{"title":"Shop Deals","description":"","products":[{"product_id":"yamaha-ck61-stage-keyboard-carry-bag-kit","title":"Yamaha CK61 Stage Keyboard CARRY BAG KIT","description":"\u003clink rel=\"stylesheet\" type=\"text\/css\" href=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/vip.css\"\u003e\n\n\u003cdiv\u003e\n\n\n\n\n\n\u003cp\u003eWith intuitive controls, built-in speakers and authentic piano, organ and synth sounds, the compact CK61 Stage Keyboard goes wherever the music takes you. Its 61-key, semi-weighted action is ideal for synth and keyboard. Its combination of sounds and effects allow you to explore totally new sonic palettes. Pianos, electric pianos, strings, brass, organ and modern synth sounds. Easy-to-use controls let you focus on the music, not the menu. Dedicated organ controls and Synth and Effect controls. And with its long battery life, you can turn every place from campgrounds, cramped tour buses and hotel rooms into a stage or studio.\u003c\/p\u003e\n\n\u003cul\u003e\n\u003cli\u003eFuture System Basic (FSB) semi-weighted keyboard action, ideal for synth and keyboard players.\u003c\/li\u003e\n\u003cli\u003eTwo split points increase flexibility to play three different sounds across the keyboard\u003c\/li\u003e\n\u003cli\u003eFocused piano and keyboard sound set that's expressive and authentic for any musical need\u003c\/li\u003e\n\u003cli\u003eFeatures a variety of organ types, from vintage drawbar to combo transistor-based from Reface YC, for classic rock, pop, jazz, R\u0026amp;B and country\u003c\/li\u003e\n\u003cli\u003eImitative sounds with realistic string sections, brass ensembles, and more add to the musical versatility\u003c\/li\u003e\n\u003cli\u003eA collection of fat, deep and expressive synth sounds that can be controlled in real-time\u003c\/li\u003e\n\u003cli\u003eExtensive onboard effects feature hands on controls to easily create your own sound\u003c\/li\u003e\n\u003cli\u003eOne-to-one interface keeps you out of menus so you can focus on the music\u003c\/li\u003e\n\u003cli\u003eDedicated Part controls allow quick and deep tweaking without menu diving\u003c\/li\u003e\n\u003cli\u003eTwo customizable pedal inputs provide extra control for more expression\u003c\/li\u003e\n\u003cli\u003eFour Zone MIDI Master Keyboard Control allows powerful control over hardware and soft synths\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\n \u003cbr\u003e\n\n\u003c\/div\u003e\n\n\u003cdiv id=\"flexy-wrapper\"\u003e\n\n\u003cdiv class=\"flexy-row\"\u003e\n\t\u003cdiv class=\"flexy-image-area hide-this\"\u003e\n\t\u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/yamaha-ck\/sound.jpg\" alt=\"\"\u003e\n\t\u003c\/div\u003e\n\n \t\u003cdiv class=\"flexy-text-area left-padding\"\u003e\n\u003ch3 class=\"pdp_heading\"\u003eSound\u003c\/h3\u003e\n\u003cp\u003e\nCK combines the sounds of the Yamaha CP Stage Piano with the organ and synth focused YC Stage Keyboard to give you a totally new sonic palette. All with an intuitive interface that lets you focus on the music, not the menus. You’ll have piano, electric pianos, strings and brass plus a dedicated organ section and modern synth sounds. Onboard special effects to make it your own. There’s even Analog to Digital (A\/D) Input to plug in a mic or another instrument, apply effects and record directly to your laptop. Not to mention CK has built-in speakers and batteries to take your new sound to new places. The options are nearly endless.\u003c\/p\u003e \u003c\/div\u003e \n\u003c\/div\u003e\n \n\u003cdiv class=\"flexy-row\"\u003e \n \u003cdiv class=\"flexy-image-area hide-this hide-m2 show-mobile\"\u003e\n \u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/yamaha-ck\/pianos.jpg\" alt=\"\"\u003e \n \u003c\/div\u003e\n \n \u003cdiv class=\"flexy-text-area right-padding\"\u003e\n\u003ch3 class=\"pdp_heading\"\u003ePianos, EP \u0026amp; Keys\u003c\/h3\u003e\n\u003cp\u003e\nCK features piano sounds from three legendary Yamaha grands: the CFX, S700 and CF3, plus the character-rich U1 upright piano from the Yamaha YC Series. “Digi Piano” sounds let you get your 90s dance party on. There’s also a selection of vintage electric piano sounds in both the reed and tine style, funky Clavi sounds and the classic 80s DX7-style FM electric pianos Yamaha helped make famous. You’ll have all the keyboard sounds you need to bring down the house, arena or backyard barbecue.