{"title":"Shop Deals","description":"","products":[{"product_id":"yamaha-ck61-stage-keyboard-carry-bag-kit","title":"Yamaha CK61 Stage Keyboard CARRY BAG KIT","description":"\u003clink rel=\"stylesheet\" type=\"text\/css\" href=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/vip.css\"\u003e\n\n\u003cdiv\u003e\n\n\n\n\n\n\u003cp\u003eWith intuitive controls, built-in speakers and authentic piano, organ and synth sounds, the compact CK61 Stage Keyboard goes wherever the music takes you. Its 61-key, semi-weighted action is ideal for synth and keyboard. Its combination of sounds and effects allow you to explore totally new sonic palettes. Pianos, electric pianos, strings, brass, organ and modern synth sounds. Easy-to-use controls let you focus on the music, not the menu. Dedicated organ controls and Synth and Effect controls. And with its long battery life, you can turn every place from campgrounds, cramped tour buses and hotel rooms into a stage or studio.\u003c\/p\u003e\n\n\u003cul\u003e\n\u003cli\u003eFuture System Basic (FSB) semi-weighted keyboard action, ideal for synth and keyboard players.\u003c\/li\u003e\n\u003cli\u003eTwo split points increase flexibility to play three different sounds across the keyboard\u003c\/li\u003e\n\u003cli\u003eFocused piano and keyboard sound set that's expressive and authentic for any musical need\u003c\/li\u003e\n\u003cli\u003eFeatures a variety of organ types, from vintage drawbar to combo transistor-based from Reface YC, for classic rock, pop, jazz, R\u0026amp;B and country\u003c\/li\u003e\n\u003cli\u003eImitative sounds with realistic string sections, brass ensembles, and more add to the musical versatility\u003c\/li\u003e\n\u003cli\u003eA collection of fat, deep and expressive synth sounds that can be controlled in real-time\u003c\/li\u003e\n\u003cli\u003eExtensive onboard effects feature hands on controls to easily create your own sound\u003c\/li\u003e\n\u003cli\u003eOne-to-one interface keeps you out of menus so you can focus on the music\u003c\/li\u003e\n\u003cli\u003eDedicated Part controls allow quick and deep tweaking without menu diving\u003c\/li\u003e\n\u003cli\u003eTwo customizable pedal inputs provide extra control for more expression\u003c\/li\u003e\n\u003cli\u003eFour Zone MIDI Master Keyboard Control allows powerful control over hardware and soft synths\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\n \u003cbr\u003e\n\n\u003c\/div\u003e\n\n\u003cdiv id=\"flexy-wrapper\"\u003e\n\n\u003cdiv class=\"flexy-row\"\u003e\n\t\u003cdiv class=\"flexy-image-area hide-this\"\u003e\n\t\u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/yamaha-ck\/sound.jpg\" alt=\"\"\u003e\n\t\u003c\/div\u003e\n\n \t\u003cdiv class=\"flexy-text-area left-padding\"\u003e\n\u003ch3 class=\"pdp_heading\"\u003eSound\u003c\/h3\u003e\n\u003cp\u003e\nCK combines the sounds of the Yamaha CP Stage Piano with the organ and synth focused YC Stage Keyboard to give you a totally new sonic palette. All with an intuitive interface that lets you focus on the music, not the menus. You’ll have piano, electric pianos, strings and brass plus a dedicated organ section and modern synth sounds. Onboard special effects to make it your own. There’s even Analog to Digital (A\/D) Input to plug in a mic or another instrument, apply effects and record directly to your laptop. Not to mention CK has built-in speakers and batteries to take your new sound to new places. The options are nearly endless.\u003c\/p\u003e      \u003c\/div\u003e    \n\u003c\/div\u003e\n    \n\u003cdiv class=\"flexy-row\"\u003e   \n     \u003cdiv class=\"flexy-image-area hide-this hide-m2 show-mobile\"\u003e\n        \u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/yamaha-ck\/pianos.jpg\" alt=\"\"\u003e       \n      \u003c\/div\u003e\n \n      \u003cdiv class=\"flexy-text-area right-padding\"\u003e\n\u003ch3 class=\"pdp_heading\"\u003ePianos, EP \u0026amp; Keys\u003c\/h3\u003e\n\u003cp\u003e\nCK features piano sounds from three legendary Yamaha grands: the CFX, S700 and CF3, plus the character-rich U1 upright piano from the Yamaha YC Series. “Digi Piano” sounds let you get your 90s dance party on. There’s also a selection of vintage electric piano sounds in both the reed and tine style, funky Clavi sounds and the classic 80s DX7-style FM electric pianos Yamaha helped make famous. You’ll have all the keyboard sounds you need to bring down the house, arena or backyard barbecue.\u003c\/p\u003e\n      \u003c\/div\u003e\n     \n      \u003cdiv class=\"flexy-image-area hide-this hide-mobile\"\u003e\n        \u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/yamaha-ck\/pianos.jpg\" alt=\"\"\u003e       \n      \u003c\/div\u003e     \n\u003c\/div\u003e\n    \n\u003cdiv class=\"flexy-row\"\u003e\n\t\u003cdiv class=\"flexy-image-area hide-this\"\u003e\n\t\u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/yamaha-ck\/organs.jpg\" alt=\"\"\u003e\n\t\u003c\/div\u003e\n\n \t\u003cdiv class=\"flexy-text-area left-padding\"\u003e\n\u003ch3 class=\"pdp_heading\"\u003eOrgan\u003c\/h3\u003e\n\u003cp\u003e\nWhen it comes to organ, the versatile CK is all about options. Classic 60s surf rock? Check. Soulful R\u0026amp;B? Check. Gospel and everything in between? Amen. CK has a dedicated organ section based on the Yamaha reface YC mobile mini keyboard featuring five different organ types, rotary speaker effect, percussion and a newly enhanced vibrato\/chorus. You get nine dedicated drawbars with controls for the rotary speaker, percussion and a vibrato\/chorus section.\u003c\/p\u003e      \u003c\/div\u003e    \n\u003c\/div\u003e\n    \n\u003cdiv class=\"flexy-row\"\u003e   \n     \u003cdiv class=\"flexy-image-area hide-this hide-m2 show-mobile\"\u003e\n        \u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/yamaha-ck\/synths.jpg\" alt=\"\"\u003e       \n      \u003c\/div\u003e\n \n      \u003cdiv class=\"flexy-text-area right-padding\"\u003e\n\u003ch3 class=\"pdp_heading\"\u003eSynths\u003c\/h3\u003e\n\u003cp\u003e\nCK gives you a variety of complex synth sounds without the complex menus. You get analog style pads, leads and basses, synth brass, strings and pads. Even synth bells and textures to add to your synth sound palette. All with modern synth controls to tweak your sound without menu diving. Elegant filter and envelope generator (EG) controls to shape the tone and amplitude of all of them. Mono mode with panel switch and customization features that are great for synth leads and basses. Unison mode with panel switch, three modes and deeper adjustments. Make massive sounding synths for stabs, pads, leads, basses or anything you can imagine.\u003c\/p\u003e      \u003c\/div\u003e\n     \n      \u003cdiv class=\"flexy-image-area hide-this hide-mobile\"\u003e\n        \u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/yamaha-ck\/synths.jpg\" alt=\"\"\u003e       \n      \u003c\/div\u003e     \n\u003c\/div\u003e\n\n\u003cdiv class=\"flexy-row\"\u003e\n\t\u003cdiv class=\"flexy-image-area hide-this\"\u003e\n\t\u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/yamaha-ck\/effects.jpg\" alt=\"\"\u003e\n\t\u003c\/div\u003e\n\n \t\u003cdiv class=\"flexy-text-area left-padding\"\u003e\n\u003ch3 class=\"pdp_heading\"\u003eEffects\u003c\/h3\u003e\n\u003cp\u003e\nCK effects simplify sound customization with three dedicated processors: Drive, Effects 1, and Effects 2, along with an A\/D Input having two unique effects. Drive offers five overdrive\/distortion types to add edge, while Effects 1 and 2 provide modulation effects like Chorus, Flanger, Phaser, Delay, Reverb, Wah, Tremolo, experimental synth effects (e.g., Ring Modulation, Slicer, Lo-Fi), and EQ. With 36 effects, it's like having a customizable guitar pedal board. Master Delay and Reverb offer four and three effects, respectively, with individual send levels from each of the three CK parts and A\/D Input. Lastly, the Master EQ allows for final tone adjustments. A mic or instrument can be connected to the A\/D input, apply effects, and hear the sound via CK's speakers or outputs. You can also record anything connected to the A\/D input through the built-in USB audio interface.\u003c\/p\u003e      \u003c\/div\u003e    \n\u003c\/div\u003e\n    \n\u003cdiv class=\"flexy-row\"\u003e   \n     \u003cdiv class=\"flexy-image-area hide-this hide-m2 show-mobile\"\u003e\n        \u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/yamaha-ck\/3-parts.jpg\" alt=\"\"\u003e       \n      \u003c\/div\u003e\n \n      \u003cdiv class=\"flexy-text-area right-padding\"\u003e\n\n\u003ch3 class=\"pdp_heading\"\u003eThree Parts\u003c\/h3\u003e\n\u003cp\u003e\nCK lets you split, layer, mix and process all from the front panel. Making it easy to create with a nearly endless combination of sounds. Split bass and piano. Layer organ with strings. Experiment with modern synth sounds. CK gives you three parts that let the music go wherever you want.\u003c\/p\u003e      \u003c\/div\u003e\n     \n      \u003cdiv class=\"flexy-image-area hide-this hide-mobile\"\u003e\n        \u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/yamaha-ck\/3-parts.jpg\" alt=\"\"\u003e       \n      \u003c\/div\u003e     \n\u003c\/div\u003e\n\n\u003cdiv class=\"flexy-row\"\u003e\n\t\u003cdiv class=\"flexy-image-area hide-this\"\u003e\n\t\u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/yamaha-ck\/input.jpg\" alt=\"\"\u003e\n\t\u003c\/div\u003e\n\n \t\u003cdiv class=\"flexy-text-area left-padding\"\u003e\n\u003ch3 class=\"pdp_heading\"\u003eA\/D Input\u003c\/h3\u003e\n\u003cp\u003e\nAnalog to Digital (A\/D) Inputs let you apply two dedicated effects to the audio and store them to a LIVE SET.\u003c\/p\u003e      \u003c\/div\u003e    \n\u003c\/div\u003e\n    \n\u003cdiv class=\"flexy-row\"\u003e   \n     \u003cdiv class=\"flexy-image-area hide-this hide-m2 show-mobile\"\u003e\n        \u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/yamaha-ck\/control.jpg\" alt=\"\"\u003e       \n      \u003c\/div\u003e\n \n      \u003cdiv class=\"flexy-text-area right-padding\"\u003e\n\u003ch3 class=\"pdp_heading\"\u003eControl\u003c\/h3\u003e\n\u003cp\u003e\nCK features an intuitive, 1 to 1 interface that gives you the freedom to explore your sound. Everything, from dedicated Organ controls to Synth and Effects controls, is designed to keep you making music instead of diving into menus.\u003c\/p\u003e      \u003c\/div\u003e\n     \n      \u003cdiv class=\"flexy-image-area hide-this hide-mobile\"\u003e\n        \u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/yamaha-ck\/control.jpg\" alt=\"\"\u003e       \n      \u003c\/div\u003e     \n\u003c\/div\u003e\n\n\u003cdiv class=\"flexy-row\"\u003e\n\t\u003cdiv class=\"flexy-image-area hide-this\"\u003e\n\t\u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/yamaha-ck\/usb.jpg\" alt=\"\"\u003e\n\t\u003c\/div\u003e\n\n \t\u003cdiv class=\"flexy-text-area left-padding\"\u003e\n\u003ch3 class=\"pdp_heading\"\u003eUSB Audio\/MIDI Interface\u003c\/h3\u003e\n\u003cp\u003e\nCK is much more than a pretty MIDI interface. Built-in stereo in\/out USB Audio Interface lets you record and play back audio to and from CK to your computer or iOS device, including whatever is plugged into the A\/D input. It even has USB MIDI and 5-pin DIN In\/Out. Perfect for recording MIDI data, controlling softsynths or connecting to Soundmondo.\u003c\/p\u003e      \u003c\/div\u003e    \n\u003c\/div\u003e\n    \n\u003cdiv class=\"flexy-row\"\u003e   \n     \u003cdiv class=\"flexy-image-area hide-this hide-m2 show-mobile\"\u003e\n        \u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/yamaha-ck\/bluetooth.jpg\" alt=\"\"\u003e       \n      \u003c\/div\u003e\n \n      \u003cdiv class=\"flexy-text-area right-padding\"\u003e\n\u003ch3 class=\"pdp_heading\"\u003eBluetooth Audio Input\u003c\/h3\u003e\n\u003cp\u003e\nCK goes wireless with Bluetooth Audio to accept tracks from your phone or bandmates. You can even use the built-in speakers to play a tune or run tracks from your phone.\u003c\/p\u003e      \u003c\/div\u003e\n     \n      \u003cdiv class=\"flexy-image-area hide-this hide-mobile\"\u003e\n        \u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/yamaha-ck\/bluetooth.jpg\" alt=\"\"\u003e       \n      \u003c\/div\u003e     \n\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":44779630067986,"sku":"YAM-CK61CBK","price":1099.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/yam-ck61_cbk.jpg?v=1695408687"},{"product_id":"shure-beta-181-o-ultra-compact-condenser-instrument-microphone","title":"Shure Beta 181\/O Ultra-Compact Condenser Instrument Microphone","description":"\u003cp\u003eThe Shure Beta 181 is an ultra-compact, small-diaphragm side-address  condenser microphone, designed for discrete placement and control in  live and studio environments. Featuring interchangeable cardioid,  supercardioid, omnidirectional and bidirectional capsule options for  superior versatility, the small diaphragm design provides superior audio  with consistent, textbook polar responses in a form factor small enough  to get close to the source in the tightest conditions.Interchangeable  polar pattern capsules attach to a compact preamplifier with integrated  XLR connections for the ultimate in low-profile application flexibility (Each Beta 181 ships with one polar pattern capsule and one XLR preamplifier.  Capsules available separately for custom flexibility)\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003ePrecision-engineered, compact side-address design features innovative locking ring to provide  secure connection between capsule and preamplifier \u003c\/li\u003e\n  \u003cli\u003eFrequency response tailored for wide dynamic range applications for use in high SPL environments \u003c\/li\u003e\n  \u003cli\u003eFurnished with stand adapter, windscreen and  carrying case (carrying case will securely protect up to four polar  pattern capsules) \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Shure","offers":[{"title":"Default Title","offer_id":45257191653650,"sku":"SHU-BETA181O","price":399.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/SHURE_BETA181O.jpg?v=1695405211"},{"product_id":"waldorf-blofeld-keyboard-synthesizer","title":"Waldorf Blofeld Keyboard Synthesizer","description":"\u003cp\u003eWaldorf Blofeld is offspring from a noble house, the little synthesizer machine with the big and evil sound. This synthesizer offers all the unique qualities that made Waldorf a truly legendary brand. The engine inside the heavy duty, full metal chassis of Blofeld delivers the same fat and rich sound that so many Waldorf users worldwide love when they play their Pulse, Q, Q+, Micro Q, Microwave, Microwave II\/XT or even the flagship Wave.\u003c\/p\u003e\n\n\u003cp\u003eYes, you heard right: Blofeld is not only capable of producing the warm, organic analog sounds known from the Q synthesizer line, it also sports a wavetable engine like its predecessors with 'Wave' in their names. This unique synthesis system is based upon the revolutionary PPG Wave synthesizers of the early 80s, so when you listen to Blofeld for the first time you will instantly recognize those edgy, hard-hitting and bell-like timbres that have been an integral part of so many world hits from the PPG era onwards and have become increasingly popular once more. In fact, it is amazing to realize that nowadays this complex technology fits into such a slim and elegant device, and for a price nobody would have imagined back in the days of its predecessors.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eOscillators\u003c\/strong\u003e\u003cbr\u003eEach of the three oscillators offers authentic circuit models of analog waveforms: pulse with variable pulsewidth, sawtooth, triangle and, as found in relatively few analog synthesizers these days, sine wave. Furthermore, oscillators 1 and 2 feature the two wavetables that were introduced by the Waldorf Q and appeared shortly thereafter in the Micro Q series. Not only that, Blofeld includes all ROM wavetables from the mighty flagship Waldorf Wave as well as Microwave II\/XT. Plus, lo and behold, the desperately requested 'upper wavetable' from PPG Wave! For the first time in the history of Waldorf and PPG, each of these two oscillators can have its own wavetable.\u003c\/p\u003e\n\n\u003cp\u003eWhat's more, you have control over the brilliance of these wavetables, which is especially important for waves with lots of harmonics in the bass end. You decide if you prefer pure and perfect harmonics or the same edgy timbre you know and love from the earlier Waldorf and PPG synthesizers. Brilliance also affects the sawtooth and pulse oscillator models, ranging from warm and soft (for those typical LA string pads) to the hard shapes you need for punchy and biting bass sounds. Note, though, that Brilliance is not a simple filter applied after the oscillators; rather, the oscillator model itself is modified.\u003c\/p\u003e\n\n\u003cp\u003eEach of the three oscillators can be frequency-modulated by any of the other oscillators, the noise generator or one of the LFOs. With low FM amounts you can add a little dirt to the oscillator sound; with higher amounts you get typical FM effects. On top of all that, oscillator 2 can be hard-synced to oscillator 3.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eRing modulation\u003c\/strong\u003e\u003cbr\u003eOscillators 1 and 2 can be ring modulated to create bell-like metallic sounds and eerie sound effects as well as pumping basses and leads. The noise generator delivers white noise that can be filtered lowpass or highpass, depending on the noise color setting. The three oscillators, the ring modulator and the noise generator can be freely mixed into filter 1 and filter 2. This allows fine control over the harmonic content of each of the tone generators.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eFilters\u003c\/strong\u003e\u003cbr\u003eBlofeld has two multimode filters per voice that can be routed in series or in parallel. Each filter has its own pan parameter for easy creation of stereo sounds. The selection of filter types includes low pass, band pass, high pass and notch (band reject), each with 12dB\/oct or 24dB\/oct slope. The filter models are based on several famous Waldorf filter algorithms found in all their products. They offer resonance up to self-oscillation as well as frequency modulation (filter FM). Furthermore, Blofeld features the same comb filter types (with positive and negative feedback) first introduced in the Waldorf Q. These can be used to thicken bass and pad sounds or to create percussive, string or flute sounds reminiscent of physical modeling.