulating an envelope rate by the same envelope (or another one) can alter the shape of the slope dramatically from the standard exponential curve to linear to inverse exponential.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eModifiers\u003c\/strong\u003e\u003cbr\u003eAnd how many slots do you get in the mod matrix? Two? Three? Four? No, we're talking big here: you get 16 freely definable slots plus all the pre-routed modulation destinations such as pitch, oscillator frequency and pulse width modulation, filter cutoff, pan and amp level. Don't forget that the filter envelope is already routed to filter 1 and 2 cutoff, and the amp envelope is routed to the amp level. This makes a total of 33 simultaneous connections.\u003c\/p\u003e\n\n\u003cp\u003eWhat if you want something really really crazy, like controlling a pitch vibrato done by LFO 3 with the modulation wheel. Although there are a few such composite modulation sources such as 'LFO1*MW' (LFO 1 controlled by modulation wheel) and 'LFO2*Press' (LFO 2 controlled by monophonic aftertouch), there's nobody doing the 'LFO3*MW' thing for you. But don't worry, that's where the Modifiers come into play: in seconds you can set up a new modifier with the two sources set to LFO 3 and modulation wheel, and the 'operation' set to '*' (multiply). You can use such custom-made modulation sources in any of the modulation slots described above.\u003c\/p\u003e\n\n\u003cp\u003eOkay, maybe you are more the regular musician who simply wants to perform a binary OR between two modulation sources? Okay, go for it! This operation is just one of several at your disposal.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eArpeggiator\u003c\/strong\u003e\u003cbr\u003eBlofeld's arpeggiator features variable clock divisions from 1\/64 triplets to more than 1,000 bars, with variable swing\/shuffle and a range of up to 10 octaves. Up, down and alternate modes, selectable play order from low to high note, low to high velocity, as played or reversed, variable note length, different velocity modes. And hold or 'one shot' if you like.\u003c\/p\u003e\n\n\u003cp\u003eBut more importantly, it has the most powerful pattern editor we have ever seen. You can set each step to either play the note it would do so anyway, to pause, to play the previous note again, play the first or the last note, play those together, play a chord consisting of all held notes or a randomly selected note.\u003c\/p\u003e\n\n\u003cp\u003eThen you can adjust the accent of each step (including silence), activate or deactivate glide for each step, set the timing to play a step ahead or behind its nominal time, and finely adjust the note length between short staccato and full legato.\u003c\/p\u003e\n\n\u003cp\u003eNo wonder this arpeggiator had great reviews when it first appeared in the Waldorf Q. It will take you straight to arpeggiator heaven, as has already happened to thousands of Waldorf customers. Dig it!\u003c\/p\u003e","brand":"Waldorf","offers":[{"title":"Default Title","offer_id":45257219047698,"sku":"WAL-BLOFELDKB","price":1299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/wal-blofeldkb_top.jpg?v=1695405285"},{"product_id":"vermona-vsr-3-2-vintage-spring-reverb","title":"Vermona VSR 3.2 Vintage Spring Reverb","description":"\u003cp\u003eVermona VSR 3.2 is a rackmountable spring reverb device with a focus on simplicity and excellent sound. Like Vermona's other spring reverb products, the VSR 3.2 uses a spring tank made by specialist AccuBell (formerly Accutronics).\u003c\/p\u003e\n\n\u003cp\u003eOver 70 years ago, spring reverbs were used to bring large reverberated 'cathedral' sounds into the homes of Hammond organ players. Since then, the sound has become classic and now you can find spring reverb devices in most studios around the world and as a built-in option on many guitar amplifiers.\u003c\/p\u003e\n\n\u003cp\u003eThe 'imperfection' of the spring reverb sound is what makes VSR 3.2 perfect for any kind of audio signal: organs, synthesizers, acoustic and electric guitars, vocals, (electronic) drums, whatever you like—it always adds that clashing and resonant yet musical and warm reverb sound.\u003c\/p\u003e\n\n\u003cp\u003eVSR 3.2 provides a GAIN knob to adjust the incoming signal level before it hits the spring tank. The resulting reverb signal can be refined by a carefully calibrated TONE control and seamlessly added to the unaffected original signal via a dry\/wet MIX knob—simple but effective!\u003c\/p\u003e\n\n\u003cp\u003eVSR 3.2 has the same EFFECT STOP button and footswitch input as its predecessor, but adds a PRE\/POST toggle to control whether EFFECT STOP cuts the signal path before or after the spring tank, giving you the option to have reverb trails either fade out or cut off abruptly.\u003c\/p\u003e\n\n\u003cp\u003eThanks to its well-shielded internal switching power supply the VSR 3.2 works smoothly anywhere in the world. In its 1U rack housing it doesn't take up much physical space, but it will create much acoustic space!\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eKnobs: GAIN, TONE, MIX, OUTPUT level\n    \u003c\/li\u003e\n  \u003cli\u003eEFFECT STOP button with PRE\/POST toggle to determine where signal path is cut\n  \u003c\/li\u003e\n  \u003cli\u003eRear panel footswitch jack to trigger EFFECT STOP\n  \u003c\/li\u003e\n  \u003cli\u003eAccuBell Type 9 spring tank\n  \u003c\/li\u003e\n  \u003cli\u003eInputs\n    \u003cul\u003e\n      \u003cli\u003eFront panel: -40dBu maximum input level, 1MΩ impedance\n        \u003c\/li\u003e\n      \u003cli\u003eRear A: 0dBu maximum input level, 100kΩ impedance\n        \u003c\/li\u003e\n      \u003cli\u003eRear B: -20dBu maximum input level, 10kΩ impedance\u003c\/li\u003e\n    \u003c\/ul\u003e\n  \u003c\/li\u003e\n  \u003cli\u003eOutputs\n    \u003cul\u003e\n      \u003cli\u003eA: 0dBu, 600 Ohm\u003cbr\u003e\n        \u003c\/li\u003e\n      \u003cli\u003eB: -20dBu, 600 Ohm\u003c\/li\u003e\n    \u003c\/ul\u003e\n  \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Vermona","offers":[{"title":"Default Title","offer_id":45257219113234,"sku":"VER-VSR32","price":369.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/ver-vsr32_frontleft.jpg?v=1695405284"},{"product_id":"vermona-lancet-wood-side-panels","title":"Vermona Lancet Wood Side Panels","description":"\u003cp\u003eAdd a touch of class to your Lancet with these wood side panels from Vermona.\u003c\/p\u003e","brand":"Vermona","offers":[{"title":"Default Title","offer_id":45257219408146,"sku":"VER-WOODPANELSMONO","price":49.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/ver-woodpanelsmono.jpg?v=1695405270"},{"product_id":"vermona-fourmulator-quad-modulation-engine-eurorack-module","title":"Vermona fourMulator Quad Modulation Engine Eurorack Module","description":"\u003cp\u003eVermona fourMulator is a digital quad-LFO module for eurorack compatible modular synthesizer and sound processing systems. Due to its ability to synchronize the modulators (LFOs) to each other or to an overall clock-reference, fourMulator is capable generating complex and rhythmic modulation structures.