\u003c\/p\u003e\n \u003c\/div\u003e\n \n \u003cdiv class=\"flexy-image-area hide-this hide-mobile\"\u003e\n \u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/yamaha-ck\/pianos.jpg\" alt=\"\"\u003e \n \u003c\/div\u003e \n\u003c\/div\u003e\n \n\u003cdiv class=\"flexy-row\"\u003e\n\t\u003cdiv class=\"flexy-image-area hide-this\"\u003e\n\t\u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/yamaha-ck\/organs.jpg\" alt=\"\"\u003e\n\t\u003c\/div\u003e\n\n \t\u003cdiv class=\"flexy-text-area left-padding\"\u003e\n\u003ch3 class=\"pdp_heading\"\u003eOrgan\u003c\/h3\u003e\n\u003cp\u003e\nWhen it comes to organ, the versatile CK is all about options. Classic 60s surf rock? Check. Soulful R\u0026amp;B? Check. Gospel and everything in between? Amen. CK has a dedicated organ section based on the Yamaha reface YC mobile mini keyboard featuring five different organ types, rotary speaker effect, percussion and a newly enhanced vibrato\/chorus. You get nine dedicated drawbars with controls for the rotary speaker, percussion and a vibrato\/chorus section.\u003c\/p\u003e \u003c\/div\u003e \n\u003c\/div\u003e\n \n\u003cdiv class=\"flexy-row\"\u003e \n \u003cdiv class=\"flexy-image-area hide-this hide-m2 show-mobile\"\u003e\n \u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/yamaha-ck\/synths.jpg\" alt=\"\"\u003e \n \u003c\/div\u003e\n \n \u003cdiv class=\"flexy-text-area right-padding\"\u003e\n\u003ch3 class=\"pdp_heading\"\u003eSynths\u003c\/h3\u003e\n\u003cp\u003e\nCK gives you a variety of complex synth sounds without the complex menus. You get analog style pads, leads and basses, synth brass, strings and pads. Even synth bells and textures to add to your synth sound palette. All with modern synth controls to tweak your sound without menu diving. Elegant filter and envelope generator (EG) controls to shape the tone and amplitude of all of them. Mono mode with panel switch and customization features that are great for synth leads and basses. Unison mode with panel switch, three modes and deeper adjustments. Make massive sounding synths for stabs, pads, leads, basses or anything you can imagine.\u003c\/p\u003e \u003c\/div\u003e\n \n \u003cdiv class=\"flexy-image-area hide-this hide-mobile\"\u003e\n \u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/yamaha-ck\/synths.jpg\" alt=\"\"\u003e \n \u003c\/div\u003e \n\u003c\/div\u003e\n\n\u003cdiv class=\"flexy-row\"\u003e\n\t\u003cdiv class=\"flexy-image-area hide-this\"\u003e\n\t\u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/yamaha-ck\/effects.jpg\" alt=\"\"\u003e\n\t\u003c\/div\u003e\n\n \t\u003cdiv class=\"flexy-text-area left-padding\"\u003e\n\u003ch3 class=\"pdp_heading\"\u003eEffects\u003c\/h3\u003e\n\u003cp\u003e\nCK effects simplify sound customization with three dedicated processors: Drive, Effects 1, and Effects 2, along with an A\/D Input having two unique effects. Drive offers five overdrive\/distortion types to add edge, while Effects 1 and 2 provide modulation effects like Chorus, Flanger, Phaser, Delay, Reverb, Wah, Tremolo, experimental synth effects (e.g., Ring Modulation, Slicer, Lo-Fi), and EQ. With 36 effects, it's like having a customizable guitar pedal board. Master Delay and Reverb offer four and three effects, respectively, with individual send levels from each of the three CK parts and A\/D Input. Lastly, the Master EQ allows for final tone adjustments. A mic or instrument can be connected to the A\/D input, apply effects, and hear the sound via CK's speakers or outputs. You can also record anything connected to the A\/D input through the built-in USB audio interface.\u003c\/p\u003e \u003c\/div\u003e \n\u003c\/div\u003e\n \n\u003cdiv class=\"flexy-row\"\u003e \n \u003cdiv class=\"flexy-image-area hide-this hide-m2 show-mobile\"\u003e\n \u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/yamaha-ck\/3-parts.jpg\" alt=\"\"\u003e \n \u003c\/div\u003e\n \n \u003cdiv class=\"flexy-text-area right-padding\"\u003e\n\n\u003ch3 class=\"pdp_heading\"\u003eThree Parts\u003c\/h3\u003e\n\u003cp\u003e\nCK lets you split, layer, mix and process all from the front panel. Making it easy to create with a nearly endless combination of sounds. Split bass and piano. Layer organ with strings. Experiment with modern synth sounds. CK gives you three parts that let the music go wherever you want.