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eOverdrive, saturation, distortion, shaping\u003c\/strong\u003e\u003cbr\u003eBlofeld offers a freely controllable drive behind each filter with more than a dozen curves. These include such standards as the drive from the Q and Micro Q, low\/medium\/hard saturation, tube saturation, two types of electric pickups, a rectifier, digital overflow as well as esoteric stuff such as 'binary distortion,' a sinusoidal waveshaper and even a distortion controlled by oscillator 1. And because Blofeld has two filters that can be routed in series, you can control the timbre of the drive output of filter 1 by dampening or emphasizing certain frequencies with filter 2.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003cbr\u003eBlofeld has two effect slots with various types. In Multimode, the first effect slot is available per part, while the second one is used for all 16 parts (i.e., global) with controllable mix levels. Part 1 determines the settings of the second effect. The first effect slot offers modulation effects such as chorus and flanger as well as a combined type called 'Triple FX.' The latter gives you several effects at once, but with a reduced parameter set. The second effect slot offers all the same types as the first, but with the addition of delay, clocked delay and reverb.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eEnvelopes\u003c\/strong\u003e\u003cbr\u003eFour envelopes with different types and trigger modes affect any sound parameters you choose. Each envelope can be either polyphonic or single trigger. This is especially interesting with the monophonic voice allocation, as the filter envelope can be set to be triggered only by the first note(s) while the amp envelope is triggered on each note — think 'organ percussion register,' for instance. The envelope types include the standard ADSR as well as an enhanced ADSR variant with controllable attack level and two decay and sustain stages, two different loop envelopes and a 'one shot' envelope. The loop types can be used to act as additional LFOs, while the 'one shot' is perfectly suited for percussion sounds, which typically ignore the note release.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eLFOs\u003c\/strong\u003e\u003cbr\u003eEach of the three LFOs offers sine, triangle, square and sawtooth waveforms, plus sample \u0026amp; hold and random. LFOs can be synchronized to MIDI clock, they can be polyphonic or monophonic, can be reset on key trigger to a freely definable phase, and the speed can be scaled by MIDI note (key follow). There are separate delay and fade in\/out parameters for, say, delayed vibrato (positive fade values) or a burst of vibrato at the start of each note (negative fade values). One important feature of the Blofeld LFOs is that higher rates reach well into the audio frequency range, thus making them useful extra FM sources. There are two basic modes: either linear FM as seen in classic digital synths, or logarithmic FM, which is primarily the domain of analog modular systems.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eModulations\u003c\/strong\u003e\u003cbr\u003eHere's where the real Waldorf power lies. Each and every instrument designed and built by Waldorf lets you connect dozens of modulation sources to all the important sound generation parameters. Individual or multiple oscillator pitches, their pulsewidths and waveforms, their levels and filter-balances, FM modulation amounts, individual filter cutoff and resonance, filter FM amounts and stereo panning, or just the good old sound output level — everything can be controlled from internal modulation sources or from a variety of MIDI messages such as velocity, keytrack, continuous controllers (including wheels, breath and foot controllers), etc.\u003c\/p\u003e\n\n\u003cp\u003eYou can of course 'modulate the modulators,' i.e., control LFO speeds and individual envelope rates and levels, but in Blofeld you can even specify that these sources modulate themselves — recursive modulation! For instance, modulating an envelope rate by the same envelope (or another one) can alter the shape of the slope dramatically from the standard exponential curve to linear to inverse exponential.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eModifiers\u003c\/strong\u003e\u003cbr\u003eAnd how many slots do you get in the mod matrix? Two? Three? Four? No, we're talking big here: you get 16 freely definable slots plus all the pre-routed modulation destinations such as pitch, oscillator frequency and pulse width modulation, filter cutoff, pan and amp level. Don't forget that the filter envelope is already routed to filter 1 and 2 cutoff, and the amp envelope is routed to the amp level. This makes a total of 33 simultaneous connections.\u003c\/p\u003e\n\n\u003cp\u003eWhat if you want something really really crazy, like controlling a pitch vibrato done by LFO 3 with the modulation wheel. Although there are a few such composite modulation sources such as 'LFO1*MW' (LFO 1 controlled by modulation wheel) and 'LFO2*Press' (LFO 2 controlled by monophonic aftertouch), there's nobody doing the 'LFO3*MW' thing for you. But don't worry, that's where the Modifiers come into play: in seconds you can set up a new modifier with the two sources set to LFO 3 and modulation wheel, and the 'operation' set to '*' (multiply). You can use such custom-made modulation sources in any of the modulation slots described above.\u003c\/p\u003e\n\n\u003cp\u003eOkay, maybe you are more the regular musician who simply wants to perform a binary OR between two modulation sources? Okay, go for it! This operation is just one of several at your disposal.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eArpeggiator\u003c\/strong\u003e\u003cbr\u003eBlofeld's arpeggiator features variable clock divisions from 1\/64 triplets to more than 1,000 bars, with variable swing\/shuffle and a range of up to 10 octaves. Up, down and alternate modes, selectable play order from low to high note, low to high velocity, as played or reversed, variable note length, different velocity modes. And hold or 'one shot' if you like.\u003c\/p\u003e\n\n\u003cp\u003eBut more importantly, it has the most powerful pattern editor we have ever seen. You can set each step to either play the note it would do so anyway, to pause, to play the previous note again, play the first or the last note, play those together, play a chord consisting of all held notes or a randomly selected note.\u003c\/p\u003e\n\n\u003cp\u003eThen you can adjust the accent of each step (including silence), activate or deactivate glide for each step, set the timing to play a step ahead or behind its nominal time, and finely adjust the note length between short staccato and full legato.\u003c\/p\u003e\n\n\u003cp\u003eNo wonder this arpeggiator had great reviews when it first appeared in the Waldorf Q. It will take you straight to arpeggiator heaven, as has already happened to thousands of Waldorf customers. Dig it!\u003c\/p\u003e","brand":"Waldorf","offers":[{"title":"Default Title","offer_id":45257219047698,"sku":"WAL-BLOFELDKB","price":999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/wal-blofeldkb_top.jpg?v=1695405285"},{"product_id":"waldorf-blofeld-desktop-synthesizer-module","title":"Waldorf Blofeld Desktop Synthesizer Module","description":"\u003cp\u003eWaldorf Blofeld is offspring from a noble house, the little synthesizer machine with the big and evil sound. This synthesizer offers all the unique qualities that made Waldorf a truly legendary brand. The engine inside the heavy duty, full metal chassis of Blofeld delivers the same fat and rich sound that so many Waldorf users worldwide love when they play their Pulse, Q, Q+, Micro Q, Microwave, Microwave II\/XT or even the flagship Wave.\u003c\/p\u003e\n\n\u003cp\u003eYes, you heard right: Blofeld is not only capable of producing the warm, organic analog sounds known from the Q synthesizer line, it also sports a wavetable engine like its predecessors with 'Wave' in their names. This unique synthesis system is based upon the revolutionary PPG Wave synthesizers of the early 80s, so when you listen to Blofeld for the first time you will instantly recognize those edgy, hard-hitting and bell-like timbres that have been an integral part of so many world hits from the PPG era onwards and have become increasingly popular once more. In fact, it is amazing to realize that nowadays this complex technology fits into such a slim and elegant device, and for a price nobody would have imagined back in the days of its predecessors.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eOscillators\u003c\/strong\u003e\u003cbr\u003eEach of the three oscillators offers authentic circuit models of analog waveforms: pulse with variable pulsewidth, sawtooth, triangle and, as found in relatively few analog synthesizers these days, sine wave. Furthermore, oscillators 1 and 2 feature the two wavetables that were introduced by the Waldorf Q and appeared shortly thereafter in the Micro Q series. Not only that, Blofeld includes all ROM wavetables from the mighty flagship Waldorf Wave as well as Microwave II\/XT. Plus, lo and behold, the desperately requested 'upper wavetable' from PPG Wave! For the first time in the history of Waldorf and PPG, each of these two oscillators can have its own wavetable.\u003c\/p\u003e\n\n\u003cp\u003eWhat's more, you have control over the brilliance of these wavetables, which is especially important for waves with lots of harmonics in the bass end. You decide if you prefer pure and perfect harmonics or the same edgy timbre you know and love from the earlier Waldorf and PPG synthesizers. Brilliance also affects the sawtooth and pulse oscillator models, ranging from warm and soft (for those typical LA string pads) to the hard shapes you need for punchy and biting bass sounds. Note, though, that Brilliance is not a simple filter applied after the oscillators; rather, the oscillator model itself is modified.\u003c\/p\u003e\n\n\u003cp\u003eEach of the three oscillators can be frequency-modulated by any of the other oscillators, the noise generator or one of the LFOs. With low FM amounts you can add a little dirt to the oscillator sound; with higher amounts you get typical FM effects. On top of all that, oscillator 2 can be hard-synced to oscillator 3.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eRing modulation\u003c\/strong\u003e\u003cbr\u003eOscillators 1 and 2 can be ring modulated to create bell-like metallic sounds and eerie sound effects as well as pumping basses and leads. The noise generator delivers white noise that can be filtered lowpass or highpass, depending on the noise color setting. The three oscillators, the ring modulator and the noise generator can be freely mixed into filter 1 and filter 2. This allows fine control over the harmonic content of each of the tone generators.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eFilters\u003c\/strong\u003e\u003cbr\u003eBlofeld has two multimode filters per voice that can be routed in series or in parallel. Each filter has its own pan parameter for easy creation of stereo sounds. The selection of filter types includes low pass, band pass, high pass and notch (band reject), each with 12dB\/oct or 24dB\/oct slope. The filter models are based on several famous Waldorf filter algorithms found in all their products. They offer resonance up to self-oscillation as well as frequency modulation (filter FM). Furthermore, Blofeld features the same comb filter types (with positive and negative feedback) first introduced in the Waldorf Q. These can be used to thicken bass and pad sounds or to create percussive, string or flute sounds reminiscent of physical modeling.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eOverdrive, saturation, distortion, shaping\u003c\/strong\u003e\u003cbr\u003eBlofeld offers a freely controllable drive behind each filter with more than a dozen curves. These include such standards as the drive from the Q and Micro Q, low\/medium\/hard saturation, tube saturation, two types of electric pickups, a rectifier, digital overflow as well as esoteric stuff such as 'binary distortion,' a sinusoidal waveshaper and even a distortion controlled by oscillator 1. And because Blofeld has two filters that can be routed in series, you can control the timbre of the drive output of filter 1 by dampening or emphasizing certain frequencies with filter 2.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003cbr\u003eBlofeld has two effect slots with various types. In Multimode, the first effect slot is available per part, while the second one is used for all 16 parts (i.e., global) with controllable mix levels. Part 1 determines the settings of the second effect. The first effect slot offers modulation effects such as chorus and flanger as well as a combined type called 'Triple FX.' The latter gives you several effects at once, but with a reduced parameter set. The second effect slot offers all the same types as the first, but with the addition of delay, clocked delay and reverb.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eEnvelopes\u003c\/strong\u003e\u003cbr\u003eFour envelopes with different types and trigger modes affect any sound parameters you choose. Each envelope can be either polyphonic or single trigger. This is especially interesting with the monophonic voice allocation, as the filter envelope can be set to be triggered only by the first note(s) while the amp envelope is triggered on each note — think 'organ percussion register,' for instance. The envelope types include the standard ADSR as well as an enhanced ADSR variant with controllable attack level and two decay and sustain stages, two different loop envelopes and a 'one shot' envelope. The loop types can be used to act as additional LFOs, while the 'one shot' is perfectly suited for percussion sounds, which typically ignore the note release.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eLFOs\u003c\/strong\u003e\u003cbr\u003eEach of the three LFOs offers sine, triangle, square and sawtooth waveforms, plus sample \u0026amp; hold and random. LFOs can be synchronized to MIDI clock, they can be polyphonic or monophonic, can be reset on key trigger to a freely definable phase, and the speed can be scaled by MIDI note (key follow). There are separate delay and fade in\/out parameters for, say, delayed vibrato (positive fade values) or a burst of vibrato at the start of each note (negative fade values). One important feature of the Blofeld LFOs is that higher rates reach well into the audio frequency range, thus making them useful extra FM sources. There are two basic modes: either linear FM as seen in classic digital synths, or logarithmic FM, which is primarily the domain of analog modular systems.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eModulations\u003c\/strong\u003e\u003cbr\u003eHere's where the real Waldorf power lies. Each and every instrument designed and built by Waldorf lets you connect dozens of modulation sources to all the important sound generation parameters. Individual or multiple oscillator pitches, their pulsewidths and waveforms, their levels and filter-balances, FM modulation amounts, individual filter cutoff and resonance, filter FM amounts and stereo panning, or just the good old sound output level — everything can be controlled from internal modulation sources or from a variety of MIDI messages such as velocity, keytrack, continuous controllers (including wheels, breath and foot controllers), etc.\u003c\/p\u003e\n\n\u003cp\u003eYou can of course 'modulate the modulators,' i.e., control LFO speeds and individual envelope rates and levels, but in Blofeld you can even specify that these sources modulate themselves — recursive modulation! For instance, modulating an envelope rate by the same envelope (or another one) can alter the shape of the slope dramatically from the standard exponential curve to linear to inverse exponential.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eModifiers\u003c\/strong\u003e\u003cbr\u003eAnd how many slots do you get in the mod matrix? Two? Three? Four? No, we're talking big here: you get 16 freely definable slots plus all the pre-routed modulation destinations such as pitch, oscillator frequency and pulse width modulation, filter cutoff, pan and amp level. Don't forget that the filter envelope is already routed to filter 1 and 2 cutoff, and the amp envelope is routed to the amp level. This makes a total of 33 simultaneous connections.\u003c\/p\u003e\n\n\u003cp\u003eWhat if you want something really really crazy, like controlling a pitch vibrato done by LFO 3 with the modulation wheel. Although there are a few such composite modulation sources such as 'LFO1*MW' (LFO 1 controlled by modulation wheel) and 'LFO2*Press' (LFO 2 controlled by monophonic aftertouch), there's nobody doing the 'LFO3*MW' thing for you. But don't worry, that's where the Modifiers come into play: in seconds you can set up a new modifier with the two sources set to LFO 3 and modulation wheel, and the 'operation' set to '*' (multiply). You can use such custom-made modulation sources in any of the modulation slots described above.\u003c\/p\u003e\n\n\u003cp\u003eOkay, maybe you are more the regular musician who simply wants to perform a binary OR between two modulation sources? Okay, go for it! This operation is just one of several at your disposal.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eArpeggiator\u003c\/strong\u003e\u003cbr\u003eBlofeld's arpeggiator features variable clock divisions from 1\/64 triplets to more than 1,000 bars, with variable swing\/shuffle and a range of up to 10 octaves. Up, down and alternate modes, selectable play order from low to high note, low to high velocity, as played or reversed, variable note length, different velocity modes. And hold or 'one shot' if you like.\u003c\/p\u003e\n\n\u003cp\u003eBut more importantly, it has the most powerful pattern editor we have ever seen. You can set each step to either play the note it would do so anyway, to pause, to play the previous note again, play the first or the last note, play those together, play a chord consisting of all held notes or a randomly selected note.\u003c\/p\u003e\n\n\u003cp\u003eThen you can adjust the accent of each step (including silence), activate or deactivate glide for each step, set the timing to play a step ahead or behind its nominal time, and finely adjust the note length between short staccato and full legato.