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eModulators (LFOs)\u003c\/strong\u003e\u003cbr\u003eEach modulator offers six wave forms: ascending and descending saw tooth, square, triangle, sine and random (sample \u0026amp; hold) with a frequency range between 0.05Hz (20 seconds) to approximately 100Hz. Each modulator offers waveform and trigger outputs, the latter sending an impulse with every new start of the selected waveform. Reset and CV inputs allow external parameter manipulation from other modules or from other modulators of fourMulator itself.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eSynchronization\u003c\/strong\u003e\u003cbr\u003eAll four modulators work independently but can be synchronized with each other. Each modulator can be individually synchronized to the left neighboring module or to a clock reference.\u003c\/p\u003e\n\n\u003cp\u003eTwo or more synchronized modulators always oscillate at the same frequency. However, a synchronized modulator can be phase-shifted by up to 180° (a half-cycle) to the clock reference. This allows easy creation of counter-rotating modulations. More complex modulations can be achieved using the CV input to manipulate phase shift.\u003c\/p\u003e\n\n\u003cp\u003eWith active clock synchronization, the corresponding modulators oscillate in reference to a common clock signal but use individual clock-dividing factors. Again, advanced possibilities result from being able to manipulate clock division through the module's CV inputs.\u003c\/p\u003e\n\n\u003cp\u003eBoth forms of synchronization can be combined. With one modulator being synchronized to a clock signal, it may as well serve as reference to the right neighboring modulator.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eCLOCK Generator (CLK)\u003c\/strong\u003e\u003cbr\u003efourMulator integrates an internal clock generator. Its tempo can be assigned using a tap-tempo-button or by using an external clock-reference.\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eFeatures\u003c\/li\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eFour Modulators (LFOs)\u003c\/li\u003e\n\u003cli\u003eLFOs can be synced to clock or to each other\u003c\/li\u003e\n\u003cli\u003eSix waveforms: saw up, saw down, square, triangle, sine, random (sample \u0026amp; hold)\u003c\/li\u003e\n\u003cli\u003eFrequency range from 0.05Hz to approximately 100Hz\u003c\/li\u003e\n\u003cli\u003eSpeed control acts as clock divider when synced to external clock\u003c\/li\u003e\n\u003cli\u003eEach LFO has waveform and trigger outputs\u003c\/li\u003e\n\u003cli\u003eEach LFO has reset and CV inputs\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\u003cli\u003ePhysical specifications\u003c\/li\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eSize: 34hp\u003c\/li\u003e\n\u003cli\u003eModule depth: 20mm\u003c\/li\u003e\n\u003cli\u003ePower usage: 120mA @ +12V, 20mA @ -12V\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\u003c\/ul\u003e","brand":"Vermona","offers":[{"title":"Default Title","offer_id":45257219473682,"sku":"VER-FOURMULATOR","price":429.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/vermona_fourmulator_front.jpg?v=1695405270"},{"product_id":"waldorf-blofeld-desktop-synthesizer-module","title":"Waldorf Blofeld Desktop Synthesizer Module","description":"\u003cp\u003eWaldorf Blofeld is offspring from a noble house, the little synthesizer machine with the big and evil sound. This synthesizer offers all the unique qualities that made Waldorf a truly legendary brand. The engine inside the heavy duty, full metal chassis of Blofeld delivers the same fat and rich sound that so many Waldorf users worldwide love when they play their Pulse, Q, Q+, Micro Q, Microwave, Microwave II\/XT or even the flagship Wave.\u003c\/p\u003e\n\n\u003cp\u003eYes, you heard right: Blofeld is not only capable of producing the warm, organic analog sounds known from the Q synthesizer line, it also sports a wavetable engine like its predecessors with 'Wave' in their names. This unique synthesis system is based upon the revolutionary PPG Wave synthesizers of the early 80s, so when you listen to Blofeld for the first time you will instantly recognize those edgy, hard-hitting and bell-like timbres that have been an integral part of so many world hits from the PPG era onwards and have become increasingly popular once more. In fact, it is amazing to realize that nowadays this complex technology fits into such a slim and elegant device, and for a price nobody would have imagined back in the days of its predecessors.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eOscillators\u003c\/strong\u003e\u003cbr\u003eEach of the three oscillators offers authentic circuit models of analog waveforms: pulse with variable pulsewidth, sawtooth, triangle and, as found in relatively few analog synthesizers these days, sine wave. Furthermore, oscillators 1 and 2 feature the two wavetables that were introduced by the Waldorf Q and appeared shortly thereafter in the Micro Q series. Not only that, Blofeld includes all ROM wavetables from the mighty flagship Waldorf Wave as well as Microwave II\/XT. Plus, lo and behold, the desperately requested 'upper wavetable' from PPG Wave! For the first time in the history of Waldorf and PPG, each of these two oscillators can have its own wavetable.\u003c\/p\u003e\n\n\u003cp\u003eWhat's more, you have control over the brilliance of these wavetables, which is especially important for waves with lots of harmonics in the bass end. You decide if you prefer pure and perfect harmonics or the same edgy timbre you know and love from the earlier Waldorf and PPG synthesizers. Brilliance also affects the sawtooth and pulse oscillator models, ranging from warm and soft (for those typical LA string pads) to the hard shapes you need for punchy and biting bass sounds. Note, though, that Brilliance is not a simple filter applied after the oscillators; rather, the oscillator model itself is modified.\u003c\/p\u003e\n\n\u003cp\u003eEach of the three oscillators can be frequency-modulated by any of the other oscillators, the noise generator or one of the LFOs. With low FM amounts you can add a little dirt to the oscillator sound; with higher amounts you get typical FM effects. On top of all that, oscillator 2 can be hard-synced to oscillator 3.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eRing modulation\u003c\/strong\u003e\u003cbr\u003eOscillators 1 and 2 can be ring modulated to create bell-like metallic sounds and eerie sound effects as well as pumping basses and leads. The noise generator delivers white noise that can be filtered lowpass or highpass, depending on the noise color setting. The three oscillators, the ring modulator and the noise generator can be freely mixed into filter 1 and filter 2. This allows fine control over the harmonic content of each of the tone generators.