\u003c\/p\u003e \u003c\/div\u003e\n \n \u003cdiv class=\"flexy-image-area hide-this hide-mobile\"\u003e\n \u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/yamaha-ck\/3-parts.jpg\" alt=\"\"\u003e \n \u003c\/div\u003e \n\u003c\/div\u003e\n\n\u003cdiv class=\"flexy-row\"\u003e\n\t\u003cdiv class=\"flexy-image-area hide-this\"\u003e\n\t\u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/yamaha-ck\/input.jpg\" alt=\"\"\u003e\n\t\u003c\/div\u003e\n\n \t\u003cdiv class=\"flexy-text-area left-padding\"\u003e\n\u003ch3 class=\"pdp_heading\"\u003eA\/D Input\u003c\/h3\u003e\n\u003cp\u003e\nAnalog to Digital (A\/D) Inputs let you apply two dedicated effects to the audio and store them to a LIVE SET.\u003c\/p\u003e \u003c\/div\u003e \n\u003c\/div\u003e\n \n\u003cdiv class=\"flexy-row\"\u003e \n \u003cdiv class=\"flexy-image-area hide-this hide-m2 show-mobile\"\u003e\n \u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/yamaha-ck\/control.jpg\" alt=\"\"\u003e \n \u003c\/div\u003e\n \n \u003cdiv class=\"flexy-text-area right-padding\"\u003e\n\u003ch3 class=\"pdp_heading\"\u003eControl\u003c\/h3\u003e\n\u003cp\u003e\nCK features an intuitive, 1 to 1 interface that gives you the freedom to explore your sound. Everything, from dedicated Organ controls to Synth and Effects controls, is designed to keep you making music instead of diving into menus.\u003c\/p\u003e \u003c\/div\u003e\n \n \u003cdiv class=\"flexy-image-area hide-this hide-mobile\"\u003e\n \u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/yamaha-ck\/control.jpg\" alt=\"\"\u003e \n \u003c\/div\u003e \n\u003c\/div\u003e\n\n\u003cdiv class=\"flexy-row\"\u003e\n\t\u003cdiv class=\"flexy-image-area hide-this\"\u003e\n\t\u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/yamaha-ck\/usb.jpg\" alt=\"\"\u003e\n\t\u003c\/div\u003e\n\n \t\u003cdiv class=\"flexy-text-area left-padding\"\u003e\n\u003ch3 class=\"pdp_heading\"\u003eUSB Audio\/MIDI Interface\u003c\/h3\u003e\n\u003cp\u003e\nCK is much more than a pretty MIDI interface. Built-in stereo in\/out USB Audio Interface lets you record and play back audio to and from CK to your computer or iOS device, including whatever is plugged into the A\/D input. It even has USB MIDI and 5-pin DIN In\/Out. Perfect for recording MIDI data, controlling softsynths or connecting to Soundmondo.\u003c\/p\u003e \u003c\/div\u003e \n\u003c\/div\u003e\n \n\u003cdiv class=\"flexy-row\"\u003e \n \u003cdiv class=\"flexy-image-area hide-this hide-m2 show-mobile\"\u003e\n \u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/yamaha-ck\/bluetooth.jpg\" alt=\"\"\u003e \n \u003c\/div\u003e\n \n \u003cdiv class=\"flexy-text-area right-padding\"\u003e\n\u003ch3 class=\"pdp_heading\"\u003eBluetooth Audio Input\u003c\/h3\u003e\n\u003cp\u003e\nCK goes wireless with Bluetooth Audio to accept tracks from your phone or bandmates. You can even use the built-in speakers to play a tune or run tracks from your phone.\u003c\/p\u003e \u003c\/div\u003e\n \n \u003cdiv class=\"flexy-image-area hide-this hide-mobile\"\u003e\n \u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/yamaha-ck\/bluetooth.jpg\" alt=\"\"\u003e \n \u003c\/div\u003e \n\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":44779630067986,"sku":"YAM-CK61CBK","price":1099.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/yam-ck61_cbk.jpg?v=1695408687"},{"product_id":"shure-sm58-lc-dynamic-vocal-microphone","title":"Shure SM58-LC Dynamic Vocal Microphone","description":"\u003cp\u003eYou don't have to look far to see an artist using an SM58 microphone. Whether you're at a small local club, church, or large outdoor theater or concert hall, chances are great that you'll see somebody using an SM58. Why? Value, durability, and performance. And because of that, the SM58 has become a standard in the industry as a performance vocal microphone.\u003c\/p\u003e\n\u003cul\u003e\n \u003cli\u003eFrequency response tailored for vocals, with brightened midrange and bass rolloff \u003c\/li\u003e\n \u003cli\u003eUniform cardioid pickup pattern isolates the main sound source and minimizes background noise \u003c\/li\u003e\n \u003cli\u003ePneumatic shock-mount system cuts down handling noise \u003c\/li\u003e\n \u003cli\u003eEffective, built-in spherical wind and pop filter \u003c\/li\u003e\n \u003cli\u003eSupplied with break-resistant stand adapter which rotates 180 degrees \u003c\/li\u003e\n \u003cli\u003eLegendary Shure quality, ruggedness, and reliability \u003c\/li\u003e\n \u003cli\u003eCardioid (unidirectional) dynamic \u003c\/li\u003e\n \u003cli\u003eFrequency response: 50 to 15,000 Hz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Shure","offers":[{"title":"Default Title","offer_id":45257198272786,"sku":"SHU-SM58LC","price":109.