\u003c\/p\u003e\n\n\u003cp\u003eNo wonder this arpeggiator had great reviews when it first appeared in the Waldorf Q. It will take you straight to arpeggiator heaven, as has already happened to thousands of Waldorf customers. Dig it!\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eLicense SL (sold separately)\u003c\/strong\u003e\u003cbr\u003eLicense SL (sold separately) greatly expands the sonic potential of every Blofeld desktop. With this license installed, 60MB of sample flash memory become available for factory and user samples. These samples and multisamples go through Blofeld's vast synthesis engine just like the standard oscillators. And like the oscillators, samples can be used as an FM source or destination. You can also apply ring modulation, dual filters and overdrive to go far beyond traditional sample playback technology. License SL comes with an extensive set of factory samples.\u003c\/p\u003e","brand":"Waldorf","offers":[{"title":"Default Title","offer_id":45257219834130,"sku":"WAL-BLOFELD","price":699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/Waldorf_blofeld_top.jpg?v=1720197193"},{"product_id":"waldorf-blofeld-keyboard-synthesizer-black-shadow-edition","title":"Waldorf Blofeld Keyboard Synthesizer - Black \/ Shadow Edition","description":"\u003cp\u003eWaldorf Blofeld is offspring from a noble house, the little synthesizer machine with the big and evil sound. This synthesizer offers all the unique qualities that made Waldorf a truly legendary brand. The engine inside the heavy duty, full metal chassis of Blofeld delivers the same fat and rich sound that so many Waldorf users worldwide love when they play their Pulse, Q, Q+, Micro Q, Microwave, Microwave II\/XT or even the flagship Wave.\u003c\/p\u003e\n\n\u003cp\u003eYes, you heard right: Blofeld is not only capable of producing the warm, organic analog sounds known from the Q synthesizer line, it also sports a wavetable engine like its predecessors with 'Wave' in their names. This unique synthesis system is based upon the revolutionary PPG Wave synthesizers of the early 80s, so when you listen to Blofeld for the first time you will instantly recognize those edgy, hard-hitting and bell-like timbres that have been an integral part of so many world hits from the PPG era onwards and have become increasingly popular once more. In fact, it is amazing to realize that nowadays this complex technology fits into such a slim and elegant device, and for a price nobody would have imagined back in the days of its predecessors.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eOscillators\u003c\/strong\u003e\u003cbr\u003eEach of the three oscillators offers authentic circuit models of analog waveforms: pulse with variable pulsewidth, sawtooth, triangle and, as found in relatively few analog synthesizers these days, sine wave. Furthermore, oscillators 1 and 2 feature the two wavetables that were introduced by the Waldorf Q and appeared shortly thereafter in the Micro Q series. Not only that, Blofeld includes all ROM wavetables from the mighty flagship Waldorf Wave as well as Microwave II\/XT. Plus, lo and behold, the desperately requested 'upper wavetable' from PPG Wave! For the first time in the history of Waldorf and PPG, each of these two oscillators can have its own wavetable.\u003c\/p\u003e\n\n\u003cp\u003eWhat's more, you have control over the brilliance of these wavetables, which is especially important for waves with lots of harmonics in the bass end. You decide if you prefer pure and perfect harmonics or the same edgy timbre you know and love from the earlier Waldorf and PPG synthesizers. Brilliance also affects the sawtooth and pulse oscillator models, ranging from warm and soft (for those typical LA string pads) to the hard shapes you need for punchy and biting bass sounds. Note, though, that Brilliance is not a simple filter applied after the oscillators; rather, the oscillator model itself is modified.\u003c\/p\u003e\n\n\u003cp\u003eEach of the three oscillators can be frequency-modulated by any of the other oscillators, the noise generator or one of the LFOs. With low FM amounts you can add a little dirt to the oscillator sound; with higher amounts you get typical FM effects. On top of all that, oscillator 2 can be hard-synced to oscillator 3.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eRing modulation\u003c\/strong\u003e\u003cbr\u003eOscillators 1 and 2 can be ring modulated to create bell-like metallic sounds and eerie sound effects as well as pumping basses and leads. The noise generator delivers white noise that can be filtered lowpass or highpass, depending on the noise color setting. The three oscillators, the ring modulator and the noise generator can be freely mixed into filter 1 and filter 2. This allows fine control over the harmonic content of each of the tone generators.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eFilters\u003c\/strong\u003e\u003cbr\u003eBlofeld has two multimode filters per voice that can be routed in series or in parallel. Each filter has its own pan parameter for easy creation of stereo sounds. The selection of filter types includes low pass, band pass, high pass and notch (band reject), each with 12dB\/oct or 24dB\/oct slope. The filter models are based on several famous Waldorf filter algorithms found in all their products. They offer resonance up to self-oscillation as well as frequency modulation (filter FM). Furthermore, Blofeld features the same comb filter types (with positive and negative feedback) first introduced in the Waldorf Q. These can be used to thicken bass and pad sounds or to create percussive, string or flute sounds reminiscent of physical modeling.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eOverdrive, saturation, distortion, shaping\u003c\/strong\u003e\u003cbr\u003eBlofeld offers a freely controllable drive behind each filter with more than a dozen curves. These include such standards as the drive from the Q and Micro Q, low\/medium\/hard saturation, tube saturation, two types of electric pickups, a rectifier, digital overflow as well as esoteric stuff such as 'binary distortion,' a sinusoidal waveshaper and even a distortion controlled by oscillator 1. And because Blofeld has two filters that can be routed in series, you can control the timbre of the drive output of filter 1 by dampening or emphasizing certain frequencies with filter 2.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003cbr\u003eBlofeld has two effect slots with various types. In Multimode, the first effect slot is available per part, while the second one is used for all 16 parts (i.e., global) with controllable mix levels. Part 1 determines the settings of the second effect. The first effect slot offers modulation effects such as chorus and flanger as well as a combined type called 'Triple FX.' The latter gives you several effects at once, but with a reduced parameter set. The second effect slot offers all the same types as the first, but with the addition of delay, clocked delay and reverb.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eEnvelopes\u003c\/strong\u003e\u003cbr\u003eFour envelopes with different types and trigger modes affect any sound parameters you choose. Each envelope can be either polyphonic or single trigger. This is especially interesting with the monophonic voice allocation, as the filter envelope can be set to be triggered only by the first note(s) while the amp envelope is triggered on each note — think 'organ percussion register,' for instance. The envelope types include the standard ADSR as well as an enhanced ADSR variant with controllable attack level and two decay and sustain stages, two different loop envelopes and a 'one shot' envelope. The loop types can be used to act as additional LFOs, while the 'one shot' is perfectly suited for percussion sounds, which typically ignore the note release.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eLFOs\u003c\/strong\u003e\u003cbr\u003eEach of the three LFOs offers sine, triangle, square and sawtooth waveforms, plus sample \u0026amp; hold and random. LFOs can be synchronized to MIDI clock, they can be polyphonic or monophonic, can be reset on key trigger to a freely definable phase, and the speed can be scaled by MIDI note (key follow). There are separate delay and fade in\/out parameters for, say, delayed vibrato (positive fade values) or a burst of vibrato at the start of each note (negative fade values). One important feature of the Blofeld LFOs is that higher rates reach well into the audio frequency range, thus making them useful extra FM sources. There are two basic modes: either linear FM as seen in classic digital synths, or logarithmic FM, which is primarily the domain of analog modular systems.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eModulations\u003c\/strong\u003e\u003cbr\u003eHere's where the real Waldorf power lies. Each and every instrument designed and built by Waldorf lets you connect dozens of modulation sources to all the important sound generation parameters. Individual or multiple oscillator pitches, their pulsewidths and waveforms, their levels and filter-balances, FM modulation amounts, individual filter cutoff and resonance, filter FM amounts and stereo panning, or just the good old sound output level — everything can be controlled from internal modulation sources or from a variety of MIDI messages such as velocity, keytrack, continuous controllers (including wheels, breath and foot controllers), etc.\u003c\/p\u003e\n\n\u003cp\u003eYou can of course 'modulate the modulators,' i.e., control LFO speeds and individual envelope rates and levels, but in Blofeld you can even specify that these sources modulate themselves — recursive modulation! For instance, modulating an envelope rate by the same envelope (or another one) can alter the shape of the slope dramatically from the standard exponential curve to linear to inverse exponential.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eModifiers\u003c\/strong\u003e\u003cbr\u003eAnd how many slots do you get in the mod matrix? Two? Three? Four? No, we're talking big here: you get 16 freely definable slots plus all the pre-routed modulation destinations such as pitch, oscillator frequency and pulse width modulation, filter cutoff, pan and amp level. Don't forget that the filter envelope is already routed to filter 1 and 2 cutoff, and the amp envelope is routed to the amp level. This makes a total of 33 simultaneous connections.\u003c\/p\u003e\n\n\u003cp\u003eWhat if you want something really really crazy, like controlling a pitch vibrato done by LFO 3 with the modulation wheel. Although there are a few such composite modulation sources such as 'LFO1*MW' (LFO 1 controlled by modulation wheel) and 'LFO2*Press' (LFO 2 controlled by monophonic aftertouch), there's nobody doing the 'LFO3*MW' thing for you. But don't worry, that's where the Modifiers come into play: in seconds you can set up a new modifier with the two sources set to LFO 3 and modulation wheel, and the 'operation' set to '*' (multiply). You can use such custom-made modulation sources in any of the modulation slots described above.\u003c\/p\u003e\n\n\u003cp\u003eOkay, maybe you are more the regular musician who simply wants to perform a binary OR between two modulation sources? Okay, go for it! This operation is just one of several at your disposal.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eArpeggiator\u003c\/strong\u003e\u003cbr\u003eBlofeld's arpeggiator features variable clock divisions from 1\/64 triplets to more than 1,000 bars, with variable swing\/shuffle and a range of up to 10 octaves. Up, down and alternate modes, selectable play order from low to high note, low to high velocity, as played or reversed, variable note length, different velocity modes. And hold or 'one shot' if you like.\u003c\/p\u003e\n\n\u003cp\u003eBut more importantly, it has the most powerful pattern editor we have ever seen. You can set each step to either play the note it would do so anyway, to pause, to play the previous note again, play the first or the last note, play those together, play a chord consisting of all held notes or a randomly selected note.\u003c\/p\u003e\n\n\u003cp\u003eThen you can adjust the accent of each step (including silence), activate or deactivate glide for each step, set the timing to play a step ahead or behind its nominal time, and finely adjust the note length between short staccato and full legato.\u003c\/p\u003e\n\n\u003cp\u003eNo wonder this arpeggiator had great reviews when it first appeared in the Waldorf Q. It will take you straight to arpeggiator heaven, as has already happened to thousands of Waldorf customers. Dig it!\u003c\/p\u003e","brand":"Waldorf","offers":[{"title":"Default Title","offer_id":45257220718866,"sku":"WAL-BLOFELDKBBLK","price":999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/wal-blofeldkbblk_top.jpg?v=1695405284"},{"product_id":"waldorf-streichfett-string-synthesizer-desktop-module","title":"Waldorf Streichfett String Synthesizer Desktop Module","description":"\u003cp\u003eWaldorf Streichfett combines the best of the previously extinct species of string synthesizers of the 70s and early 80s. Its dual sound engine features a fully polyphonic strings section and an eight voice solo section. The Ensemble effect handles the string section, while the effects section adds adjustable phaser and reverb. Additionally, the Animate effect can be used to modulate the strings registration, allowing spectacular sound morphs.\u003c\/p\u003e\n\n\u003cp\u003eThe Solo section offers presets named Bass, E-Piano or Clavi, and just like in your typical string machine the sound has little to do with that name. Instead, these are shimmering and slightly percussive sounds that blend well with the string section.\u003c\/p\u003e\n\n\u003cp\u003eAlthough the user interface is simple and easy to comprehend, it controls a rather complex sound engine which is capable of delivering rich and creamy pads unlike any other instrument. Twelve patches can be stored and selected in the Memory section, and USB and MIDI are of course on board.\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e128-voice fully polyphonic strings section\u003c\/li\u003e\n\u003cli\u003eContinuous morphing of violin, viola, cello, brass, organ, choir and more registrations\u003c\/li\u003e\n\u003cli\u003eAnimate effect for modulation of strings registration\u003c\/li\u003e\n\u003cli\u003eEnsemble effect for strings\u003c\/li\u003e\n\u003cli\u003eEight voice polyphonic Solo section\u003c\/li\u003e\n\u003cli\u003eLayer\/split for Solo section\u003c\/li\u003e\n\u003cli\u003eContinuous morphing of bass, e-piano, clavi, synth and Pluto for solo tone\u003c\/li\u003e\n\u003cli\u003eTremolo for Solo section\u003c\/li\u003e\n\u003cli\u003ePhaser\u003c\/li\u003e\n\u003cli\u003eReverb\u003c\/li\u003e\n\u003cli\u003e12 programmable patches\u003c\/li\u003e\n\u003cli\u003eStereo output\u003c\/li\u003e\n\u003cli\u003eHeadphone output\u003c\/li\u003e\n\u003cli\u003eUSB\u003c\/li\u003e\n\u003cli\u003eMIDI in\/out\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"Waldorf","offers":[{"title":"Default Title","offer_id":45257220948242,"sku":"WAL-STREICHFETT","price":399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/wal-streichfett_top.jpg?v=1695405283"},{"product_id":"waldorf-blofeld-desktop-synthesizer-module-black","title":"Waldorf Blofeld Desktop Synthesizer Module - Black","description":"\u003cp\u003eWaldorf Blofeld is offspring from a noble house, the little synthesizer machine with the big and evil sound. This synthesizer offers all the unique qualities that made Waldorf a truly legendary brand. The engine inside the heavy duty, full metal chassis of Blofeld delivers the same fat and rich sound that so many Waldorf users worldwide love when they play their Pulse, Q, Q+, Micro Q, Microwave, Microwave II\/XT or even the flagship Wave.\u003c\/p\u003e\n\n\u003cp\u003eYes, you heard right: Blofeld is not only capable of producing the warm, organic analog sounds known from the Q synthesizer line, it also sports a wavetable engine like its predecessors with 'Wave' in their names. This unique synthesis system is based upon the revolutionary PPG Wave synthesizers of the early 80s, so when you listen to Blofeld for the first time you will instantly recognize those edgy, hard-hitting and bell-like timbres that have been an integral part of so many world hits from the PPG era onwards and have become increasingly popular once more. In fact, it is amazing to realize that nowadays this complex technology fits into such a slim and elegant device, and for a price nobody would have imagined back in the days of its predecessors.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eOscillators\u003c\/strong\u003e\u003cbr\u003eEach of the three oscillators offers authentic circuit models of analog waveforms: pulse with variable pulsewidth, sawtooth, triangle and, as found in relatively few analog synthesizers these days, sine wave. Furthermore, oscillators 1 and 2 feature the two wavetables that were introduced by the Waldorf Q and appeared shortly thereafter in the Micro Q series. Not only that, Blofeld includes all ROM wavetables from the mighty flagship Waldorf Wave as well as Microwave II\/XT. Plus, lo and behold, the desperately requested 'upper wavetable' from PPG Wave! For the first time in the history of Waldorf and PPG, each of these two oscillators can have its own wavetable.\u003c\/p\u003e\n\n\u003cp\u003eWhat's more, you have control over the brilliance of these wavetables, which is especially important for waves with lots of harmonics in the bass end. You decide if you prefer pure and perfect harmonics or the same edgy timbre you know and love from the earlier Waldorf and PPG synthesizers. Brilliance also affects the sawtooth and pulse oscillator models, ranging from warm and soft (for those typical LA string pads) to the hard shapes you need for punchy and biting bass sounds. Note, though, that Brilliance is not a simple filter applied after the oscillators; rather, the oscillator model itself is modified.\u003c\/p\u003e\n\n\u003cp\u003eEach of the three oscillators can be frequency-modulated by any of the other oscillators, the noise generator or one of the LFOs. With low FM amounts you can add a little dirt to the oscillator sound; with higher amounts you get typical FM effects. On top of all that, oscillator 2 can be hard-synced to oscillator 3.