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eFilters\u003c\/strong\u003e\u003cbr\u003eBlofeld has two multimode filters per voice that can be routed in series or in parallel. Each filter has its own pan parameter for easy creation of stereo sounds. The selection of filter types includes low pass, band pass, high pass and notch (band reject), each with 12dB\/oct or 24dB\/oct slope. The filter models are based on several famous Waldorf filter algorithms found in all their products. They offer resonance up to self-oscillation as well as frequency modulation (filter FM). Furthermore, Blofeld features the same comb filter types (with positive and negative feedback) first introduced in the Waldorf Q. These can be used to thicken bass and pad sounds or to create percussive, string or flute sounds reminiscent of physical modeling.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eOverdrive, saturation, distortion, shaping\u003c\/strong\u003e\u003cbr\u003eBlofeld offers a freely controllable drive behind each filter with more than a dozen curves. These include such standards as the drive from the Q and Micro Q, low\/medium\/hard saturation, tube saturation, two types of electric pickups, a rectifier, digital overflow as well as esoteric stuff such as 'binary distortion,' a sinusoidal waveshaper and even a distortion controlled by oscillator 1. And because Blofeld has two filters that can be routed in series, you can control the timbre of the drive output of filter 1 by dampening or emphasizing certain frequencies with filter 2.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003cbr\u003eBlofeld has two effect slots with various types. In Multimode, the first effect slot is available per part, while the second one is used for all 16 parts (i.e., global) with controllable mix levels. Part 1 determines the settings of the second effect. The first effect slot offers modulation effects such as chorus and flanger as well as a combined type called 'Triple FX.' The latter gives you several effects at once, but with a reduced parameter set. The second effect slot offers all the same types as the first, but with the addition of delay, clocked delay and reverb.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eEnvelopes\u003c\/strong\u003e\u003cbr\u003eFour envelopes with different types and trigger modes affect any sound parameters you choose. Each envelope can be either polyphonic or single trigger. This is especially interesting with the monophonic voice allocation, as the filter envelope can be set to be triggered only by the first note(s) while the amp envelope is triggered on each note — think 'organ percussion register,' for instance. The envelope types include the standard ADSR as well as an enhanced ADSR variant with controllable attack level and two decay and sustain stages, two different loop envelopes and a 'one shot' envelope. The loop types can be used to act as additional LFOs, while the 'one shot' is perfectly suited for percussion sounds, which typically ignore the note release.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eLFOs\u003c\/strong\u003e\u003cbr\u003eEach of the three LFOs offers sine, triangle, square and sawtooth waveforms, plus sample \u0026amp; hold and random. LFOs can be synchronized to MIDI clock, they can be polyphonic or monophonic, can be reset on key trigger to a freely definable phase, and the speed can be scaled by MIDI note (key follow). There are separate delay and fade in\/out parameters for, say, delayed vibrato (positive fade values) or a burst of vibrato at the start of each note (negative fade values). One important feature of the Blofeld LFOs is that higher rates reach well into the audio frequency range, thus making them useful extra FM sources. There are two basic modes: either linear FM as seen in classic digital synths, or logarithmic FM, which is primarily the domain of analog modular systems.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eModulations\u003c\/strong\u003e\u003cbr\u003eHere's where the real Waldorf power lies. Each and every instrument designed and built by Waldorf lets you connect dozens of modulation sources to all the important sound generation parameters. Individual or multiple oscillator pitches, their pulsewidths and waveforms, their levels and filter-balances, FM modulation amounts, individual filter cutoff and resonance, filter FM amounts and stereo panning, or just the good old sound output level — everything can be controlled from internal modulation sources or from a variety of MIDI messages such as velocity, keytrack, continuous controllers (including wheels, breath and foot controllers), etc.\u003c\/p\u003e\n\n\u003cp\u003eYou can of course 'modulate the modulators,' i.e., control LFO speeds and individual envelope rates and levels, but in Blofeld you can even specify that these sources modulate themselves — recursive modulation! For instance, modulating an envelope rate by the same envelope (or another one) can alter the shape of the slope dramatically from the standard exponential curve to linear to inverse exponential.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eModifiers\u003c\/strong\u003e\u003cbr\u003eAnd how many slots do you get in the mod matrix? Two? Three? Four? No, we're talking big here: you get 16 freely definable slots plus all the pre-routed modulation destinations such as pitch, oscillator frequency and pulse width modulation, filter cutoff, pan and amp level. Don't forget that the filter envelope is already routed to filter 1 and 2 cutoff, and the amp envelope is routed to the amp level. This makes a total of 33 simultaneous connections.\u003c\/p\u003e\n\n\u003cp\u003eWhat if you want something really really crazy, like controlling a pitch vibrato done by LFO 3 with the modulation wheel. Although there are a few such composite modulation sources such as 'LFO1*MW' (LFO 1 controlled by modulation wheel) and 'LFO2*Press' (LFO 2 controlled by monophonic aftertouch), there's nobody doing the 'LFO3*MW' thing for you. But don't worry, that's where the Modifiers come into play: in seconds you can set up a new modifier with the two sources set to LFO 3 and modulation wheel, and the 'operation' set to '*' (multiply). You can use such custom-made modulation sources in any of the modulation slots described above.\u003c\/p\u003e\n\n\u003cp\u003eOkay, maybe you are more the regular musician who simply wants to perform a binary OR between two modulation sources? Okay, go for it! This operation is just one of several at your disposal.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eArpeggiator\u003c\/strong\u003e\u003cbr\u003eBlofeld's arpeggiator features variable clock divisions from 1\/64 triplets to more than 1,000 bars, with variable swing\/shuffle and a range of up to 10 octaves. Up, down and alternate modes, selectable play order from low to high note, low to high velocity, as played or reversed, variable note length, different velocity modes. And hold or 'one shot' if you like.\u003c\/p\u003e\n\n\u003cp\u003eBut more importantly, it has the most powerful pattern editor we have ever seen. You can set each step to either play the note it would do so anyway, to pause, to play the previous note again, play the first or the last note, play those together, play a chord consisting of all held notes or a randomly selected note.\u003c\/p\u003e\n\n\u003cp\u003eThen you can adjust the accent of each step (including silence), activate or deactivate glide for each step, set the timing to play a step ahead or behind its nominal time, and finely adjust the note length between short staccato and full legato.