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/SHURE_SM58LC.jpg?v=1695405228"},{"product_id":"waldorf-blofeld-keyboard-synthesizer","title":"Waldorf Blofeld Keyboard Synthesizer","description":"\u003cp\u003eWaldorf Blofeld is offspring from a noble house, the little synthesizer machine with the big and evil sound. This synthesizer offers all the unique qualities that made Waldorf a truly legendary brand. The engine inside the heavy duty, full metal chassis of Blofeld delivers the same fat and rich sound that so many Waldorf users worldwide love when they play their Pulse, Q, Q+, Micro Q, Microwave, Microwave II\/XT or even the flagship Wave.\u003c\/p\u003e\n\n\u003cp\u003eYes, you heard right: Blofeld is not only capable of producing the warm, organic analog sounds known from the Q synthesizer line, it also sports a wavetable engine like its predecessors with 'Wave' in their names. This unique synthesis system is based upon the revolutionary PPG Wave synthesizers of the early 80s, so when you listen to Blofeld for the first time you will instantly recognize those edgy, hard-hitting and bell-like timbres that have been an integral part of so many world hits from the PPG era onwards and have become increasingly popular once more. In fact, it is amazing to realize that nowadays this complex technology fits into such a slim and elegant device, and for a price nobody would have imagined back in the days of its predecessors.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eOscillators\u003c\/strong\u003e\u003cbr\u003eEach of the three oscillators offers authentic circuit models of analog waveforms: pulse with variable pulsewidth, sawtooth, triangle and, as found in relatively few analog synthesizers these days, sine wave. Furthermore, oscillators 1 and 2 feature the two wavetables that were introduced by the Waldorf Q and appeared shortly thereafter in the Micro Q series. Not only that, Blofeld includes all ROM wavetables from the mighty flagship Waldorf Wave as well as Microwave II\/XT. Plus, lo and behold, the desperately requested 'upper wavetable' from PPG Wave! For the first time in the history of Waldorf and PPG, each of these two oscillators can have its own wavetable.\u003c\/p\u003e\n\n\u003cp\u003eWhat's more, you have control over the brilliance of these wavetables, which is especially important for waves with lots of harmonics in the bass end. You decide if you prefer pure and perfect harmonics or the same edgy timbre you know and love from the earlier Waldorf and PPG synthesizers. Brilliance also affects the sawtooth and pulse oscillator models, ranging from warm and soft (for those typical LA string pads) to the hard shapes you need for punchy and biting bass sounds. Note, though, that Brilliance is not a simple filter applied after the oscillators; rather, the oscillator model itself is modified.\u003c\/p\u003e\n\n\u003cp\u003eEach of the three oscillators can be frequency-modulated by any of the other oscillators, the noise generator or one of the LFOs. With low FM amounts you can add a little dirt to the oscillator sound; with higher amounts you get typical FM effects. On top of all that, oscillator 2 can be hard-synced to oscillator 3.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eRing modulation\u003c\/strong\u003e\u003cbr\u003eOscillators 1 and 2 can be ring modulated to create bell-like metallic sounds and eerie sound effects as well as pumping basses and leads. The noise generator delivers white noise that can be filtered lowpass or highpass, depending on the noise color setting. The three oscillators, the ring modulator and the noise generator can be freely mixed into filter 1 and filter 2. This allows fine control over the harmonic content of each of the tone generators.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eFilters\u003c\/strong\u003e\u003cbr\u003eBlofeld has two multimode filters per voice that can be routed in series or in parallel. Each filter has its own pan parameter for easy creation of stereo sounds. The selection of filter types includes low pass, band pass, high pass and notch (band reject), each with 12dB\/oct or 24dB\/oct slope. The filter models are based on several famous Waldorf filter algorithms found in all their products. They offer resonance up to self-oscillation as well as frequency modulation (filter FM). Furthermore, Blofeld features the same comb filter types (with positive and negative feedback) first introduced in the Waldorf Q. These can be used to thicken bass and pad sounds or to create percussive, string or flute sounds reminiscent of physical modeling.