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eRing modulation\u003c\/strong\u003e\u003cbr\u003eOscillators 1 and 2 can be ring modulated to create bell-like metallic sounds and eerie sound effects as well as pumping basses and leads. The noise generator delivers white noise that can be filtered lowpass or highpass, depending on the noise color setting. The three oscillators, the ring modulator and the noise generator can be freely mixed into filter 1 and filter 2. This allows fine control over the harmonic content of each of the tone generators.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eFilters\u003c\/strong\u003e\u003cbr\u003eBlofeld has two multimode filters per voice that can be routed in series or in parallel. Each filter has its own pan parameter for easy creation of stereo sounds. The selection of filter types includes low pass, band pass, high pass and notch (band reject), each with 12dB\/oct or 24dB\/oct slope. The filter models are based on several famous Waldorf filter algorithms found in all their products. They offer resonance up to self-oscillation as well as frequency modulation (filter FM). Furthermore, Blofeld features the same comb filter types (with positive and negative feedback) first introduced in the Waldorf Q. These can be used to thicken bass and pad sounds or to create percussive, string or flute sounds reminiscent of physical modeling.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eOverdrive, saturation, distortion, shaping\u003c\/strong\u003e\u003cbr\u003eBlofeld offers a freely controllable drive behind each filter with more than a dozen curves. These include such standards as the drive from the Q and Micro Q, low\/medium\/hard saturation, tube saturation, two types of electric pickups, a rectifier, digital overflow as well as esoteric stuff such as 'binary distortion,' a sinusoidal waveshaper and even a distortion controlled by oscillator 1. And because Blofeld has two filters that can be routed in series, you can control the timbre of the drive output of filter 1 by dampening or emphasizing certain frequencies with filter 2.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003cbr\u003eBlofeld has two effect slots with various types. In Multimode, the first effect slot is available per part, while the second one is used for all 16 parts (i.e., global) with controllable mix levels. Part 1 determines the settings of the second effect. The first effect slot offers modulation effects such as chorus and flanger as well as a combined type called 'Triple FX.' The latter gives you several effects at once, but with a reduced parameter set. The second effect slot offers all the same types as the first, but with the addition of delay, clocked delay and reverb.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eEnvelopes\u003c\/strong\u003e\u003cbr\u003eFour envelopes with different types and trigger modes affect any sound parameters you choose. Each envelope can be either polyphonic or single trigger. This is especially interesting with the monophonic voice allocation, as the filter envelope can be set to be triggered only by the first note(s) while the amp envelope is triggered on each note — think 'organ percussion register,' for instance. The envelope types include the standard ADSR as well as an enhanced ADSR variant with controllable attack level and two decay and sustain stages, two different loop envelopes and a 'one shot' envelope. The loop types can be used to act as additional LFOs, while the 'one shot' is perfectly suited for percussion sounds, which typically ignore the note release.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eLFOs\u003c\/strong\u003e\u003cbr\u003eEach of the three LFOs offers sine, triangle, square and sawtooth waveforms, plus sample \u0026amp; hold and random. LFOs can be synchronized to MIDI clock, they can be polyphonic or monophonic, can be reset on key trigger to a freely definable phase, and the speed can be scaled by MIDI note (key follow). There are separate delay and fade in\/out parameters for, say, delayed vibrato (positive fade values) or a burst of vibrato at the start of each note (negative fade values). One important feature of the Blofeld LFOs is that higher rates reach well into the audio frequency range, thus making them useful extra FM sources. There are two basic modes: either linear FM as seen in classic digital synths, or logarithmic FM, which is primarily the domain of analog modular systems.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eModulations\u003c\/strong\u003e\u003cbr\u003eHere's where the real Waldorf power lies. Each and every instrument designed and built by Waldorf lets you connect dozens of modulation sources to all the important sound generation parameters. Individual or multiple oscillator pitches, their pulsewidths and waveforms, their levels and filter-balances, FM modulation amounts, individual filter cutoff and resonance, filter FM amounts and stereo panning, or just the good old sound output level — everything can be controlled from internal modulation sources or from a variety of MIDI messages such as velocity, keytrack, continuous controllers (including wheels, breath and foot controllers), etc.\u003c\/p\u003e\n\n\u003cp\u003eYou can of course 'modulate the modulators,' i.e., control LFO speeds and individual envelope rates and levels, but in Blofeld you can even specify that these sources modulate themselves — recursive modulation! For instance, modulating an envelope rate by the same envelope (or another one) can alter the shape of the slope dramatically from the standard exponential curve to linear to inverse exponential.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eModifiers\u003c\/strong\u003e\u003cbr\u003eAnd how many slots do you get in the mod matrix? Two? Three? Four? No, we're talking big here: you get 16 freely definable slots plus all the pre-routed modulation destinations such as pitch, oscillator frequency and pulse width modulation, filter cutoff, pan and amp level. Don't forget that the filter envelope is already routed to filter 1 and 2 cutoff, and the amp envelope is routed to the amp level. This makes a total of 33 simultaneous connections.\u003c\/p\u003e\n\n\u003cp\u003eWhat if you want something really really crazy, like controlling a pitch vibrato done by LFO 3 with the modulation wheel. Although there are a few such composite modulation sources such as 'LFO1*MW' (LFO 1 controlled by modulation wheel) and 'LFO2*Press' (LFO 2 controlled by monophonic aftertouch), there's nobody doing the 'LFO3*MW' thing for you. But don't worry, that's where the Modifiers come into play: in seconds you can set up a new modifier with the two sources set to LFO 3 and modulation wheel, and the 'operation' set to '*' (multiply). You can use such custom-made modulation sources in any of the modulation slots described above.\u003c\/p\u003e\n\n\u003cp\u003eOkay, maybe you are more the regular musician who simply wants to perform a binary OR between two modulation sources? Okay, go for it! This operation is just one of several at your disposal.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eArpeggiator\u003c\/strong\u003e\u003cbr\u003eBlofeld's arpeggiator features variable clock divisions from 1\/64 triplets to more than 1,000 bars, with variable swing\/shuffle and a range of up to 10 octaves. Up, down and alternate modes, selectable play order from low to high note, low to high velocity, as played or reversed, variable note length, different velocity modes. And hold or 'one shot' if you like.\u003c\/p\u003e\n\n\u003cp\u003eBut more importantly, it has the most powerful pattern editor we have ever seen. You can set each step to either play the note it would do so anyway, to pause, to play the previous note again, play the first or the last note, play those together, play a chord consisting of all held notes or a randomly selected note.\u003c\/p\u003e\n\n\u003cp\u003eThen you can adjust the accent of each step (including silence), activate or deactivate glide for each step, set the timing to play a step ahead or behind its nominal time, and finely adjust the note length between short staccato and full legato.\u003c\/p\u003e\n\n\u003cp\u003eNo wonder this arpeggiator had great reviews when it first appeared in the Waldorf Q. It will take you straight to arpeggiator heaven, as has already happened to thousands of Waldorf customers. Dig it!\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eLicense SL (sold separately)\u003c\/strong\u003e\u003cbr\u003eLicense SL (sold separately) greatly expands the sonic potential of every Blofeld desktop. With this license installed, 60MB of sample flash memory become available for factory and user samples. These samples and multisamples go through Blofeld's vast synthesis engine just like the standard oscillators. And like the oscillators, samples can be used as an FM source or destination. You can also apply ring modulation, dual filters and overdrive to go far beyond traditional sample playback technology. License SL comes with an extensive set of factory samples.\u003c\/p\u003e","brand":"Waldorf","offers":[{"title":"Default Title","offer_id":45257221243154,"sku":"WAL-BLOFELDBLK","price":699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/Waldorf_blofeld_black.jpg?v=1720198265"},{"product_id":"yamaha-dbr12-powered-pa-speaker","title":"Yamaha DBR12 Powered PA Speaker","description":"\u003cp\u003eYamaha DBR powered speaker system brings excellent sound quality, reliability, and portability. Using the latest DSP, engineers applied our proprietary FIR-X tuning, to optimize the sound, and protection algorithms to give the DBR series class-leading maximum output power.  DBR models are bi-amped, using a separate power amplifier for the woofer and the high frequency driver to deliver accurate, controlled performance. All the acoustic components were specifically designed to take full advantage of the power amplifiers and DSP, resulting in a very natural sound even at very high levels. With a simple switch, a DBR can easily be configured for use as a high performance floor monitor or great sounding main speaker making setup a snap. Add to this Yamaha’s 7 Year warranty and you can be assured a long life with great sound. Yamaha DBR series gives you the Power to Play. \u003c\/p\u003e\n\n\u003cp\u003eThe DBR12 delivers Best-in-Class maximum output (131 dB SPL) with minimal distortion, using two separate power amplifiers designed specifically for the drivers. 800 watts for the woofer and 200 watts available for the high frequency driver combined with the latest DSP to control and protect the system assure performance and reliability in a compact package.\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":45257221603602,"sku":"YAM-DBR12","price":390.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/yam-dbr12_front.jpg?v=1695405300"},{"product_id":"yamaha-cs750-cymbal-stand","title":"Yamaha CS750 Cymbal Stand","description":"\u003cp\u003eThe CS-750 straight cymbal stand is medium weight and single-braced with vertical tilter and tube caps to prevent rattling. 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All the acoustic components were specifically designed to take full advantage of the power amplifiers and DSP, resulting in a very natural sound even at very high levels. With a simple switch, a DBR can easily be configured for use as a high performance floor monitor or great sounding main speaker making setup a snap. Add to this Yamaha’s 7 Year warranty and you can be assured a long life with great sound. Yamaha DBR series gives you the Power to Play. \u003c\/p\u003e\n\n\u003cp\u003eDon’t let the small size fool you. The DBR10 can produce a class-leading 129 dB SPL of maximum output. Bi-amplified with 700 Watts of clean digital power controlled with DSP for reliable high quality performance. Great for use as a floor monitor or main speaker. A switchable HPF (high pass filter) allows easy use with a subwoofer as well.\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":45257224683794,"sku":"YAM-DBR10","price":348.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/yam-dbr10_front_1.jpg?v=1695405298"},{"product_id":"yamaha-dfp8500c-double-bass-drum-pedal","title":"Yamaha DFP8500C Double Bass Drum Pedal","description":"\u003cp\u003eThe DFP-8500C is a double chain drive double pedal, with an optional woven nylon belt included if you prefer the feel of a strap-drive pedal.\u003c\/p\u003e\n\u003cp\u003eThe DFP-8500C has adjustments for beater angle, footboard angle, and spring tension. The pedal frames have stabilizer bars cast into them below the rocker shafts to eliminate flex. This keeps the bearings in alignment and gives the pedal a smooth feel. The footboards are longer and wider for a solid feel, and make it great for anyone that uses a heel\/toe technique.\u003c\/p\u003e\n\u003cp\u003eThe hole in the beater hubs are tear drop shaped so it securely holds the beater shaft. The DFP-8500C ships with our hard felt beaters that have been a favorite of many of our artists for years.\u003c\/p\u003e\n\u003cp\u003eThe side-adjustable hoop clamp holds firmly to different thickness hoops, and tightens with a wing bolt.\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":45257224782098,"sku":"YAM-DFP8500C","price":475.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/yamaha_dfp8500c.jpg?v=1695405292"},{"product_id":"yamaha-dfp9500d-double-bass-drum-pedal","title":"Yamaha DFP9500D Double Bass Drum Pedal","description":"\u003cp\u003eThe DFP-9500D is a direct drive double pedal, with a solid cast link between the rocker shaft and the footboards. The direct drive \"pushes\" the footboards back on rebound, giving the pedal a quicker response. 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The side-adjustable hoop clamp holds firmly to different thickness hoops, and tightens with a wing bolt.\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":45257225994514,"sku":"YAM-DFP9500CL","price":475.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/yamaha_dfp9500cl.jpg?v=1695405292"},{"product_id":"yamaha-dfp9500c-double-bass-drum-pedal","title":"Yamaha DFP9500C Double Bass Drum Pedal","description":"\u003cp\u003eA top-of-the-line double bass drum pedal from Yamaha.\u003c\/p\u003e\n\u003cp\u003eThe DFP-9500C is a double chain drive double pedal, with an optional woven nylon belt included if you prefer the feel of a strap-drive pedal. It has adjustments for beater angle, footboard angle, and spring tension.\u003c\/p\u003e\n\u003cp\u003eThe pedal frames have stabilizer bars cast into them below the rocker shafts to eliminate flex. 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Using the latest DSP, engineers applied our proprietary FIR-X tuning, to optimize the sound, and protection algorithms to give the DBR series class-leading maximum output power.  DBR models are bi-amped, using a separate power amplifier for the woofer and the high frequency driver to deliver accurate, controlled performance. All the acoustic components were specifically designed to take full advantage of the power amplifiers and DSP, resulting in a very natural sound even at very high levels. With a simple switch, a DBR can easily be configured for use as a high performance floor monitor or great sounding main speaker making setup a snap. Add to this Yamaha’s 7 Year warranty and you can be assured a long life with great sound. Yamaha DBR series gives you the Power to Play. \u003c\/p\u003e\n\n\u003cp\u003eThe largest member of the DBR series, the DBR15 offers a 15” woofer with a 2 ½” voice coil and a 1.4” compression driver to produce excellent full range sound. With 1000 watts of DSP controlled power, the DBR15 leads its class with output up to 132 dB of SPL (sound pressure level), while remaining musically accurate. Having great audio in an easy to set up package makes the DBR15 a perfect choice for musicians and DJs alike.\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":45257227993362,"sku":"YAM-DBR15","price":475.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/dbr15_front.jpg?v=1695405297"},{"product_id":"yamaha-hs7-6-5-powered-studio-monitor-speaker","title":"Yamaha HS7 6.5\" Powered Studio Monitor Speaker","description":"\u003cul\u003e\n\u003cli\u003e2-way bass-reflex bi-amplified nearfield studio monitor with 6.5\" cone woofer and 1\" dome tweeter\u003c\/li\u003e\n\u003cli\u003e43Hz - 30kHz frequency response\u003c\/li\u003e\n\u003cli\u003e60W LF plus 35W HF bi-amp system for high-performance 95W power amplification\u003c\/li\u003e\n\u003cli\u003eROOM CONTROL and HIGH TRIM response controls\u003c\/li\u003e\n\u003cli\u003eXLR and TRS phone jack inputs accept balanced or unbalanced signals\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eImproving on the success of the original HS line launched in 2006, the completely redesigned HS series feature new transducers that achieve smooth response over a wide bandwidth and ensure the accuracy of signal reproduction throughout the audio spectrum. By upgrading to a 1\" tweeter (from the previous 3\/4\" models) the new monitor series provides an extended frequency range and deliver superb high-resolution sound. Yamaha engineers have optimized the HS powered monitor and subwoofer monitor system for a variety of music production environments.\u003c\/p\u003e\n\n\u003cp\u003eThe HS5 (5\" cone and 1\" dome tweeter), HS7 (6.5\" cone and 1\" dome tweeter) and HS8 (8\" cone and 1\" dome tweeter) are housed in bass reflex-type cabinets and reproduce tight low-end and smooth, high frequency response. Two inputs, a balanced XLR and a 1\/4\" phone jack, can accommodate a wide range of balanced and unbalanced sources, including mixers, keyboards and audio interfaces.\u003c\/p\u003e\n\n\u003cp\u003eAdditionally, the new HS Series cabinets offer low resonance enclosure designs constructed from a dense, resilient MDF for a damped acoustic response that is perfectly suited for reference monitors. Each monitor and subwoofer is also equipped with a unique high performance amp unit, perfectly paired with each transducer. The coupled amp unit ensures that each HS Series speaker delivers high-resolution sound with exceptionally flat response across the spectrum.\u003c\/p\u003e\n\n\u003cp\u003eEach monitor speaker employs leading edge noise reduction technology, controlling and reducing the vortex at either end of the speaker port that can generate air vibrations inside and cause unwanted noise in many studio monitors. To combat this, Yamaha adopted advanced noise reduction technology when designing the ports.