\u003c\/p\u003e\n\n\u003cp\u003eNo wonder this arpeggiator had great reviews when it first appeared in the Waldorf Q. It will take you straight to arpeggiator heaven, as has already happened to thousands of Waldorf customers. Dig it!\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eLicense SL (sold separately)\u003c\/strong\u003e\u003cbr\u003eLicense SL (sold separately) greatly expands the sonic potential of every Blofeld desktop. With this license installed, 60MB of sample flash memory become available for factory and user samples. These samples and multisamples go through Blofeld's vast synthesis engine just like the standard oscillators. And like the oscillators, samples can be used as an FM source or destination. You can also apply ring modulation, dual filters and overdrive to go far beyond traditional sample playback technology. License SL comes with an extensive set of factory samples.\u003c\/p\u003e","brand":"Waldorf","offers":[{"title":"Default Title","offer_id":45257219834130,"sku":"WAL-BLOFELD","price":899.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/Waldorf_blofeld_top.jpg?v=1720197193"},{"product_id":"vermona-action-filter-4-stereo-analog-filter","title":"Vermona Action Filter 4 Stereo Analog Filter","description":"\u003cp\u003eDesigned for the DJ booth but also popular for studio applications, Action Filter 4 consists of a highpass\/lowpass filter combination per stereo channel. Together, these work as either bandpass or notch filters with variable bandwidth and individual resonance per filter. A front panel MODE switch changes the filter routing for either BAND or NOTCH behaviors.\u003c\/p\u003e\n\n\u003cp\u003eThe first Action Filter used a slightly 'raw' sounding circuit. Vermona optimized the sound in the next revision, which led to a 'smoother' sound. Turns out some users preferred the rawer-, some the softer-sounding Action Filter revisions. Fortunately, Vermona found a way to make everyone happy: Action Filter 4 has a front panel switch to choose between ROUGH (Action Filter 1) or the rounder-sounding SMOOTH filter.\u003c\/p\u003e\n\n\u003cp\u003eAction Filter 4's optical bypass circuit can be engaged via a front panel switch or triggered via a momentary front panel button, allowing for 'transformer' style rhythmic effects. Rounding out the controls is a gain knob to adjust the input level.\u003c\/p\u003e\n\n\u003cp\u003eBesides its obvious utility in a DJ booth, Action Filter 4 can also be used in the studio to process full songs or add that 'certain something' to individual audio tracks. Emphasize or kill specific frequency bands and have lots of fun actively playing with frequencies!\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eTwo stereo channels, each with analog 24dB\/octave highpass and lowpass filters\u003cbr\u003e\n  \u003c\/li\u003e\n  \u003cli\u003eHighpass and lowpass filters can be used together for bandpass or notch filtering\u003cbr\u003e\n  \u003c\/li\u003e\n  \u003cli\u003eControls for cutoff and resonance per filter\u003cbr\u003e\n  \u003c\/li\u003e\n  \u003cli\u003eMODE switch to toggle between BAND or NOTCH serial\/parallel filter routing\u003cbr\u003e\n  \u003c\/li\u003e\n  \u003cli\u003eSTYLE switch to toggle between ROUGH or SMOOTH filter circuits\u003cbr\u003e\n  \u003c\/li\u003e\n  \u003cli\u003e1\/4\" and RCA inputs\/outputs\u003cbr\u003e\n  \u003c\/li\u003e\n  \u003cli\u003eBypass function allows for creation of rhythmic filter effects\u003cbr\u003e\n  \u003c\/li\u003e\n  \u003cli\u003eCustom tailored optical bypass trigger\u003cbr\u003e\n  \u003c\/li\u003e\n  \u003cli\u003eInternational switching power supply \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Vermona","offers":[{"title":"Default Title","offer_id":45257219866898,"sku":"VER-ACTIONFILTER4","price":389.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/ver-actionfilter4_frontangle.jpg?v=1695405270"},{"product_id":"waldorf-blofeld-keyboard-synthesizer-black-shadow-edition","title":"Waldorf Blofeld Keyboard Synthesizer - Black \/ Shadow Edition","description":"\u003cp\u003eWaldorf Blofeld is offspring from a noble house, the little synthesizer machine with the big and evil sound. This synthesizer offers all the unique qualities that made Waldorf a truly legendary brand. The engine inside the heavy duty, full metal chassis of Blofeld delivers the same fat and rich sound that so many Waldorf users worldwide love when they play their Pulse, Q, Q+, Micro Q, Microwave, Microwave II\/XT or even the flagship Wave.\u003c\/p\u003e\n\n\u003cp\u003eYes, you heard right: Blofeld is not only capable of producing the warm, organic analog sounds known from the Q synthesizer line, it also sports a wavetable engine like its predecessors with 'Wave' in their names. This unique synthesis system is based upon the revolutionary PPG Wave synthesizers of the early 80s, so when you listen to Blofeld for the first time you will instantly recognize those edgy, hard-hitting and bell-like timbres that have been an integral part of so many world hits from the PPG era onwards and have become increasingly popular once more. In fact, it is amazing to realize that nowadays this complex technology fits into such a slim and elegant device, and for a price nobody would have imagined back in the days of its predecessors.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eOscillators\u003c\/strong\u003e\u003cbr\u003eEach of the three oscillators offers authentic circuit models of analog waveforms: pulse with variable pulsewidth, sawtooth, triangle and, as found in relatively few analog synthesizers these days, sine wave. Furthermore, oscillators 1 and 2 feature the two wavetables that were introduced by the Waldorf Q and appeared shortly thereafter in the Micro Q series. Not only that, Blofeld includes all ROM wavetables from the mighty flagship Waldorf Wave as well as Microwave II\/XT. Plus, lo and behold, the desperately requested 'upper wavetable' from PPG Wave! For the first time in the history of Waldorf and PPG, each of these two oscillators can have its own wavetable.\u003c\/p\u003e\n\n\u003cp\u003eWhat's more, you have control over the brilliance of these wavetables, which is especially important for waves with lots of harmonics in the bass end. You decide if you prefer pure and perfect harmonics or the same edgy timbre you know and love from the earlier Waldorf and PPG synthesizers. Brilliance also affects the sawtooth and pulse oscillator models, ranging from warm and soft (for those typical LA string pads) to the hard shapes you need for punchy and biting bass sounds. Note, though, that Brilliance is not a simple filter applied after the oscillators; rather, the oscillator model itself is modified.\u003c\/p\u003e\n\n\u003cp\u003eEach of the three oscillators can be frequency-modulated by any of the other oscillators, the noise generator or one of the LFOs. With low FM amounts you can add a little dirt to the oscillator sound; with higher amounts you get typical FM effects. On top of all that, oscillator 2 can be hard-synced to oscillator 3.