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eOverdrive, saturation, distortion, shaping\u003c\/strong\u003e\u003cbr\u003eBlofeld offers a freely controllable drive behind each filter with more than a dozen curves. These include such standards as the drive from the Q and Micro Q, low\/medium\/hard saturation, tube saturation, two types of electric pickups, a rectifier, digital overflow as well as esoteric stuff such as 'binary distortion,' a sinusoidal waveshaper and even a distortion controlled by oscillator 1. And because Blofeld has two filters that can be routed in series, you can control the timbre of the drive output of filter 1 by dampening or emphasizing certain frequencies with filter 2.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003cbr\u003eBlofeld has two effect slots with various types. In Multimode, the first effect slot is available per part, while the second one is used for all 16 parts (i.e., global) with controllable mix levels. Part 1 determines the settings of the second effect. The first effect slot offers modulation effects such as chorus and flanger as well as a combined type called 'Triple FX.' The latter gives you several effects at once, but with a reduced parameter set. The second effect slot offers all the same types as the first, but with the addition of delay, clocked delay and reverb.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eEnvelopes\u003c\/strong\u003e\u003cbr\u003eFour envelopes with different types and trigger modes affect any sound parameters you choose. Each envelope can be either polyphonic or single trigger. This is especially interesting with the monophonic voice allocation, as the filter envelope can be set to be triggered only by the first note(s) while the amp envelope is triggered on each note — think 'organ percussion register,' for instance. The envelope types include the standard ADSR as well as an enhanced ADSR variant with controllable attack level and two decay and sustain stages, two different loop envelopes and a 'one shot' envelope. The loop types can be used to act as additional LFOs, while the 'one shot' is perfectly suited for percussion sounds, which typically ignore the note release.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eLFOs\u003c\/strong\u003e\u003cbr\u003eEach of the three LFOs offers sine, triangle, square and sawtooth waveforms, plus sample \u0026amp; hold and random. LFOs can be synchronized to MIDI clock, they can be polyphonic or monophonic, can be reset on key trigger to a freely definable phase, and the speed can be scaled by MIDI note (key follow). There are separate delay and fade in\/out parameters for, say, delayed vibrato (positive fade values) or a burst of vibrato at the start of each note (negative fade values). One important feature of the Blofeld LFOs is that higher rates reach well into the audio frequency range, thus making them useful extra FM sources. There are two basic modes: either linear FM as seen in classic digital synths, or logarithmic FM, which is primarily the domain of analog modular systems.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eModulations\u003c\/strong\u003e\u003cbr\u003eHere's where the real Waldorf power lies. Each and every instrument designed and built by Waldorf lets you connect dozens of modulation sources to all the important sound generation parameters. Individual or multiple oscillator pitches, their pulsewidths and waveforms, their levels and filter-balances, FM modulation amounts, individual filter cutoff and resonance, filter FM amounts and stereo panning, or just the good old sound output level — everything can be controlled from internal modulation sources or from a variety of MIDI messages such as velocity, keytrack, continuous controllers (including wheels, breath and foot controllers), etc.\u003c\/p\u003e\n\n\u003cp\u003eYou can of course 'modulate the modulators,' i.e., control LFO speeds and individual envelope rates and levels, but in Blofeld you can even specify that these sources modulate themselves — recursive modulation! For instance, modulating an envelope rate by the same envelope (or another one) can alter the shape of the slope dramatically from the standard exponential curve to linear to inverse exponential.