\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":45257228517650,"sku":"YAM-HS7","price":297.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/yamaha_hs7_angle.jpg?v=1695405310"},{"product_id":"yamaha-hs8-8-powered-studio-monitor-speaker","title":"Yamaha HS8 8\" Powered Studio Monitor Speaker","description":"\u003cul\u003e\n\u003cli\u003e2-way bass-reflex bi-amplified nearfield studio monitor with 8\" cone woofer and 1\" dome tweeter\u003c\/li\u003e\n\u003cli\u003e38Hz - 30kHz frequency response\u003c\/li\u003e\n\u003cli\u003e75W LF plus 45W HF bi-amp system for high-performance 120W power amplification\u003c\/li\u003e\n\u003cli\u003eROOM CONTROL and HIGH TRIM response controls\u003c\/li\u003e\n\u003cli\u003eXLR and TRS phone jack inputs accept balanced or unbalanced signals\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eImproving on the success of the original HS line launched in 2006, the completely redesigned HS series feature new transducers that achieve smooth response over a wide bandwidth and ensure the accuracy of signal reproduction throughout the audio spectrum. By upgrading to a 1\" tweeter (from the previous 3\/4\" models) the new monitor series provides an extended frequency range and deliver superb high-resolution sound. Yamaha engineers have optimized the HS powered monitor and subwoofer monitor system for a variety of music production environments.\u003c\/p\u003e\n\n\u003cp\u003eThe HS5 (5\" cone and 1\" dome tweeter), HS7 (6.5\" cone and 1\" dome tweeter) and HS8 (8\" cone and 1\" dome tweeter) are housed in bass reflex-type cabinets and reproduce tight low-end and smooth, high frequency response. Two inputs, a balanced XLR and a 1\/4\" phone jack, can accommodate a wide range of balanced and unbalanced sources, including mixers, keyboards and audio interfaces.\u003c\/p\u003e\n\n\u003cp\u003eAdditionally, the new HS Series cabinets offer low resonance enclosure designs constructed from a dense, resilient MDF for a damped acoustic response that is perfectly suited for reference monitors. Each monitor and subwoofer is also equipped with a unique high performance amp unit, perfectly paired with each transducer. The coupled amp unit ensures that each HS Series speaker delivers high-resolution sound with exceptionally flat response across the spectrum.\u003c\/p\u003e\n\n\u003cp\u003eEach monitor speaker employs leading edge noise reduction technology, controlling and reducing the vortex at either end of the speaker port that can generate air vibrations inside and cause unwanted noise in many studio monitors. To combat this, Yamaha adopted advanced noise reduction technology when designing the ports.\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":45257228583186,"sku":"YAM-HS8","price":339.14,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/yamaha_hs8_angle.jpg?v=1695405306"},{"product_id":"yamaha-hs5-5-powered-studio-monitor-speaker-white","title":"Yamaha HS5 5\" Powered Studio Monitor Speaker - White","description":"\u003cul\u003e\n\u003cli\u003e2-way bass-reflex bi-amplified nearfield studio monitor with 5\" cone woofer and 1\" dome tweeter\u003c\/li\u003e\n\u003cli\u003e54Hz - 30kHz frequency response\u003c\/li\u003e\n\u003cli\u003e45W LF plus 25W HF bi-amp system for high-performance 70W power amplification\u003c\/li\u003e\n\u003cli\u003eROOM CONTROL and HIGH TRIM response controls\u003c\/li\u003e\n\u003cli\u003eXLR and TRS phone jack inputs accept balanced or unbalanced signals\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eImproving on the success of the original HS line launched in 2006, the completely redesigned HS series feature new transducers that achieve smooth response over a wide bandwidth and ensure the accuracy of signal reproduction throughout the audio spectrum. By upgrading to a 1\" tweeter (from the previous 3\/4\" models) the new monitor series provides an extended frequency range and deliver superb high-resolution sound. Yamaha engineers have optimized the HS powered monitor and subwoofer monitor system for a variety of music production environments.\u003c\/p\u003e\n\n\u003cp\u003eThe HS5 (5\" cone and 1\" dome tweeter), HS7 (6.5\" cone and 1\" dome tweeter) and HS8 (8\" cone and 1\" dome tweeter) are housed in bass reflex-type cabinets and reproduce tight low-end and smooth, high frequency response. Two inputs, a balanced XLR and a 1\/4\" phone jack, can accommodate a wide range of balanced and unbalanced sources, including mixers, keyboards and audio interfaces.\u003c\/p\u003e\n\n\u003cp\u003eAdditionally, the new HS Series cabinets offer low resonance enclosure designs constructed from a dense, resilient MDF for a damped acoustic response that is perfectly suited for reference monitors. Each monitor and subwoofer is also equipped with a unique high performance amp unit, perfectly paired with each transducer. The coupled amp unit ensures that each HS Series speaker delivers high-resolution sound with exceptionally flat response across the spectrum.\u003c\/p\u003e\n\n\u003cp\u003eEach monitor speaker employs leading edge noise reduction technology, controlling and reducing the vortex at either end of the speaker port that can generate air vibrations inside and cause unwanted noise in many studio monitors. To combat this, Yamaha adopted advanced noise reduction technology when designing the ports.\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":45257228615954,"sku":"YAM-HS5WH","price":169.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/YAM-HS5WH_main.jpg?v=1698782455"},{"product_id":"yamaha-hs7-6-5-powered-studio-monitor-speaker-white","title":"Yamaha HS7 6.5\" Powered Studio Monitor Speaker -White","description":"\u003cul\u003e\n\u003cli\u003e2-way bass-reflex bi-amplified nearfield studio monitor with 6.5\" cone woofer and 1\" dome tweeter\u003c\/li\u003e\n\u003cli\u003e43Hz - 30kHz frequency response\u003c\/li\u003e\n\u003cli\u003e60W LF plus 35W HF bi-amp system for high-performance 95W power amplification\u003c\/li\u003e\n\u003cli\u003eROOM CONTROL and HIGH TRIM response controls\u003c\/li\u003e\n\u003cli\u003eXLR and TRS phone jack inputs accept balanced or unbalanced signals\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eImproving on the success of the original HS line launched in 2006, the completely redesigned HS series feature new transducers that achieve smooth response over a wide bandwidth and ensure the accuracy of signal reproduction throughout the audio spectrum. By upgrading to a 1\" tweeter (from the previous 3\/4\" models) the new monitor series provides an extended frequency range and deliver superb high-resolution sound. Yamaha engineers have optimized the HS powered monitor and subwoofer monitor system for a variety of music production environments.\u003c\/p\u003e\n\n\u003cp\u003eThe HS5 (5\" cone and 1\" dome tweeter), HS7 (6.5\" cone and 1\" dome tweeter) and HS8 (8\" cone and 1\" dome tweeter) are housed in bass reflex-type cabinets and reproduce tight low-end and smooth, high frequency response. Two inputs, a balanced XLR and a 1\/4\" phone jack, can accommodate a wide range of balanced and unbalanced sources, including mixers, keyboards and audio interfaces.\u003c\/p\u003e\n\n\u003cp\u003eAdditionally, the new HS Series cabinets offer low resonance enclosure designs constructed from a dense, resilient MDF for a damped acoustic response that is perfectly suited for reference monitors. Each monitor and subwoofer is also equipped with a unique high performance amp unit, perfectly paired with each transducer. The coupled amp unit ensures that each HS Series speaker delivers high-resolution sound with exceptionally flat response across the spectrum.\u003c\/p\u003e\n\n\u003cp\u003eEach monitor speaker employs leading edge noise reduction technology, controlling and reducing the vortex at either end of the speaker port that can generate air vibrations inside and cause unwanted noise in many studio monitors. To combat this, Yamaha adopted advanced noise reduction technology when designing the ports.\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":45257228878098,"sku":"YAM-HS7WH","price":297.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/yam-hs7wh.jpg?v=1695405314"},{"product_id":"yamaha-hs5-5-powered-studio-monitor-speaker","title":"Yamaha HS5 5\" Powered Studio Monitor Speaker","description":"\u003cul\u003e\n\u003cli\u003e2-way bass-reflex bi-amplified nearfield studio monitor with 5\" cone woofer and 1\" dome tweeter\u003c\/li\u003e\n\u003cli\u003e54Hz - 30kHz frequency response\u003c\/li\u003e\n\u003cli\u003e45W LF plus 25W HF bi-amp system for high-performance 70W power amplification\u003c\/li\u003e\n\u003cli\u003eROOM CONTROL and HIGH TRIM response controls\u003c\/li\u003e\n\u003cli\u003eXLR and TRS phone jack inputs accept balanced or unbalanced signals\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eImproving on the success of the original HS line launched in 2006, the completely redesigned HS series feature new transducers that achieve smooth response over a wide bandwidth and ensure the accuracy of signal reproduction throughout the audio spectrum. By upgrading to a 1\" tweeter (from the previous 3\/4\" models) the new monitor series provides an extended frequency range and deliver superb high-resolution sound. Yamaha engineers have optimized the HS powered monitor and subwoofer monitor system for a variety of music production environments.\u003c\/p\u003e\n\n\u003cp\u003eThe HS5 (5\" cone and 1\" dome tweeter), HS7 (6.5\" cone and 1\" dome tweeter) and HS8 (8\" cone and 1\" dome tweeter) are housed in bass reflex-type cabinets and reproduce tight low-end and smooth, high frequency response. Two inputs, a balanced XLR and a 1\/4\" phone jack, can accommodate a wide range of balanced and unbalanced sources, including mixers, keyboards and audio interfaces.\u003c\/p\u003e\n\n\u003cp\u003eAdditionally, the new HS Series cabinets offer low resonance enclosure designs constructed from a dense, resilient MDF for a damped acoustic response that is perfectly suited for reference monitors. Each monitor and subwoofer is also equipped with a unique high performance amp unit, perfectly paired with each transducer. The coupled amp unit ensures that each HS Series speaker delivers high-resolution sound with exceptionally flat response across the spectrum.\u003c\/p\u003e\n\n\u003cp\u003eEach monitor speaker employs leading edge noise reduction technology, controlling and reducing the vortex at either end of the speaker port that can generate air vibrations inside and cause unwanted noise in many studio monitors. To combat this, Yamaha adopted advanced noise reduction technology when designing the ports.\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":45257230123282,"sku":"YAM-HS5","price":169.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/yamaha_hs5_angle.jpg?v=1695405308"},{"product_id":"yamaha-hs8-8-powered-studio-monitor-speaker-white","title":"Yamaha HS8 8\" Powered Studio Monitor Speaker - White","description":"\u003cul\u003e\n\u003cli\u003e2-way bass-reflex bi-amplified nearfield studio monitor with 8\" cone woofer and 1\" dome tweeter\u003c\/li\u003e\n\u003cli\u003e38Hz - 30kHz frequency response\u003c\/li\u003e\n\u003cli\u003e75W LF plus 45W HF bi-amp system for high-performance 120W power amplification\u003c\/li\u003e\n\u003cli\u003eROOM CONTROL and HIGH TRIM response controls\u003c\/li\u003e\n\u003cli\u003eXLR and TRS phone jack inputs accept balanced or unbalanced signals\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eImproving on the success of the original HS line launched in 2006, the completely redesigned HS series feature new transducers that achieve smooth response over a wide bandwidth and ensure the accuracy of signal reproduction throughout the audio spectrum. By upgrading to a 1\" tweeter (from the previous 3\/4\" models) the new monitor series provides an extended frequency range and deliver superb high-resolution sound. Yamaha engineers have optimized the HS powered monitor and subwoofer monitor system for a variety of music production environments.\u003c\/p\u003e\u003cp\u003eThe HS5 (5\" cone and 1\" dome tweeter), HS7 (6.5\" cone and 1\" dome tweeter) and HS8 (8\" cone and 1\" dome tweeter) are housed in bass reflex-type cabinets and reproduce tight low-end and smooth, high frequency response. Two inputs, a balanced XLR and a 1\/4\" phone jack, can accommodate a wide range of balanced and unbalanced sources, including mixers, keyboards and audio interfaces.\u003c\/p\u003e\u003cp\u003eAdditionally, the new HS Series cabinets offer low resonance enclosure designs constructed from a dense, resilient MDF for a damped acoustic response that is perfectly suited for reference monitors. Each monitor and subwoofer is also equipped with a unique high performance amp unit, perfectly paired with each transducer. The coupled amp unit ensures that each HS Series speaker delivers high-resolution sound with exceptionally flat response across the spectrum.\u003c\/p\u003e\u003cp\u003eEach monitor speaker employs leading edge noise reduction technology, controlling and reducing the vortex at either end of the speaker port that can generate air vibrations inside and cause unwanted noise in many studio monitors. To combat this, Yamaha adopted advanced noise reduction technology when designing the ports.\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":45257230254354,"sku":"YAM-HS8WH","price":339.14,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/yam-hs8wh.jpg?v=1695405311"},{"product_id":"yamaha-mg06-6-channel-compact-stereo-mixer","title":"Yamaha MG06 6-Channel Compact Stereo Mixer","description":"\u003cp\u003eWhile the most basic and affordable of the MG mixers, the MG06 still  offers the solid chassis and D-PRE preamps as it's more advanced  counterparts. This mixer works great as a personal monitor mixer, or in  an electronic musician or dj rig, where size is at a premium, but sound  quality is a must. The balance of XLR and Line inputs would also make  this great mixer for a compact karaoke setup. \u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eOptimized Steel Chassis\u003c\/strong\u003e\u003cbr\u003e\nStarting with the chassis, you will see that quality is the heart of the  matter. The steel powder-coated and impact resistant chassis offers a  compact and contoured design, which optimizes the way heat is moved away  from the components to lower operating temperatures. In this new layout  the power supply is separated from analog circuit to reduce noise,  which also extends the life of internal components. This all protects  the upgraded glass-substrate circuit board, which increases flexibility,  protecting circuit integrity under stress.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eD-PRE Preamps\u003c\/strong\u003e\u003cbr\u003e\nThe preamp is where sound creation begins, and ultimately determines the  character and quality of your overall mix. The importance of this  critical first step inspired Yamaha to develop the most fat and warm  sounding preamps possible—their newly refined D-PRE mic preamps.  Initially intended for use with Yamaha's high-end recording gear, these  studio-grade, discrete Class-A mic preamps employ an inverted Darlington  circuit design that features multiple circuitry elements in a  multi-layered configuration in order to deliver more power with lower  impedance. This means all the character, depth and feel of your original  signal will be delivered with fat, natural sounding bass and smooth,  soaring highs. Rediscover a favorite mic or trusted instrument by  capturing the full range of your musical expression with sound that you  don't hear, so much as feel. With 48V phantom power for each channel and  a sound that is incomparable in a compact mixer today, these  studio-grade discrete Class-A mic preamps set the MGP apart, clearly  defining a class all its own.\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":45257231630610,"sku":"YAM-MG06","price":130.64,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/yam-mg06-1.jpg?v=1695405315"},{"product_id":"yamaha-mg20-20-channel-stereo-mixer","title":"Yamaha MG20 20-Channel Stereo Mixer","description":"\u003cp\u003eThe MG20 offers sixteen XLR channels, eight of which feature 3 band EQ,  and 1-Knob Compression, as well as twelve mono and four stereo line  inputs.  In addition to balanced main and headphone outputs, MG20 also  features one Monitor and four Aux(FX) Send outputs for added  flexibility. \u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eOptimized Steel Chassis\u003c\/strong\u003e\u003cbr\u003e\n  Starting with the chassis, you will see that quality is the heart of the  matter. The steel powder-coated and impact resistant chassis offers a  compact and contoured design, which optimizes the way heat is moved away  from the components to lower operating temperatures. In this new layout  the power supply is separated from analog circuit to reduce noise,  which also extends the life of internal components. This all protects  the upgraded glass-substrate circuit board, which increases flexibility,  protecting circuit integrity under stress.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eD-PRE Preamps\u003c\/strong\u003e\u003cbr\u003e\n  The preamp is where sound creation begins, and ultimately determines the  character and quality of your overall mix. The importance of this  critical first step inspired Yamaha to develop the most fat and warm  sounding preamps possible—their newly refined D-PRE mic preamps.  Initially intended for use with Yamaha's high-end recording gear, these  studio-grade, discrete Class-A mic preamps employ an inverted Darlington  circuit design that features multiple circuitry elements in a  multi-layered configuration in order to deliver more power with lower  impedance. This means all the character, depth and feel of your original  signal will be delivered with fat, natural sounding bass and smooth,  soaring highs. Rediscover a favorite mic or trusted instrument by  capturing the full range of your musical expression with sound that you  don't hear, so much as feel. With 48V phantom power for each channel and  a sound that is incomparable in a compact mixer today, these  studio-grade discrete Class-A mic preamps set the MGP apart, clearly  defining a class all its own.