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eRing modulation\u003c\/strong\u003e\u003cbr\u003eOscillators 1 and 2 can be ring modulated to create bell-like metallic sounds and eerie sound effects as well as pumping basses and leads. The noise generator delivers white noise that can be filtered lowpass or highpass, depending on the noise color setting. The three oscillators, the ring modulator and the noise generator can be freely mixed into filter 1 and filter 2. This allows fine control over the harmonic content of each of the tone generators.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eFilters\u003c\/strong\u003e\u003cbr\u003eBlofeld has two multimode filters per voice that can be routed in series or in parallel. Each filter has its own pan parameter for easy creation of stereo sounds. The selection of filter types includes low pass, band pass, high pass and notch (band reject), each with 12dB\/oct or 24dB\/oct slope. The filter models are based on several famous Waldorf filter algorithms found in all their products. They offer resonance up to self-oscillation as well as frequency modulation (filter FM). Furthermore, Blofeld features the same comb filter types (with positive and negative feedback) first introduced in the Waldorf Q. These can be used to thicken bass and pad sounds or to create percussive, string or flute sounds reminiscent of physical modeling.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eOverdrive, saturation, distortion, shaping\u003c\/strong\u003e\u003cbr\u003eBlofeld offers a freely controllable drive behind each filter with more than a dozen curves. These include such standards as the drive from the Q and Micro Q, low\/medium\/hard saturation, tube saturation, two types of electric pickups, a rectifier, digital overflow as well as esoteric stuff such as 'binary distortion,' a sinusoidal waveshaper and even a distortion controlled by oscillator 1. And because Blofeld has two filters that can be routed in series, you can control the timbre of the drive output of filter 1 by dampening or emphasizing certain frequencies with filter 2.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003cbr\u003eBlofeld has two effect slots with various types. In Multimode, the first effect slot is available per part, while the second one is used for all 16 parts (i.e., global) with controllable mix levels. Part 1 determines the settings of the second effect. The first effect slot offers modulation effects such as chorus and flanger as well as a combined type called 'Triple FX.' The latter gives you several effects at once, but with a reduced parameter set. The second effect slot offers all the same types as the first, but with the addition of delay, clocked delay and reverb.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eEnvelopes\u003c\/strong\u003e\u003cbr\u003eFour envelopes with different types and trigger modes affect any sound parameters you choose. Each envelope can be either polyphonic or single trigger. This is especially interesting with the monophonic voice allocation, as the filter envelope can be set to be triggered only by the first note(s) while the amp envelope is triggered on each note — think 'organ percussion register,' for instance. The envelope types include the standard ADSR as well as an enhanced ADSR variant with controllable attack level and two decay and sustain stages, two different loop envelopes and a 'one shot' envelope. The loop types can be used to act as additional LFOs, while the 'one shot' is perfectly suited for percussion sounds, which typically ignore the note release.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eLFOs\u003c\/strong\u003e\u003cbr\u003eEach of the three LFOs offers sine, triangle, square and sawtooth waveforms, plus sample \u0026amp; hold and random. LFOs can be synchronized to MIDI clock, they can be polyphonic or monophonic, can be reset on key trigger to a freely definable phase, and the speed can be scaled by MIDI note (key follow). There are separate delay and fade in\/out parameters for, say, delayed vibrato (positive fade values) or a burst of vibrato at the start of each note (negative fade values). One important feature of the Blofeld LFOs is that higher rates reach well into the audio frequency range, thus making them useful extra FM sources. There are two basic modes: either linear FM as seen in classic digital synths, or logarithmic FM, which is primarily the domain of analog modular systems.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eModulations\u003c\/strong\u003e\u003cbr\u003eHere's where the real Waldorf power lies. Each and every instrument designed and built by Waldorf lets you connect dozens of modulation sources to all the important sound generation parameters. Individual or multiple oscillator pitches, their pulsewidths and waveforms, their levels and filter-balances, FM modulation amounts, individual filter cutoff and resonance, filter FM amounts and stereo panning, or just the good old sound output level — everything can be controlled from internal modulation sources or from a variety of MIDI messages such as velocity, keytrack, continuous controllers (including wheels, breath and foot controllers), etc.\u003c\/p\u003e\n\n\u003cp\u003eYou can of course 'modulate the modulators,' i.e., control LFO speeds and individual envelope rates and levels, but in Blofeld you can even specify that these sources modulate themselves — recursive modulation! For instance, modulating an envelope rate by the same envelope (or another one) can alter the shape of the slope dramatically from the standard exponential curve to linear to inverse exponential.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eModifiers\u003c\/strong\u003e\u003cbr\u003eAnd how many slots do you get in the mod matrix? Two? Three? Four? No, we're talking big here: you get 16 freely definable slots plus all the pre-routed modulation destinations such as pitch, oscillator frequency and pulse width modulation, filter cutoff, pan and amp level. Don't forget that the filter envelope is already routed to filter 1 and 2 cutoff, and the amp envelope is routed to the amp level. This makes a total of 33 simultaneous connections.\u003c\/p\u003e\n\n\u003cp\u003eWhat if you want something really really crazy, like controlling a pitch vibrato done by LFO 3 with the modulation wheel. Although there are a few such composite modulation sources such as 'LFO1*MW' (LFO 1 controlled by modulation wheel) and 'LFO2*Press' (LFO 2 controlled by monophonic aftertouch), there's nobody doing the 'LFO3*MW' thing for you. But don't worry, that's where the Modifiers come into play: in seconds you can set up a new modifier with the two sources set to LFO 3 and modulation wheel, and the 'operation' set to '*' (multiply). You can use such custom-made modulation sources in any of the modulation slots described above.\u003c\/p\u003e\n\n\u003cp\u003eOkay, maybe you are more the regular musician who simply wants to perform a binary OR between two modulation sources? Okay, go for it! This operation is just one of several at your disposal.