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eModifiers\u003c\/strong\u003e\u003cbr\u003eAnd how many slots do you get in the mod matrix? Two? Three? Four? No, we're talking big here: you get 16 freely definable slots plus all the pre-routed modulation destinations such as pitch, oscillator frequency and pulse width modulation, filter cutoff, pan and amp level. Don't forget that the filter envelope is already routed to filter 1 and 2 cutoff, and the amp envelope is routed to the amp level. This makes a total of 33 simultaneous connections.\u003c\/p\u003e\n\n\u003cp\u003eWhat if you want something really really crazy, like controlling a pitch vibrato done by LFO 3 with the modulation wheel. Although there are a few such composite modulation sources such as 'LFO1*MW' (LFO 1 controlled by modulation wheel) and 'LFO2*Press' (LFO 2 controlled by monophonic aftertouch), there's nobody doing the 'LFO3*MW' thing for you. But don't worry, that's where the Modifiers come into play: in seconds you can set up a new modifier with the two sources set to LFO 3 and modulation wheel, and the 'operation' set to '*' (multiply). You can use such custom-made modulation sources in any of the modulation slots described above.\u003c\/p\u003e\n\n\u003cp\u003eOkay, maybe you are more the regular musician who simply wants to perform a binary OR between two modulation sources? Okay, go for it! This operation is just one of several at your disposal.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eArpeggiator\u003c\/strong\u003e\u003cbr\u003eBlofeld's arpeggiator features variable clock divisions from 1\/64 triplets to more than 1,000 bars, with variable swing\/shuffle and a range of up to 10 octaves. Up, down and alternate modes, selectable play order from low to high note, low to high velocity, as played or reversed, variable note length, different velocity modes. And hold or 'one shot' if you like.\u003c\/p\u003e\n\n\u003cp\u003eBut more importantly, it has the most powerful pattern editor we have ever seen. You can set each step to either play the note it would do so anyway, to pause, to play the previous note again, play the first or the last note, play those together, play a chord consisting of all held notes or a randomly selected note.\u003c\/p\u003e\n\n\u003cp\u003eThen you can adjust the accent of each step (including silence), activate or deactivate glide for each step, set the timing to play a step ahead or behind its nominal time, and finely adjust the note length between short staccato and full legato.\u003c\/p\u003e\n\n\u003cp\u003eNo wonder this arpeggiator had great reviews when it first appeared in the Waldorf Q. It will take you straight to arpeggiator heaven, as has already happened to thousands of Waldorf customers. Dig it!\u003c\/p\u003e","brand":"Waldorf","offers":[{"title":"Default Title","offer_id":45257219047698,"sku":"WAL-BLOFELDKB","price":999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/wal-blofeldkb_top.jpg?v=1695405285"},{"product_id":"waldorf-blofeld-desktop-synthesizer-module","title":"Waldorf Blofeld Desktop Synthesizer Module","description":"\u003cp\u003eWaldorf Blofeld is offspring from a noble house, the little synthesizer machine with the big and evil sound. This synthesizer offers all the unique qualities that made Waldorf a truly legendary brand. The engine inside the heavy duty, full metal chassis of Blofeld delivers the same fat and rich sound that so many Waldorf users worldwide love when they play their Pulse, Q, Q+, Micro Q, Microwave, Microwave II\/XT or even the flagship Wave.\u003c\/p\u003e\n\n\u003cp\u003eYes, you heard right: Blofeld is not only capable of producing the warm, organic analog sounds known from the Q synthesizer line, it also sports a wavetable engine like its predecessors with 'Wave' in their names. This unique synthesis system is based upon the revolutionary PPG Wave synthesizers of the early 80s, so when you listen to Blofeld for the first time you will instantly recognize those edgy, hard-hitting and bell-like timbres that have been an integral part of so many world hits from the PPG era onwards and have become increasingly popular once more. In fact, it is amazing to realize that nowadays this complex technology fits into such a slim and elegant device, and for a price nobody would have imagined back in the days of its predecessors.