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003e1-Knob Compressors\u003c\/strong\u003e\u003cbr\u003e\n  Originally a Yamaha innovation, 1-knob compression is now a popular  feature on an increasing number of compact mixing consoles with good  reason. These intelligent compressors add optimally set compression to a  wide variety of input sources with the touch of a single control—minus  the hassle of setting up and configuring complex outboard gear. The MG  features Yamaha's newly upgraded 1-knob compressors that feature LED  indicators allowing you to visually monitor when the compression \"kicks  in\" on each channel.\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":45257232023826,"sku":"YAM-MG20","price":657.89,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/yam-mg20.jpg?v=1695405317"},{"product_id":"yamaha-mg06x-6-channel-compact-stereo-mixer","title":"Yamaha MG06X 6-Channel Compact Stereo Mixer","description":"\u003cp\u003eWhile the most basic and affordable of the MG mixers, the MG06 still offers the solid chassis and D-PRE preamps as it's more advanced counterparts. This mixer works great as a personal monitor mixer, or in an electronic musician or dj rig, where size is at a premium, but sound quality is a must. The balance of XLR and Line inputs would also make this great mixer for a compact karaoke setup. \u003c\/p\u003e\n \n \u003cp\u003e\u003cstrong\u003eOptimized Steel Chassis\u003c\/strong\u003e\u003cbr\u003e\n Starting with the chassis, you will see that quality is the heart of the matter. The steel powder-coated and impact resistant chassis offers a compact and contoured design, which optimizes the way heat is moved away from the components to lower operating temperatures. In this new layout the power supply is separated from analog circuit to reduce noise, which also extends the life of internal components. This all protects the upgraded glass-substrate circuit board, which increases flexibility, protecting circuit integrity under stress.\u003c\/p\u003e\n \n \u003cp\u003e\u003cstrong\u003eD-PRE Preamps\u003c\/strong\u003e\u003cbr\u003e\n The preamp is where sound creation begins, and ultimately determines the character and quality of your overall mix. The importance of this critical first step inspired Yamaha to develop the most fat and warm sounding preamps possible-their newly refined D-PRE mic preamps. Initially intended for use with Yamaha's high-end recording gear, these studio-grade, discrete Class-A mic preamps employ an inverted Darlington circuit design that features multiple circuitry elements in a multi-layered configuration in order to deliver more power with lower impedance. This means all the character, depth and feel of your original signal will be delivered with fat, natural sounding bass and smooth, soaring highs. Rediscover a favorite mic or trusted instrument by capturing the full range of your musical expression with sound that you don't hear, so much as feel. With 48V phantom power for each channel and a sound that is incomparable in a compact mixer today, these studio-grade discrete Class-A mic preamps set the MGP apart, clearly defining a class all its own.\u003c\/p\u003e\n \n \u003cp\u003e\u003cstrong\u003ePowerful SPX Effects\u003c\/strong\u003e\u003cbr\u003e\n Yamaha SPX Effect presets give you the ability to quickly add high quality effects with flip of a switch. The MG06X gives you 6 effect options to choose from, with an FX return to blend just the right touch. Creatively tailoring the perfect mix has never been so easy or fun!\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":45257232220434,"sku":"YAM-MG06X","price":157.24,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/yam-mg06x-1.jpg?v=1695405314"},{"product_id":"yamaha-mg12-12-channel-compact-stereo-mixer","title":"Yamaha MG12 12-Channel Compact Stereo Mixer","description":"\u003cp\u003eThe MG12 offers six XLR channels with 3 band EQ, four of which feature  1-Knob Compression, as well as four mono and four stereo line inputs.   In addition to balanced main and headphone outputs, MG12 also features  one Monitor and two Aux(FX) Send outputs for added flexibility. \u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eOptimized Steel Chassis\u003c\/strong\u003e\u003cbr\u003e\n  Starting with the chassis, you will see that quality is the heart of the  matter. The steel powder-coated and impact resistant chassis offers a  compact and contoured design, which optimizes the way heat is moved away  from the components to lower operating temperatures. In this new layout  the power supply is separated from analog circuit to reduce noise,  which also extends the life of internal components. This all protects  the upgraded glass-substrate circuit board, which increases flexibility,  protecting circuit integrity under stress.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eD-PRE Preamps\u003c\/strong\u003e\u003cbr\u003e\n  The preamp is where sound creation begins, and ultimately determines the  character and quality of your overall mix. The importance of this  critical first step inspired Yamaha to develop the most fat and warm  sounding preamps possible—their newly refined D-PRE mic preamps.  Initially intended for use with Yamaha's high-end recording gear, these  studio-grade, discrete Class-A mic preamps employ an inverted Darlington  circuit design that features multiple circuitry elements in a  multi-layered configuration in order to deliver more power with lower  impedance. This means all the character, depth and feel of your original  signal will be delivered with fat, natural sounding bass and smooth,  soaring highs. Rediscover a favorite mic or trusted instrument by  capturing the full range of your musical expression with sound that you  don't hear, so much as feel. With 48V phantom power for each channel and  a sound that is incomparable in a compact mixer today, these  studio-grade discrete Class-A mic preamps set the MGP apart, clearly  defining a class all its own.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003e1-Knob Compressors\u003c\/strong\u003e\u003cbr\u003e\n  Originally a Yamaha innovation, 1-knob compression is now a popular  feature on an increasing number of compact mixing consoles with good  reason. These intelligent compressors add optimally set compression to a  wide variety of input sources with the touch of a single control—minus  the hassle of setting up and configuring complex outboard gear. The MG  features Yamaha's newly upgraded 1-knob compressors that feature LED  indicators allowing you to visually monitor when the compression \"kicks  in\" on each channel.\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":45257232351506,"sku":"YAM-MG12","price":276.24,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/yam-mg12.jpg?v=1695405311"},{"product_id":"yamaha-mg12xu-12-channel-compact-stereo-mixer-and-usb-audio-interface","title":"Yamaha MG12XU 12-Channel Compact Stereo Mixer and USB Audio Interface","description":"\u003cp\u003eThe MG12XU offers six XLR channels with 3 band EQ, four of which feature  1-Knob Compression, as well as four mono and four stereo line inputs.  In addition to balanced main and headphone outputs, MG12XU also features  Monitor and two Aux(FX) Send outputs for added flexibility. Add to all  of this a 24-bit USB Audio Interface and the powerful SPX Digital Multi  Effect Processor, and the MG12XU packs a powerful punch for the price. \u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eOptimized Steel Chassis\u003c\/strong\u003e\u003cbr\u003e\n  Starting with the chassis, you will see that quality is the heart of the  matter. The steel powder-coated and impact resistant chassis offers a  compact and contoured design, which optimizes the way heat is moved away  from the components to lower operating temperatures. In this new layout  the power supply is separated from analog circuit to reduce noise,  which also extends the life of internal components. This all protects  the upgraded glass-substrate circuit board, which increases flexibility,  protecting circuit integrity under stress.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eD-PRE Preamps\u003c\/strong\u003e\u003cbr\u003e\n  The preamp is where sound creation begins, and ultimately determines the  character and quality of your overall mix. The importance of this  critical first step inspired Yamaha to develop the most fat and warm  sounding preamps possible—their newly refined D-PRE mic preamps.  Initially intended for use with Yamaha's high-end recording gear, these  studio-grade, discrete Class-A mic preamps employ an inverted Darlington  circuit design that features multiple circuitry elements in a  multi-layered configuration in order to deliver more power with lower  impedance. This means all the character, depth and feel of your original  signal will be delivered with fat, natural sounding bass and smooth,  soaring highs. Rediscover a favorite mic or trusted instrument by  capturing the full range of your musical expression with sound that you  don't hear, so much as feel. With 48V phantom power for each channel and  a sound that is incomparable in a compact mixer today, these  studio-grade discrete Class-A mic preamps set the MGP apart, clearly  defining a class all its own.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003e1-Knob Compressors\u003c\/strong\u003e\u003cbr\u003e\n  Originally a Yamaha innovation, 1-knob compression is now a popular  feature on an increasing number of compact mixing consoles with good  reason. These intelligent compressors add optimally set compression to a  wide variety of input sources with the touch of a single control—minus  the hassle of setting up and configuring complex outboard gear. The MG  features Yamaha's newly upgraded 1-knob compressors that feature LED  indicators allowing you to visually monitor when the compression \"kicks  in\" on each channel.\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":45257232580882,"sku":"YAM-MG12XU","price":365.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/yam-mg12xu-1.jpg?v=1695405312"},{"product_id":"yamaha-mg20xu-20-channel-stereo-mixer","title":"Yamaha MG20XU 20-Channel Stereo Mixer with USB Audio Interface","description":"\u003cp\u003eThe MG20XU offers sixteen XLR channels, eight of which feature 3 band  EQ, and 1-Knob Compression, as well as twelve mono and four stereo line  inputs.  In addition to balanced main and headphone outputs, MG20 also  features one Monitor and four Aux(FX) Send outputs for added  flexibility. Add to all of this a 24-bit USB Audio Interface and the  powerful SPX Digital Multi Effect Processor, and the MG20XU packs a  powerful punch for the price. \u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eOptimized Steel Chassis\u003c\/strong\u003e\u003cbr\u003e\n  Starting with the chassis, you will see that quality is the heart of the  matter. The steel powder-coated and impact resistant chassis offers a  compact and contoured design, which optimizes the way heat is moved away  from the components to lower operating temperatures. In this new layout  the power supply is separated from analog circuit to reduce noise,  which also extends the life of internal components. This all protects  the upgraded glass-substrate circuit board, which increases flexibility,  protecting circuit integrity under stress.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eD-PRE Preamps\u003c\/strong\u003e\u003cbr\u003e\n  The preamp is where sound creation begins, and ultimately determines the  character and quality of your overall mix. The importance of this  critical first step inspired Yamaha to develop the most fat and warm  sounding preamps possible—their newly refined D-PRE mic preamps.  Initially intended for use with Yamaha's high-end recording gear, these  studio-grade, discrete Class-A mic preamps employ an inverted Darlington  circuit design that features multiple circuitry elements in a  multi-layered configuration in order to deliver more power with lower  impedance. This means all the character, depth and feel of your original  signal will be delivered with fat, natural sounding bass and smooth,  soaring highs. Rediscover a favorite mic or trusted instrument by  capturing the full range of your musical expression with sound that you  don't hear, so much as feel. With 48V phantom power for each channel and  a sound that is incomparable in a compact mixer today, these  studio-grade discrete Class-A mic preamps set the MGP apart, clearly  defining a class all its own.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003e1-Knob Compressors\u003c\/strong\u003e\u003cbr\u003e\n  Originally a Yamaha innovation, 1-knob compression is now a popular  feature on an increasing number of compact mixing consoles with good  reason. These intelligent compressors add optimally set compression to a  wide variety of input sources with the touch of a single control—minus  the hassle of setting up and configuring complex outboard gear. The MG features Yamaha's 1-knob compressors feature LED indicators allowing you to visually monitor when the compression \"kicks  in\" on each channel.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eMore SPX Effect Presets\u003c\/strong\u003e\u003cbr\u003e\n  While previous MG mixers offered 16 SPX presets, Yamaha has added 8 new  presets, including Delay, Symphonic LFO, Tremolo LFO, Early Reference,  Gate Reverb, Radio Voice, and Pitch Change. With this wide array of  presets to choose from, creatively tailoring the perfect mix has never  been so easy or fun.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eCapture the Performance\u003c\/strong\u003e\u003cbr\u003e\n  Not only is a download code for Cubase AI included with the MG Series,  but this is a 24-bit\/192kHZ USB audio Class 2.0 compliant, 2 in and 2  out audio interface, ensuring the performance is captured in pristine  digital quality. As an added bonus, MG mixers are compatible with camera  connection kit or lightning to USB camera adapter for playback and  recording with your favorite iOS devices.\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":45257232875794,"sku":"YAM-MG20XU","price":739.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/yam-mg20xu.jpg?v=1695405317"},{"product_id":"yamaha-mg10xu-10-channel-compact-stereo-mixer-and-usb-audio-interface","title":"Yamaha MG10XU 10-Channel Compact Stereo Mixer and USB Audio Interface","description":"\u003cp\u003eThe MG10XU offers 4 XLR channels with 3 band EQ, two of which feature 1-Knob Compression, as well as 4 mono and 3 stereo line inputs. In addition to balanced main and headphone outputs, MG10 also features Monitor and Aux(FX) Send outputs for added flexibility. Add to all of this a 24-bit USB Audio Interface and the powerful SPX Digital Multi Effect Processor, and the MG10XU is a perfect mixer for practice spaces, acoustic venues, and of coarse the electronic musician or keyboard player who deserves total control to mix their many components. \u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eOptimized Steel Chassis\u003c\/strong\u003e\u003cbr\u003e\nStarting with the chassis, you will see that quality is the heart of the  matter. The steel powder-coated and impact resistant chassis offers a  compact and contoured design, which optimizes the way heat is moved away  from the components to lower operating temperatures. In this new layout  the power supply is separated from analog circuit to reduce noise,  which also extends the life of internal components. This all protects  the upgraded glass-substrate circuit board, which increases flexibility,  protecting circuit integrity under stress.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eD-PRE Preamps\u003c\/strong\u003e\u003cbr\u003e\n  The preamp is where sound creation begins, and ultimately determines the  character and quality of your overall mix. The importance of this  critical first step inspired Yamaha to develop the most fat and warm  sounding preamps possible—their newly refined D-PRE mic preamps.  Initially intended for use with Yamaha's high-end recording gear, these  studio-grade, discrete Class-A mic preamps employ an inverted Darlington  circuit design that features multiple circuitry elements in a  multi-layered configuration in order to deliver more power with lower  impedance. This means all the character, depth and feel of your original  signal will be delivered with fat, natural sounding bass and smooth,  soaring highs. Rediscover a favorite mic or trusted instrument by  capturing the full range of your musical expression with sound that you  don't hear, so much as feel. With 48V phantom power for each channel and  a sound that is incomparable in a compact mixer today, these  studio-grade discrete Class-A mic preamps set the MGP apart, clearly  defining a class all its own.\u003c\/p\u003e\n  \n\u003cp\u003e\u003cstrong\u003eCapture the Performance\u003c\/strong\u003e\u003cbr\u003e\n  Not only is a download code for Cubase AI included with the MG Series,  but this is a 24-bit\/192kHZ USB audio Class 2.0 compliant, 2 in and 2  out audio interface, ensuring the performance is captured in pristine  digital quality. As an added bonus, MG mixers are compatible with camera  connection kit or lightning to USB camera adapter for playback and  recording with your favorite iOS devices.\u003c\/p\u003e\n  \n\u003cp\u003e\u003cstrong\u003e1-Knob Compressors\u003c\/strong\u003e\u003cbr\u003e\n  Originally a Yamaha innovation, 1-knob compression is now a popular  feature on an increasing number of compact mixing consoles with good  reason. These intelligent compressors add optimally set compression to a  wide variety of input sources with the touch of a single control—minus  the hassle of setting up and configuring complex outboard gear. The MG  features Yamaha's newly upgraded 1-knob compressors that feature LED  indicators allowing you to visually monitor when the compression \"kicks  in\" on each channel.\u003c\/p\u003e\n  \n\u003cp\u003e\u003cstrong\u003eMore SPX Effect Presets\u003c\/strong\u003e\u003cbr\u003e\n  While previous MG mixers offered 16 SPX presets, Yamaha has added 8 new  presets, including Delay, Symphonic LFO, Tremolo LFO, Early Reference,  Gate Reverb, Radio Voice, and Pitch Change. With this wide array of  presets to choose from, creatively tailoring the perfect mix has never  been so easy or fun.\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":45257233891602,"sku":"YAM-MG10XU","price":250.74,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/yam-mg10xu-1.jpg?v=1695405313"},{"product_id":"yamaha-mg16xu-16-channel-stereo-mixer-with-usb-audio-interface","title":"Yamaha MG16XU 16-Channel Stereo Mixer with USB Audio Interface","description":"\u003cp\u003eThe MG16XU offers ten XLR channels, eight of which feature 3 band EQ,  and 1-Knob Compression, as well as eight mono and four stereo line  inputs.  