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eArpeggiator\u003c\/strong\u003e\u003cbr\u003eBlofeld's arpeggiator features variable clock divisions from 1\/64 triplets to more than 1,000 bars, with variable swing\/shuffle and a range of up to 10 octaves. Up, down and alternate modes, selectable play order from low to high note, low to high velocity, as played or reversed, variable note length, different velocity modes. And hold or 'one shot' if you like.\u003c\/p\u003e\n\n\u003cp\u003eBut more importantly, it has the most powerful pattern editor we have ever seen. You can set each step to either play the note it would do so anyway, to pause, to play the previous note again, play the first or the last note, play those together, play a chord consisting of all held notes or a randomly selected note.\u003c\/p\u003e\n\n\u003cp\u003eThen you can adjust the accent of each step (including silence), activate or deactivate glide for each step, set the timing to play a step ahead or behind its nominal time, and finely adjust the note length between short staccato and full legato.\u003c\/p\u003e\n\n\u003cp\u003eNo wonder this arpeggiator had great reviews when it first appeared in the Waldorf Q. It will take you straight to arpeggiator heaven, as has already happened to thousands of Waldorf customers. Dig it!\u003c\/p\u003e","brand":"Waldorf","offers":[{"title":"Default Title","offer_id":45257220718866,"sku":"WAL-BLOFELDKBBLK","price":1299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/wal-blofeldkbblk_top.jpg?v=1695405284"},{"product_id":"waldorf-streichfett-string-synthesizer-desktop-module","title":"Waldorf Streichfett String Synthesizer Desktop Module","description":"\u003cp\u003eWaldorf Streichfett combines the best of the previously extinct species of string synthesizers of the 70s and early 80s. Its dual sound engine features a fully polyphonic strings section and an eight voice solo section. The Ensemble effect handles the string section, while the effects section adds adjustable phaser and reverb. Additionally, the Animate effect can be used to modulate the strings registration, allowing spectacular sound morphs.\u003c\/p\u003e\n\n\u003cp\u003eThe Solo section offers presets named Bass, E-Piano or Clavi, and just like in your typical string machine the sound has little to do with that name. Instead, these are shimmering and slightly percussive sounds that blend well with the string section.\u003c\/p\u003e\n\n\u003cp\u003eAlthough the user interface is simple and easy to comprehend, it controls a rather complex sound engine which is capable of delivering rich and creamy pads unlike any other instrument. Twelve patches can be stored and selected in the Memory section, and USB and MIDI are of course on board.\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e128-voice fully polyphonic strings section\u003c\/li\u003e\n\u003cli\u003eContinuous morphing of violin, viola, cello, brass, organ, choir and more registrations\u003c\/li\u003e\n\u003cli\u003eAnimate effect for modulation of strings registration\u003c\/li\u003e\n\u003cli\u003eEnsemble effect for strings\u003c\/li\u003e\n\u003cli\u003eEight voice polyphonic Solo section\u003c\/li\u003e\n\u003cli\u003eLayer\/split for Solo section\u003c\/li\u003e\n\u003cli\u003eContinuous morphing of bass, e-piano, clavi, synth and Pluto for solo tone\u003c\/li\u003e\n\u003cli\u003eTremolo for Solo section\u003c\/li\u003e\n\u003cli\u003ePhaser\u003c\/li\u003e\n\u003cli\u003eReverb\u003c\/li\u003e\n\u003cli\u003e12 programmable patches\u003c\/li\u003e\n\u003cli\u003eStereo output\u003c\/li\u003e\n\u003cli\u003eHeadphone output\u003c\/li\u003e\n\u003cli\u003eUSB\u003c\/li\u003e\n\u003cli\u003eMIDI in\/out\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"Waldorf","offers":[{"title":"Default Title","offer_id":45257220948242,"sku":"WAL-STREICHFETT","price":499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/wal-streichfett_top.jpg?v=1695405283"},{"product_id":"waldorf-blofeld-desktop-synthesizer-module-black","title":"Waldorf Blofeld Desktop Synthesizer Module - Black","description":"\u003cp\u003eWaldorf Blofeld is offspring from a noble house, the little synthesizer machine with the big and evil sound. This synthesizer offers all the unique qualities that made Waldorf a truly legendary brand. The engine inside the heavy duty, full metal chassis of Blofeld delivers the same fat and rich sound that so many Waldorf users worldwide love when they play their Pulse, Q, Q+, Micro Q, Microwave, Microwave II\/XT or even the flagship Wave.\u003c\/p\u003e\n\n\u003cp\u003eYes, you heard right: Blofeld is not only capable of producing the warm, organic analog sounds known from the Q synthesizer line, it also sports a wavetable engine like its predecessors with 'Wave' in their names. This unique synthesis system is based upon the revolutionary PPG Wave synthesizers of the early 80s, so when you listen to Blofeld for the first time you will instantly recognize those edgy, hard-hitting and bell-like timbres that have been an integral part of so many world hits from the PPG era onwards and have become increasingly popular once more. In fact, it is amazing to realize that nowadays this complex technology fits into such a slim and elegant device, and for a price nobody would have imagined back in the days of its predecessors.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eOscillators\u003c\/strong\u003e\u003cbr\u003eEach of the three oscillators offers authentic circuit models of analog waveforms: pulse with variable pulsewidth, sawtooth, triangle and, as found in relatively few analog synthesizers these days, sine wave. Furthermore, oscillators 1 and 2 feature the two wavetables that were introduced by the Waldorf Q and appeared shortly thereafter in the Micro Q series. Not only that, Blofeld includes all ROM wavetables from the mighty flagship Waldorf Wave as well as Microwave II\/XT. Plus, lo and behold, the desperately requested 'upper wavetable' from PPG Wave! For the first time in the history of Waldorf and PPG, each of these two oscillators can have its own wavetable.\u003c\/p\u003e\n\n\u003cp\u003eWhat's more, you have control over the brilliance of these wavetables, which is especially important for waves with lots of harmonics in the bass end. You decide if you prefer pure and perfect harmonics or the same edgy timbre you know and love from the earlier Waldorf and PPG synthesizers. Brilliance also affects the sawtooth and pulse oscillator models, ranging from warm and soft (for those typical LA string pads) to the hard shapes you need for punchy and biting bass sounds. Note, though, that Brilliance is not a simple filter applied after the oscillators; rather, the oscillator model itself is modified.\u003c\/p\u003e\n\n\u003cp\u003eEach of the three oscillators can be frequency-modulated by any of the other oscillators, the noise generator or one of the LFOs. With low FM amounts you can add a little dirt to the oscillator sound; with higher amounts you get typical FM effects. On top of all that, oscillator 2 can be hard-synced to oscillator 3.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eRing modulation\u003c\/strong\u003e\u003cbr\u003eOscillators 1 and 2 can be ring modulated to create bell-like metallic sounds and eerie sound effects as well as pumping basses and leads. The noise generator delivers white noise that can be filtered lowpass or highpass, depending on the noise color setting. The three oscillators, the ring modulator and the noise generator can be freely mixed into filter 1 and filter 2. This allows fine control over the harmonic content of each of the tone generators.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eFilters\u003c\/strong\u003e\u003cbr\u003eBlofeld has two multimode filters per voice that can be routed in series or in parallel. Each filter has its own pan parameter for easy creation of stereo sounds. The selection of filter types includes low pass, band pass, high pass and notch (band reject), each with 12dB\/oct or 24dB\/oct slope. The filter models are based on several famous Waldorf filter algorithms found in all their products. They offer resonance up to self-oscillation as well as frequency modulation (filter FM). Furthermore, Blofeld features the same comb filter types (with positive and negative feedback) first introduced in the Waldorf Q. These can be used to thicken bass and pad sounds or to create percussive, string or flute sounds reminiscent of physical modeling.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eOverdrive, saturation, distortion, shaping\u003c\/strong\u003e\u003cbr\u003eBlofeld offers a freely controllable drive behind each filter with more than a dozen curves. These include such standards as the drive from the Q and Micro Q, low\/medium\/hard saturation, tube saturation, two types of electric pickups, a rectifier, digital overflow as well as esoteric stuff such as 'binary distortion,' a sinusoidal waveshaper and even a distortion controlled by oscillator 1. And because Blofeld has two filters that can be routed in series, you can control the timbre of the drive output of filter 1 by dampening or emphasizing certain frequencies with filter 2.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003cbr\u003eBlofeld has two effect slots with various types. In Multimode, the first effect slot is available per part, while the second one is used for all 16 parts (i.e., global) with controllable mix levels. Part 1 determines the settings of the second effect. The first effect slot offers modulation effects such as chorus and flanger as well as a combined type called 'Triple FX.' The latter gives you several effects at once, but with a reduced parameter set. The second effect slot offers all the same types as the first, but with the addition of delay, clocked delay and reverb.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eEnvelopes\u003c\/strong\u003e\u003cbr\u003eFour envelopes with different types and trigger modes affect any sound parameters you choose. Each envelope can be either polyphonic or single trigger. This is especially interesting with the monophonic voice allocation, as the filter envelope can be set to be triggered only by the first note(s) while the amp envelope is triggered on each note — think 'organ percussion register,' for instance. The envelope types include the standard ADSR as well as an enhanced ADSR variant with controllable attack level and two decay and sustain stages, two different loop envelopes and a 'one shot' envelope. The loop types can be used to act as additional LFOs, while the 'one shot' is perfectly suited for percussion sounds, which typically ignore the note release.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eLFOs\u003c\/strong\u003e\u003cbr\u003eEach of the three LFOs offers sine, triangle, square and sawtooth waveforms, plus sample \u0026amp; hold and random. LFOs can be synchronized to MIDI clock, they can be polyphonic or monophonic, can be reset on key trigger to a freely definable phase, and the speed can be scaled by MIDI note (key follow). There are separate delay and fade in\/out parameters for, say, delayed vibrato (positive fade values) or a burst of vibrato at the start of each note (negative fade values). One important feature of the Blofeld LFOs is that higher rates reach well into the audio frequency range, thus making them useful extra FM sources. There are two basic modes: either linear FM as seen in classic digital synths, or logarithmic FM, which is primarily the domain of analog modular systems.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eModulations\u003c\/strong\u003e\u003cbr\u003eHere's where the real Waldorf power lies. Each and every instrument designed and built by Waldorf lets you connect dozens of modulation sources to all the important sound generation parameters. Individual or multiple oscillator pitches, their pulsewidths and waveforms, their levels and filter-balances, FM modulation amounts, individual filter cutoff and resonance, filter FM amounts and stereo panning, or just the good old sound output level — everything can be controlled from internal modulation sources or from a variety of MIDI messages such as velocity, keytrack, continuous controllers (including wheels, breath and foot controllers), etc.\u003c\/p\u003e\n\n\u003cp\u003eYou can of course 'modulate the modulators,' i.e., control LFO speeds and individual envelope rates and levels, but in Blofeld you can even specify that these sources modulate themselves — recursive modulation! For instance, modulating an envelope rate by the same envelope (or another one) can alter the shape of the slope dramatically from the standard exponential curve to linear to inverse exponential.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eModifiers\u003c\/strong\u003e\u003cbr\u003eAnd how many slots do you get in the mod matrix? Two? Three? Four? No, we're talking big here: you get 16 freely definable slots plus all the pre-routed modulation destinations such as pitch, oscillator frequency and pulse width modulation, filter cutoff, pan and amp level. Don't forget that the filter envelope is already routed to filter 1 and 2 cutoff, and the amp envelope is routed to the amp level. This makes a total of 33 simultaneous connections.\u003c\/p\u003e\n\n\u003cp\u003eWhat if you want something really really crazy, like controlling a pitch vibrato done by LFO 3 with the modulation wheel. Although there are a few such composite modulation sources such as 'LFO1*MW' (LFO 1 controlled by modulation wheel) and 'LFO2*Press' (LFO 2 controlled by monophonic aftertouch), there's nobody doing the 'LFO3*MW' thing for you. But don't worry, that's where the Modifiers come into play: in seconds you can set up a new modifier with the two sources set to LFO 3 and modulation wheel, and the 'operation' set to '*' (multiply). You can use such custom-made modulation sources in any of the modulation slots described above.\u003c\/p\u003e\n\n\u003cp\u003eOkay, maybe you are more the regular musician who simply wants to perform a binary OR between two modulation sources? Okay, go for it! This operation is just one of several at your disposal.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eArpeggiator\u003c\/strong\u003e\u003cbr\u003eBlofeld's arpeggiator features variable clock divisions from 1\/64 triplets to more than 1,000 bars, with variable swing\/shuffle and a range of up to 10 octaves. Up, down and alternate modes, selectable play order from low to high note, low to high velocity, as played or reversed, variable note length, different velocity modes. And hold or 'one shot' if you like.