In addition to balanced main and headphone outputs, MG16XU also  features one Monitor and four Aux(FX) Send outputs for added  flexibility. Add to all of this a 24-bit USB Audio Interface and the  powerful SPX Digital Multi Effect Processor, and the MG16XU packs a  powerful punch for the price. \u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eOptimized Steel Chassis\u003c\/strong\u003e\u003cbr\u003e\n  Starting with the chassis, you will see that quality is the heart of the  matter. The steel powder-coated and impact resistant chassis offers a  compact and contoured design, which optimizes the way heat is moved away  from the components to lower operating temperatures. In this new layout  the power supply is separated from analog circuit to reduce noise,  which also extends the life of internal components. This all protects  the upgraded glass-substrate circuit board, which increases flexibility,  protecting circuit integrity under stress.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eD-PRE Preamps\u003c\/strong\u003e\u003cbr\u003e\n  The preamp is where sound creation begins, and ultimately determines the  character and quality of your overall mix. The importance of this  critical first step inspired Yamaha to develop the most fat and warm  sounding preamps possible—their newly refined D-PRE mic preamps.  Initially intended for use with Yamaha's high-end recording gear, these  studio-grade, discrete Class-A mic preamps employ an inverted Darlington  circuit design that features multiple circuitry elements in a  multi-layered configuration in order to deliver more power with lower  impedance. This means all the character, depth and feel of your original  signal will be delivered with fat, natural sounding bass and smooth,  soaring highs. Rediscover a favorite mic or trusted instrument by  capturing the full range of your musical expression with sound that you  don't hear, so much as feel. With 48V phantom power for each channel and  a sound that is incomparable in a compact mixer today, these  studio-grade discrete Class-A mic preamps set the MGP apart, clearly  defining a class all its own.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003e1-Knob Compressors\u003c\/strong\u003e\u003cbr\u003e\n  Originally a Yamaha innovation, 1-knob compression is now a popular  feature on an increasing number of compact mixing consoles with good  reason. These intelligent compressors add optimally set compression to a  wide variety of input sources with the touch of a single control—minus  the hassle of setting up and configuring complex outboard gear. The MG  features Yamaha's newly upgraded 1-knob compressors that feature LED  indicators allowing you to visually monitor when the compression \"kicks  in\" on each channel.\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":45257234743570,"sku":"YAM-MG16XU","price":573.74,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/yam-mg16xu-1.jpg?v=1695405315"},{"product_id":"yamaha-ss850-snare-drum-stand","title":"Yamaha SS850 Snare Stand","description":"\u003cp\u003eThe basket tilter from the ever popular SS-740A snare drum stand has been fitted to the SS-850. This reduces weight, while retaining adjustability and durability. The new basket design also allows the stand to sit 1\" lower than the previous model. Available height range is 45-63cm.\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":45257235497234,"sku":"YAM-SS850","price":124.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/yamaha_ss850.jpg?v=1695405325"},{"product_id":"yamaha-ss950-snare-drum-stand","title":"Yamaha SS950 Snare Stand","description":"\u003cp\u003eThe SS-950 has a new centered ball and socket tilter that allows almost limitless angle adjustment. The location of the tilter also allows the full power of each stroke since the force is driven straight into the vertical tube.\u003c\/p\u003e\u003cp\u003eThe basket can be quickly detached from the vertical tube by loosening a single wing nut, allowing for compact storage or quick snare drum changes at a gig. The new three-arm basket design allows the SS-950 to sit almost 2\" lower than the previous model. Available height range is 45-61cm.\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":45257236021522,"sku":"YAM-SS950","price":203.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/yamaha_ss950.jpg?v=1695405326"},{"product_id":"presonus-faderport-8-usb-daw-controller","title":"PreSonus FaderPort 8 USB DAW Controller","description":"\u003cp\u003e\nThe FaderPort 8 features eight 100 mm motorized, touch-sensitive faders; digital scribble strip displays; and a unique Session Navigator to make mixing and controlling your favorite DAW application quick and easy. The FaderPort 8 is compatible with virtually any DAW host for Mac OS X or Windows, with support for HUI and Mackie Control and native control of Studio One, including Control Link support as well as parameter follow, allowing you quick access to any control under your mouse. Its ergonomic design makes it a comfortable companion to your keyboard and mouse.\u003c\/p\u003e\n\n\u003cul\u003e\n\u003cli\u003e8 touch-sensitive, 100 mm long-throw, motorized fader\u003c\/li\u003e\n\u003cli\u003e8 high-definition Scribble Strip displays\u003c\/li\u003e\n\u003cli\u003eComplete recording-transport controls: Play, Stop, Fast Forward, Rewind, Record, Loop\u003c\/li\u003e\n\u003cli\u003eDrop Marker, Next\/Prev Marker, Next \/ Prev Event\u003c\/li\u003e\n\u003cli\u003eGeneral session controls: Undo\/Redo, Arm All, Solo\/Mute Clear, Track Management, Click On\/Off with tap tempo\u003c\/li\u003e\n\u003cli\u003eSession Navigator provides quick control over Track Scrolling, Channel Banking, Timeline Scrolling, and much more\u003c\/li\u003e\n\u003cli\u003eChannel Controls: Level, Pan, Solo, Mute, Rec Arm\u003c\/li\u003e\n\u003cli\u003eAutomation Controls: Touch, Latch, Trim, Write, Read, Off\u003c\/li\u003e\n\u003cli\u003eOptional Fader functionality: Plug-in edit, bus sends, pan\u003c\/li\u003e\n\u003cli\u003eOS X \/ Windows compatible with native Studio One support and HUI and Mackie Control Universal emulation\u003c\/li\u003e\n\u003cli\u003eFootswitch input for hands-free start\/stop\u003c\/li\u003e\n\u003cli\u003eUSB 2.0 connectivity\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"PreSonus","offers":[{"title":"Default Title","offer_id":45588287455506,"sku":"PRE-FADERPORT8","price":499.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/pre-faderport8.jpg?v=1695405394"},{"product_id":"qsc-k10-2-powered-speaker","title":"QSC K10.2 Powered Speaker","description":"\u003cp\u003eThe QSC K10.2 is quite simply, the next standard in powered loudspeaker. It's equipped with a 2000-watt power module carefully matched to high-performance woofers and compression drivers. DMT (Directivity-Matched Transition) ensures smooth coverage across the entire listening area. Advanced on-board DSP provides Intrinsic Correction voicing and advanced system management to further optimize performance.\u003c\/p\u003e\n \n \n \n \u003cp\u003eSuperbly flexible, the K10.2 provides its operators with a library of preset contours for common applications such as Stage Monitor, Dance Music, Musical Instrument Amplification, Hand-held Microphone and more, while also offering storable Scenes to recall user-configurable settings such as input type, delay, EQ, cross-over and selected contour. Operated as either main PA or as a floor monitor, the K10.2 can also be flown, wall- or truss-mounted, or placed on a speaker pole, either straight-firing or with 7.5-degree down-tilt.\u003c\/p\u003e\n \n \n \n \u003cp\u003eRugged, light-weight and incredibly stylish, the QSC K10.2 also features a global 6-Year Warranty \n \n \u003c\/p\u003e\u003cul\u003e\n \n \n \n \u003cli\u003eBest in class audio performance\u003c\/li\u003e\n \n \u003cli\u003e2000 Watt Class-D amplifier module \u003c\/li\u003e\n \n \u003cli\u003eFactory Presets and savable\/recallable Scenes for commonly-used applications such as Stage Monitor, Dance Music, Musical Instrument Amplification, Hand-held Microphone and more \u003c\/li\u003e\n \n \u003cli\u003eMulti-function digital display for control and selection of loudspeaker functions including cross-over, EQ, delay and frequency contours \u003c\/li\u003e\n \n \u003cli\u003eIntrinsic Correction tuning and loudspeaker management \u003c\/li\u003e\n \n \u003cli\u003eDMT (Directivity Matched Transition) design provides excellent power response and consistent performance across the listening area \u003c\/li\u003e\n \n \u003cli\u003eRefined, professional appearance looks great in any application \u003c\/li\u003e\n \n \u003cli\u003eRugged ABS enclosure for long life and lasting durability \u003c\/li\u003e\n \n \u003cli\u003eDeployment in either main PA or floor monitor position \u003c\/li\u003e\n \n \u003cli\u003eDual pole cup mounts (straight-firing and 7.5 degree down-tilt) \u003c\/li\u003e\n \n \u003cli\u003eM10 fittings for flown applications \u003c\/li\u003e\n \n \u003cli\u003eOptional security panel prevents unauthorized tampering of controls \u003c\/li\u003e\n \n \u003cli\u003e6-Year Warranty with product registration\u003c\/li\u003e\n \n \n \n \n \n \u003c\/ul\u003e\n\n \u003cdiv style=\"border-radius: 5px;\" class=\"vip_greybg_last\"\u003e\n\u003ch3 class=\"pdp_heading\" style=\"margin: 0px;\"\u003eFirmware Update Version 2.1\u003c\/h3\u003e\n\u003cp\u003eThe latest K.2 Firmware Update Version 2.1 is now available, bringing new presets, improved stability, and enhanced performance to the entire K.2 Series. This update adds three fresh voicing options—CLUB, VOX BOOST, and SMOOTH—each designed to refine high-SPL playback, boost vocal clarity, or smooth out high-frequency content. Room Delay has been expanded from 100 ms to 200 ms, and the firmware includes important reliability improvements that optimize amplifier voltage management and protect user settings, even after extensive power cycling. The update is free to download on QSC's website. \n\u003c\/p\u003e\n\u003c\/div\u003e\n","brand":"QSC","offers":[{"title":"Default Title","offer_id":45588293419282,"sku":"QSC-K102","price":799.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/qsc-k102_1.jpg?v=1695405408"},{"product_id":"qsc-k8-2-powered-speaker","title":"QSC K8.2 Powered Speaker","description":"\u003cdiv style=\"\n    background-color: #f9f9f9; \n    border: 2px solid #e0e0e0; \n    border-left: 6px solid #aa2634; \n    border-radius: 8px; \n    padding: 16px 20px; \n    margin-bottom: 20px;\n    box-shadow: 0 2px 6px rgba(0,0,0,0.05);\n\"\u003e\n    \u003ch3 class=\"pdp_heading\"\u003eFirmware Update Version 2.1\u003c\/h3\u003e\n    \u003cp style=\"\n        font-size: 1.1em; \n        line-height: 1.6; \n        color: #333; \n        font-weight: 500;\n    \"\u003e\n\n      \nThe latest K.2 Firmware Update Version 2.1 is now available, bringing new presets, improved stability, and enhanced performance to the entire K.2 Series. This update adds three fresh voicing options—CLUB, VOX BOOST, and SMOOTH—each designed to refine high-SPL playback, boost vocal clarity, or smooth out high-frequency content. Room Delay has been expanded from 100 ms to 200 ms, and the firmware includes important reliability improvements that optimize amplifier voltage management and protect user settings, even after extensive power cycling. The update is free to download on QSC's website.    \u003c\/p\u003e\n\u003c\/div\u003e\n  \n  \u003cp\u003eThe QSC K8.2 is quite simply, the next standard in powered loudspeaker. It's equipped with a 2000-watt power module carefully matched to high-performance woofers and compression drivers. DMT (Directivity-Matched Transition) ensures smooth coverage across the entire listening area. Advanced on-board DSP provides Intrinsic Correction voicing and advanced system management to further optimize performance.\u003c\/p\u003e\n\u003cp\u003eSuperbly flexible, the K8.2 provides its operators with a library of preset contours for common applications such as Stage Monitor, Dance Music, Musical Instrument Amplification, Hand-held Microphone and more, while also offering storable Scenes to recall user-configurable settings such as input type, delay, EQ, cross-over and selected contour. Operated as either main PA or as a floor monitor, the K8.2 can also be flown, wall- or truss-mounted, or placed on a speaker pole, either straight-firing or with 7.5-degree down-tilt.\u003c\/p\u003e\n\u003cp\u003eRugged, light-weight and incredibly stylish, the QSC K8.2 also features a global 6-Year Warranty with product registration.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBest in class audio performance\u003c\/li\u003e\n\u003cli\u003e2000 Watt Class-D amplifier module\u003c\/li\u003e\n\u003cli\u003eFactory Presets and savable\/recallable Scenes for commonly-used applications such as Stage Monitor, Dance Music, Musical Instrument Amplification, Hand-held Microphone and more\u003c\/li\u003e\n\u003cli\u003eMulti-function digital display for control and selection of loudspeaker functions including cross-over, EQ, delay and frequency contours\u003c\/li\u003e\n\u003cli\u003eIntrinsic Correction tuning and loudspeaker management\u003c\/li\u003e\n\u003cli\u003eDMT (Directivity Matched Transition) design provides excellent power response and consistent performance across the listening area\u003c\/li\u003e\n\u003cli\u003eRefined, professional appearance looks great in any application\u003c\/li\u003e\n\u003cli\u003eRugged ABS enclosure for long life and lasting durability\u003c\/li\u003e\n\u003cli\u003eDeployment in either main PA or floor monitor position\u003c\/li\u003e\n\u003cli\u003eDual pole cup mounts (straight-firing and 7.5 degree down-tilt)\u003c\/li\u003e\n\u003cli\u003eM10 fittings for flown applications\u003c\/li\u003e\n\u003cli\u003eOptional security panel prevents unauthorized tampering of controls\u003c\/li\u003e\n\u003cli\u003e6-Year Warranty with product registration\u003c\/li\u003e\n\u003c\/ul\u003e\n","brand":"QSC","offers":[{"title":"Default Title","offer_id":45588294730002,"sku":"QSC-K82","price":749.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/qsc-k82_front_2.jpg?v=1695405413"},{"product_id":"qsc-k12-2-powered-speaker","title":"QSC K12.2 Powered Speaker","description":"\u003cp\u003eThe QSC K12.2 is quite simply, the next standard in powered loudspeaker. It's equipped with a 2000-watt power module carefully matched to high-performance woofers and compression drivers. DMT (Directivity-Matched Transition) ensures smooth coverage across the entire listening area. Advanced on-board DSP provides Intrinsic Correction voicing and advanced system management to further optimize performance.\u003c\/p\u003e\n \n \n \n \u003cp\u003eSuperbly flexible, the K12.2 provides its operators with a library of preset contours for common applications such as Stage Monitor, Dance Music, Musical Instrument Amplification, Hand-held Microphone and more, while also offering storable Scenes to recall user-configurable settings such as input type, delay, EQ, cross-over and selected contour. Operated as either main PA or as a floor monitor, the K12.2 can also be flown, wall- or truss-mounted, or placed on a speaker pole, either straight-firing or with 7.5-degree down-tilt.\u003c\/p\u003e\n \n \n \n \u003cp\u003eRugged, light-weight and incredibly stylish, the QSC K12.2 also features a global 6-Year Warranty with product registration.\u003c\/p\u003e\n \n \n \n \n \n \u003cul\u003e\n \n \n \n \u003cli\u003eBest in class audio performance\u003c\/li\u003e\n \n \u003cli\u003e2000 Watt Class-D amplifier module \u003c\/li\u003e\n \n \u003cli\u003eFactory Presets and savable\/recallable Scenes for commonly-used applications such as Stage Monitor, Dance Music, Musical Instrument Amplification, Hand-held Microphone and more \u003c\/li\u003e\n \n \u003cli\u003eMulti-function digital display for control and selection of loudspeaker functions including cross-over, EQ, delay and frequency contours \u003c\/li\u003e\n \n \u003cli\u003eIntrinsic Correction tuning and loudspeaker management \u003c\/li\u003e\n \n \u003cli\u003eDMT (Directivity Matched Transition) design provides excellent power response and consistent performance across the listening area \u003c\/li\u003e\n \n \u003cli\u003eRefined, professional appearance looks great in any application \u003c\/li\u003e\n \n \u003cli\u003eRugged ABS enclosure for long life and lasting durability \u003c\/li\u003e\n \n \u003cli\u003eDeployment in either main PA or floor monitor position \u003c\/li\u003e\n \n \u003cli\u003eDual pole cup mounts (straight-firing and 7.5 degree down-tilt) \u003c\/li\u003e\n \n \u003cli\u003eM10 fittings for flown applications \u003c\/li\u003e\n \n \u003cli\u003eOptional security panel prevents unauthorized tampering of controls \u003c\/li\u003e\n \n \u003cli\u003e6-Year Warranty with product registration\u003c\/li\u003e\n \n \n \n \n \n \u003c\/ul\u003e\n\n\n\u003cdiv style=\"border-radius: 5px;\" class=\"vip_greybg_last\"\u003e\n\u003ch3 class=\"pdp_heading\" style=\"margin: 0px;\"\u003eFirmware Update Version 2.1\u003c\/h3\u003e\n\u003cp\u003eThe latest K.2 Firmware Update Version 2.1 is now available, bringing new presets, improved stability, and enhanced performance to the entire K.2 Series. This update adds three fresh voicing options—CLUB, VOX BOOST, and SMOOTH—each designed to refine high-SPL playback, boost vocal clarity, or smooth out high-frequency content. Room Delay has been expanded from 100 ms to 200 ms, and the firmware includes important reliability improvements that optimize amplifier voltage management and protect user settings, even after extensive power cycling. The update is free to download on QSC's website. \n\u003c\/p\u003e\n\u003c\/div\u003e\n","brand":"QSC","offers":[{"title":"Default Title","offer_id":45588297318674,"sku":"QSC-K122","price":899.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/qsc-k122_front_3.jpg?v=1695405410"},{"product_id":"cad-mixdown-x1-condenser-mic","title":"CAD Mixdown X1 Condenser Mic","description":"\u003cp\u003eThe MixDown Series of products by CAD Audio draws from nearly 80 years of professional audio expertise. CAD Audio sprung from its Conneaut, Ohio roots in 1938 introducing industry leading technology. The MixDown Series carries forward the tradition of high performance -high value solutions for your next recording session or live performance.