\u003c\/p\u003e\n\n\u003cp\u003eBut more importantly, it has the most powerful pattern editor we have ever seen. You can set each step to either play the note it would do so anyway, to pause, to play the previous note again, play the first or the last note, play those together, play a chord consisting of all held notes or a randomly selected note.\u003c\/p\u003e\n\n\u003cp\u003eThen you can adjust the accent of each step (including silence), activate or deactivate glide for each step, set the timing to play a step ahead or behind its nominal time, and finely adjust the note length between short staccato and full legato.\u003c\/p\u003e\n\n\u003cp\u003eNo wonder this arpeggiator had great reviews when it first appeared in the Waldorf Q. It will take you straight to arpeggiator heaven, as has already happened to thousands of Waldorf customers. Dig it!\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eLicense SL (sold separately)\u003c\/strong\u003e\u003cbr\u003eLicense SL (sold separately) greatly expands the sonic potential of every Blofeld desktop. With this license installed, 60MB of sample flash memory become available for factory and user samples. These samples and multisamples go through Blofeld's vast synthesis engine just like the standard oscillators. And like the oscillators, samples can be used as an FM source or destination. You can also apply ring modulation, dual filters and overdrive to go far beyond traditional sample playback technology. License SL comes with an extensive set of factory samples.\u003c\/p\u003e","brand":"Waldorf","offers":[{"title":"Default Title","offer_id":45257221243154,"sku":"WAL-BLOFELDBLK","price":899.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/Waldorf_blofeld_black.jpg?v=1720198265"},{"product_id":"class-10-sdhc-memory-card-16gb","title":"Class 10 SDHC Memory Card - 16GB","description":"\u003cul\u003e\n  \u003cli\u003eClass 10 High Speed SDHC Memory Card\u003c\/li\u003e\n  \u003cli\u003eCapacity: 16GB\u003c\/li\u003e\n  \u003cli\u003eSupports SDHC compatible host devices\u003c\/li\u003e\n  \u003cli\u003eSpeed performance rating: Class 10\u003c\/li\u003e\n  \u003cli\u003eEasy to use, plug-and-play operation\u003c\/li\u003e\n  \u003cli\u003eUltra High speed and error free\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Misc","offers":[{"title":"Default Title","offer_id":45257221505298,"sku":"XTE-32506","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/kraft_sdcard16gb_275.jpg?v=1695405283"},{"product_id":"yamaha-fc4a-piano-style-sustain-pedal","title":"Yamaha FC4A Piano Style Sustain Pedal","description":"\u003cp\u003eThe FC4A is a quality, piano-style sustain pedal. Not only is it extremely durable, but it feels more like a real sustain pedal than the less expensive foot switch models. While it works well with all Yamaha keyboards, it is suitable for many other brands...check with a Kraft Music representative to see if your keyboard is compatible.\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":45257226289426,"sku":"YAM-FC4","price":44.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/yam-fc4a_161513d1-9b3d-4a5f-ad52-a0a3ca2cb921.jpg?v=1732721936"},{"product_id":"yamaha-fc7-volume-foot-controller","title":"Yamaha FC7 Volume Foot Controller","description":"\u003cp\u003eThe FC7 is a heavy-duty volume controller with \"fortissimo function,\" which enables the user to accent certain parts of a performance. Adjustable pedal angle, spring point adjustment and a metal connection plate for multiple pedal \"ganging,\" add a unique touch to this volume controller tailoring the pedal to various playing styles.\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":45257227108626,"sku":"YAM-FC7","price":51.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/yam-fc__chord_12f5379d-573a-4591-8242-429b55308afa.jpg?v=1732721766"},{"product_id":"yamaha-i-ux1","title":"Yamaha i-UX1","description":"\u003cp\u003e\u003cb\u003ei-UX1 offers a USB MIDI connection between USB-equipped instruments and CoreMIDI-compliant iOS Applications.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003ei-UX1 is a USB MIDI interface cable which enables iPhone\/iPod touch\/iPad to be connected to any your instruments which has USB to HOST connectivity. There is no difficult setup, simply connect i-UX1 between iPhone\/iPod touch\/iPad and your instrument such as portable keyboard, electronic drum kit and synthesizer, before launching the Apps from your iPhone\/iPod touch\/iPad.\u003c\/p\u003e\n\n\u003cp\u003eAll the applications from Yamaha will increase the joy of playing instruments by combining the unique interface of your iPhone\/iPod touch\/iPad. Many various Yamaha iOS Applications are available from the App Store.\u003c\/p\u003e\n\n\u003cp\u003e\u003ci\u003eiPhone\/iPod touch\/ iPad is not included. iPad, iPhone and iPod touch are trademarks of Apple Inc., registered in the U.S. and other countries. Lightning to 30-pin Adaptor is needed for connecting to iPhone 5\/iPod touch(5th generation)\/iPad(4th generation)\/iPad mini.\u003c\/i\u003e\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":45257228255506,"sku":"YAM-IUX1","price":79.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/yam-iux1-1.jpg?v=1695405312"},{"product_id":"yamaha-fc5-footswitch","title":"Yamaha FC5 Footswitch","description":"\u003cp\u003eCan be utilized as a sustain foot pedal or FS controller in synthesizers, tone modules and drum machines equipped with 1\/4\" phone plug. The FC5 has a 5' cable which connects to a 1\/4\" phone plug. This pedal also works with any Yamaha keyboard utilizing a sustain pedal with 1\/4\" connector.\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":45257228714258,"sku":"YAM-FC5","price":17.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/YAMAHA_FC5.jpg?v=1695405296"},{"product_id":"yamaha-fc3a-dual-zone-piano-style-sustain-pedal","title":"Yamaha FC3A Dual Zone Piano Style Sustain Pedal","description":"\u003cp\u003eThe FC3A is a durable sustain pedal. This piano-style pedal is specifically for digital pianos, keyboards, synthesizers, and stage pianos that support \"Half-Damper\", or \"Half-Pedal\" capability, which emulates the effect of only partially depressing a piano's damper pedal.\u003c\/p\u003e\n\u003cp\u003eReproduces the feel of the pedals of an acoustic piano. This pedal features a rubber underside that prevents it from slipping when used in performances, allowing the performer to immerse themselves in playing.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eNote: \u003c\/b\u003eNot all keyboards support this feature. If you're not sure, check with a Kraft Music representative to verify compatibility.\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":45257228812562,"sku":"YAM-FC3","price":64.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/yam-fc3a_4c2b7368-b5ee-4c7c-a09d-5baa7a2328cb.jpg?v=1732309310"}],"url":"https:\/\/kraftmusic.com\/collections\/all-synthesizers.oembed","provider":"Kraft Music","version":"1.0","type":"link"}