\u003c\/p\u003e \n\n\u003cp\u003eThe MixDown X1 Studio Condenser Microphone features the Akos capsule that delivers full range studio fidelity and outstanding transient response. Perfect for vocals or to add warmth and depth to instrument recordings. The X1 delivers an articulate representation of instruments with its excellent transient response. The X1 is a perfect foundation for your microphone locker. The MixDown X1 is supplied with a studio quality shock mount.\u003c\/p\u003e","brand":"CAD Audio","offers":[{"title":"Default Title","offer_id":45588333756690,"sku":"CAD-X1","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/CAD_X1_0b51529d-77c7-4a2e-be30-360b169cfe65.jpg?v=1715099468"},{"product_id":"drum-workshop-dwcp2002-double-bass-drum-pedal","title":"Drum Workshop DWCP2002 Double Bass Drum Pedal","description":"\u003cp\u003eDW's entry level line of pedals is designed for students, weekend warriors, and working drummers alike. Trademark DW all-metal construction and playability make the 2000 Series the perfect choice for bargain-savvy drummers that want the features of a tried and true USA engineered pedal.\u003c\/p\u003e\n\n\u003cp\u003e107 \"Flyweight\" Beater - A lightweight adaptation of the industry standard 101 beater with high-impact plastic for a fast and punchy feel.\u003c\/p\u003e\n\n\u003cp\u003eSingle Chain Cam - Chain-and-sprocket design with offset cam for quick response.\u003c\/p\u003e\n\n\u003cp\u003eSingle Post Casting - The single post casting design on DW's double pedals provides ease of movement between the pedal and hi-hat, also allowing the pedals to be played independently or simultaneously. (U.S. Patent No. 5396826)\u003c\/p\u003e\n  \n\u003cp\u003eSteel Base Plate - Provides a sturdy foundation and ensures nonskid play on carpet and other flooring surfaces play via adjustable spikes and Velcro.\u003c\/p\u003e","brand":"Drum Workshop","offers":[{"title":"Default Title","offer_id":45588336574738,"sku":"DW-DWCP2002","price":199.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/dw-dwcp2002.jpg?v=1695405469"},{"product_id":"alesis-samplepad-4-drum-essentials-bundle","title":"Alesis SamplePad 4 DRUM ESSENTIALS BUNDLE","description":"\u003cp\u003eThe Alesis SamplePad 4 is an all-in-one percussion and sample-playing instrument. It comes equipped with four responsive, LED-illuminated rubber pads, dual zone trigger input, and eight preset kits. With a built-in library of the most commonly requested percussion and electronic drum sounds and the ability to load samples and loops, the only limit is your imagination. For even more flexibility, you can tune and add reverb to your sounds. Intuitive navigation makes it easy to browse through your kits and you can drag and drop your samples via USB on a Mac or PC without removing your SD card. The bright blue LED lighting is clearly visible in every setting.\u003c\/p\u003e\n","brand":"Alesis","offers":[{"title":"Default Title","offer_id":45588372881682,"sku":"ALE-SAMPLEPAD4DE","price":314.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/ale-samplepad4de.jpg?v=1695405559"},{"product_id":"alesis-samplepad-pro-drum-essentials-bundle","title":"Alesis SamplePad Pro DRUM ESSENTIALS BUNDLE","description":"\u003cp\u003eSamplePad Pro is the all-in-one percussion instrument that knows no bounds. Eight isolated and responsive pads. Hundreds of professionally recorded in-demand sounds. Full compatibility with all MIDI equipped pads, triggers, sequencers, and instruments. Plus, a direct USB connection to your computer and even a card slot for loading your own custom sounds. In short, SamplePad Pro is everything you are looking for in a pad-based instrument and more. \u003c\/p\u003e \n \n \u003cp\u003eThe backlit LCD panel and minimal controls combine to deliver an uncluttered appearance and intuitive access to all parameters. Up top are eight (6 + 2) expressive rubber pads that offer a fantastic feel designed to please every level of performer. Active blue LED illumination adds a hi-tech edge, while providing a powerful assist when playing under any type of stage lighting.\u003c\/p\u003e\n \n \u003cp\u003eThe SamplePad Pro has trigger inputs for two additional drum pads. Plus, there are Kick Drum and Hi-Hat pedal inputs. The Kick Drum pedal jack provides both switch and trigger options; the Hi-Hat pedal jack can be set for either switch or variable operation. Adding pads and pedals can transform your SamplePad Pro from a percussion powerhouse into a full-blown electronic drum kit for the on-the-go performer.\u003c\/p\u003e\n \u003cp\u003e\u003ci\u003e(A convenient module mounting kit is available. Sold seperately.)\u003c\/i\u003e\u003c\/p\u003e\n \n \u003cp\u003eWith SamplePad Pro, there is no limit to your sonic creativity. Built-in are over 200 carefully-crafted drum, cymbal, and percussion sounds, each created by the professional Alesis sound design team. Sounds are arranged into ten preset drum kits for instant access during performance. Plus, each sound offers individual access to key parameters such as pitch, panning, and reverb for customized control. And when that next \"must-have\" sound comes around, you can even use an SD card (up to 32GB) to store an additional 512 sounds and 89 custom kits. Finally, all of the internal sounds can be accessed via MIDI for maximum versatility.\u003c\/p\u003e\n \n \u003cp\u003eEquipped with a standard USB port, SamplePad Pro offers convenient single-cable connectivity with your computer. Standard 1\/4\" outputs provide a direct connection to an amplifier, sound system, audio interface, or recording setup. The headphone output allows for hours of uninterrupted private practice, or for isolated on-stage monitoring, and even features a dedicated volume control. As an added bonus, SamplePad Pro includes a stereo aux input, with level control so you can play along to your smartphone or MP3 player, rehearse the set list, or jam to your favorite tunes.\u003c\/p\u003e","brand":"Alesis","offers":[{"title":"Default Title","offer_id":45588373111058,"sku":"ALE-SAMPLEPADPRODE","price":509.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/ale-samplepadprode.jpg?v=1695405561"},{"product_id":"alesis-samplepad-pro-bonus-pak","title":"Alesis SamplePad Pro BONUS PAK","description":"\u003cp\u003eSamplePad Pro is the all-in-one percussion instrument that knows no bounds. Eight isolated and responsive pads. Hundreds of professionally recorded in-demand sounds. Full compatibility with all MIDI equipped pads, triggers, sequencers, and instruments. Plus, a direct USB connection to your computer and even a card slot for loading your own custom sounds. In short, SamplePad Pro is everything you are looking for in a pad-based instrument and more. \u003c\/p\u003e \n \n \u003cp\u003eThe backlit LCD panel and minimal controls combine to deliver an uncluttered appearance and intuitive access to all parameters. Up top are eight (6 + 2) expressive rubber pads that offer a fantastic feel designed to please every level of performer. Active blue LED illumination adds a hi-tech edge, while providing a powerful assist when playing under any type of stage lighting.\u003c\/p\u003e\n \n \u003cp\u003eThe SamplePad Pro has trigger inputs for two additional drum pads. Plus, there are Kick Drum and Hi-Hat pedal inputs. The Kick Drum pedal jack provides both switch and trigger options; the Hi-Hat pedal jack can be set for either switch or variable operation. Adding pads and pedals can transform your SamplePad Pro from a percussion powerhouse into a full-blown electronic drum kit for the on-the-go performer.\u003c\/p\u003e\n \u003cp\u003e\u003ci\u003e(A convenient module mounting kit is available. Sold seperately.)\u003c\/i\u003e\u003c\/p\u003e\n \n \u003cp\u003eWith SamplePad Pro, there is no limit to your sonic creativity. Built-in are over 200 carefully-crafted drum, cymbal, and percussion sounds, each created by the professional Alesis sound design team. Sounds are arranged into ten preset drum kits for instant access during performance. Plus, each sound offers individual access to key parameters such as pitch, panning, and reverb for customized control. And when that next \"must-have\" sound comes around, you can even use an SD card (up to 32GB) to store an additional 512 sounds and 89 custom kits. Finally, all of the internal sounds can be accessed via MIDI for maximum versatility.\u003c\/p\u003e\n \n \u003cp\u003eEquipped with a standard USB port, SamplePad Pro offers convenient single-cable connectivity with your computer. Standard 1\/4\" outputs provide a direct connection to an amplifier, sound system, audio interface, or recording setup. The headphone output allows for hours of uninterrupted private practice, or for isolated on-stage monitoring, and even features a dedicated volume control. 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It communicates via MIDI and can be used with other MIDI compatible equipment.\u003c\/p\u003e\n\u003cp\u003eTo use it with a Nord Organ 3, just connect the MIDI on the Pedal Keys 27 to the Bass Pedal MIDI input on the \u003cmeta charset=\"utf-8\"\u003eOrgan 3 and activate the Bass section.\u003c\/p\u003e\n\u003cp\u003eThe long keys have a wooden finish and a length of 13.8\" to facilitate the use of proper toe-heel technique when playing. The short keys are colored gray in order to provide better visibility even in a very dark environment.\u003c\/p\u003e\n\u003cp\u003ePedal Keys 27's range is from C2 to D4 (MIDI notes 36 to 62) and transmits on MIDI channel 3. The swell pedal is easily mounted on the top panel, providing you with comfortable and direct access to this important functionality. The resistance of the pivotal travel of the pedal can be set by using two internal adjustment screws inside the pedal housing.\u003c\/p\u003e","brand":"Nord","offers":[{"title":"Default Title","offer_id":45588374257938,"sku":"AMS-PK27PP","price":3139.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/AMS-PK27PP.jpg?v=1695405558"},{"product_id":"audio-technica-at4040-cardioid-condenser-microphone-bonus-pak","title":"Audio-Technica AT4040 Cardioid Condenser Microphone BONUS PAK","description":"\u003cp\u003eThe AT4040 side-address condenser microphone features an advanced large diaphragm tensioned specifically to provide smooth, natural sonic characteristics. A marriage of technical precision and artistic inspiration, the AT4040 offers exceptionally low noise, wide dynamic range and high-SPL capability for greatest versatility. This ultra-consistent microphone may be used with confidence in a wide variety of studio and live miking applications, even under the stringent demands of digital recording systems. The AT4040's low-noise circuitry is symmetrical and transformerless, resulting in exceptional transient response and clean output signals for transparent reproduction of even the most troublesome of instruments and sound effects.\u003c\/p\u003e\n \n \u003cul\u003e\n \n \u003cli\u003eTechnically-advanced large diaphragm tensioned specifically to provide smooth, natural sonic characteristics\u003c\/li\u003e\n \n \u003cli\u003eExternally polarized (DC bias) true condenser design\u003c\/li\u003e\n \n \u003cli\u003eExceptionally low noise, wide dynamic range and high-SPL capability for greatest versatility\u003c\/li\u003e\n \n \u003cli\u003eTransformerless circuitry virtually eliminates low-frequency distortion and provides superior correlation of high-speed transients\u003c\/li\u003e\n \n \u003cli\u003ePrecision-machined, nickel-plated brass, acoustic element baffle provides enhanced element stability and optimal sensitivity\u003c\/li\u003e\n \n \u003cli\u003eOpen acoustical environment of the symmetrical housing assembly minimizes unwanted internal reflections\u003c\/li\u003e\n \n \u003cli\u003eState-of-the-art surface-mount electronics ensure compliance with A-T's stringent consistency and reliability standards\u003c\/li\u003e\n \n \u003cli\u003eCustom shock mount provides superior isolation\u003c\/li\u003e\n \n \u003cli\u003eSwitchable 80 Hz hi-pass filter and 10 dB pad\u003c\/li\u003e\n \n \u003c\/ul\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":45588374421778,"sku":"AT-AT4040IBP","price":358.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/at-at4040ibp.jpg?v=1695405850"},{"product_id":"audio-technica-ath-m50x-professional-monitor-headphones-white-bonus-pak","title":"Audio-Technica ATH-M50x Professional Monitor Headphones - White BONUS PAK","description":" ","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":45588375470354,"sku":"AT-ATHM50XWHBP","price":199.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/at-athm50xwhbp.jpg?v=1695405879"},{"product_id":"dave-smith-instruments-sequential-prophet-rev2-8-voice-synthesizer-stage-rig","title":"Dave Smith Instruments Sequential Prophet Rev2 8-Voice Synthesizer STAGE RIG","description":"\u003cp\u003eDave Smith Instruments Prophet Rev2 is Dave Smith's reimagining of the discontinued Prophet '08 polysynth, a modern classic that has appeared on countless recordings and stages since its debut in 2007. Prophet Rev2 retains all of the key features of the Prophet '08 and expands on them: it has twice the mod matrix, waveshape modulation on all waveforms, digital effects per layer in stacked or split voice mode, a polyphonic step sequencer per layer and more. The result is a true analog powerhouse.\u003c\/p\u003e\n \n \u003cp\u003eBest of all, you can download any of the many existing libraries of Prophet '08 sounds and they will not only sound identical, but can be enhanced with the new features.\u003c\/p\u003e\n \n \u003cp\u003e\u003cstrong\u003e8-voice polyphony\u003c\/strong\u003e\u003cbr\u003eWith 8 voices to play with, you have the freedom to allocate them as you wish. Play two-fisted chords, stack two 4-voice sounds for massive, complex textures or split the keyboard into two completely separate 4-voice instruments.\u003c\/p\u003e\n \n \u003cp\u003e\u003cstrong\u003eBold sound\u003c\/strong\u003e\u003cbr\u003eProphet Rev2 gets its bold, punchy sound from its 2- or 4-pole lowpass resonant Curtis filter. This is the same filter used not only in the Prophet '08 but also in many classic instruments of the 70s and 80s. A separate Audio Mod control adds additional harmonic complexity and movement.\u003c\/p\u003e\n \n \u003cp\u003e\u003cstrong\u003eWaveshape modulation\u003c\/strong\u003e\u003cbr\u003eA powerful new feature unique to Prophet Rev2 is waveshape modulation. You can now vary the 'pulse width' of any of the four waveforms (sawtooth, saw+tri, triangle, square). Using the Shape Mod control, you can manually dial in a desired waveshape width or use an LFO or other mod source for continuously shifting timbre. Even single-oscillator sounds take on new depth and dimension. The tonal possibilities are vast.\u003c\/p\u003e\n \n \u003cp\u003e\u003cstrong\u003eEffects per layer\u003c\/strong\u003e\u003cbr\u003eThe effects section provides reverb, delays (standard and BBD), chorus, phase shifter, ring modulation and distortion. In stacked or split voice mode you can apply a different effect to each layer. Effects parameters can be modulated through the Mod Matrix.\u003c\/p\u003e\n \n \u003cp\u003e\u003cstrong\u003eExtended mod matrix\u003c\/strong\u003e\u003cbr\u003eAlso present from its predecessor is an easy-to-assign Mod Matrix, now twice as big, with 8 individual slots and many more sources\/destinations. It's a veritable sound designer's playground.\u003c\/p\u003e\n \n \u003cp\u003e\u003cstrong\u003ePoly step sequencing\u003c\/strong\u003e\u003cbr\u003eThe polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create a different sequence for each layer when you are working in stacked or split voice mode, making it a powerful tool for composition or performance. The sequencer also functions as a modulation source in gated mode, allowing you to create up to 4 different 16-step sequences for complex modulation. Sequences allow ties and rests and can sync to an external MIDI clock. The arpeggiator features note repeats and re-latching and can be synced to external MIDI clock, as well.\u003c\/p\u003e\n \n \u003cp\u003e\u003cstrong\u003ePer-knob programmability\u003c\/strong\u003e\u003cbr\u003eThe knob-per-function front panel offers instant access to Prophet Rev2 functions. Included are 512 permanent factory programs and 512 rewritable user programs.\u003c\/p\u003e\n \n \u003cp\u003e\u003cstrong\u003eEminently playable\u003c\/strong\u003e\u003cbr\u003eAll of this polyphonic power is packed into a five-octave premium-quality semi-weighted keyboard with velocity and channel aftertouch. 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For even more flexibility, you can tune and add reverb to your sounds. Intuitive navigation makes it easy to browse through your kits and you can drag and drop your samples via USB on a Mac or PC without removing your SD card. The bright blue LED lighting is clearly visible in every setting.\u003c\/p\u003e","brand":"Alesis","offers":[{"title":"Default Title","offer_id":45588375765266,"sku":"ALE-SAMPLEPAD4BP","price":214.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/ale-samplepad4bp.jpg?v=1695405559"},{"product_id":"audio-technica-at4040-cardioid-condenser-microphone-studio-pak","title":"Audio-Technica AT4040 Cardioid Condenser Microphone STUDIO PAK","description":"\u003cp\u003eThe AT4040 side-address condenser microphone features an advanced large diaphragm tensioned specifically to provide smooth, natural sonic characteristics. 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You can choose gate times and swing settings instantly to change the feel of your sequenced performance on the fly. You can record, overdub and transpose your sequences in real time and still play the keyboard live. Add a flexible and fun arpeggiator mode and chord play mode and you are set for hours of musical adventures.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eConnectivity\u003c\/strong\u003e\u003cbr\u003eThese features alone would make KeyStep the best portable keyboard controller on the market, but Arturia takes it further by giving you a wealth of connectivity options: USB MIDI, standard 5-pin MIDI in and out, clock sync and DIN sync jacks, and CV\/gate outputs, plus a separate, assignable modulation CV output that can be used with the mod wheel, velocity or aftertouch. To say KeyStep is an amazing little controller does not say enough. 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