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eOscillators\u003c\/strong\u003e\u003cbr\u003eEach of the three oscillators offers authentic circuit models of analog waveforms: pulse with variable pulsewidth, sawtooth, triangle and, as found in relatively few analog synthesizers these days, sine wave. Furthermore, oscillators 1 and 2 feature the two wavetables that were introduced by the Waldorf Q and appeared shortly thereafter in the Micro Q series. Not only that, Blofeld includes all ROM wavetables from the mighty flagship Waldorf Wave as well as Microwave II\/XT. Plus, lo and behold, the desperately requested 'upper wavetable' from PPG Wave! For the first time in the history of Waldorf and PPG, each of these two oscillators can have its own wavetable.\u003c\/p\u003e\n\n\u003cp\u003eWhat's more, you have control over the brilliance of these wavetables, which is especially important for waves with lots of harmonics in the bass end. You decide if you prefer pure and perfect harmonics or the same edgy timbre you know and love from the earlier Waldorf and PPG synthesizers. Brilliance also affects the sawtooth and pulse oscillator models, ranging from warm and soft (for those typical LA string pads) to the hard shapes you need for punchy and biting bass sounds. Note, though, that Brilliance is not a simple filter applied after the oscillators; rather, the oscillator model itself is modified.\u003c\/p\u003e\n\n\u003cp\u003eEach of the three oscillators can be frequency-modulated by any of the other oscillators, the noise generator or one of the LFOs. With low FM amounts you can add a little dirt to the oscillator sound; with higher amounts you get typical FM effects. On top of all that, oscillator 2 can be hard-synced to oscillator 3.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eRing modulation\u003c\/strong\u003e\u003cbr\u003eOscillators 1 and 2 can be ring modulated to create bell-like metallic sounds and eerie sound effects as well as pumping basses and leads. The noise generator delivers white noise that can be filtered lowpass or highpass, depending on the noise color setting. The three oscillators, the ring modulator and the noise generator can be freely mixed into filter 1 and filter 2. This allows fine control over the harmonic content of each of the tone generators.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eFilters\u003c\/strong\u003e\u003cbr\u003eBlofeld has two multimode filters per voice that can be routed in series or in parallel. Each filter has its own pan parameter for easy creation of stereo sounds. The selection of filter types includes low pass, band pass, high pass and notch (band reject), each with 12dB\/oct or 24dB\/oct slope. The filter models are based on several famous Waldorf filter algorithms found in all their products. They offer resonance up to self-oscillation as well as frequency modulation (filter FM). Furthermore, Blofeld features the same comb filter types (with positive and negative feedback) first introduced in the Waldorf Q. These can be used to thicken bass and pad sounds or to create percussive, string or flute sounds reminiscent of physical modeling.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eOverdrive, saturation, distortion, shaping\u003c\/strong\u003e\u003cbr\u003eBlofeld offers a freely controllable drive behind each filter with more than a dozen curves. These include such standards as the drive from the Q and Micro Q, low\/medium\/hard saturation, tube saturation, two types of electric pickups, a rectifier, digital overflow as well as esoteric stuff such as 'binary distortion,' a sinusoidal waveshaper and even a distortion controlled by oscillator 1. And because Blofeld has two filters that can be routed in series, you can control the timbre of the drive output of filter 1 by dampening or emphasizing certain frequencies with filter 2.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003cbr\u003eBlofeld has two effect slots with various types. In Multimode, the first effect slot is available per part, while the second one is used for all 16 parts (i.e., global) with controllable mix levels. Part 1 determines the settings of the second effect. The first effect slot offers modulation effects such as chorus and flanger as well as a combined type called 'Triple FX.' The latter gives you several effects at once, but with a reduced parameter set. The second effect slot offers all the same types as the first, but with the addition of delay, clocked delay and reverb.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eEnvelopes\u003c\/strong\u003e\u003cbr\u003eFour envelopes with different types and trigger modes affect any sound parameters you choose. Each envelope can be either polyphonic or single trigger. This is especially interesting with the monophonic voice allocation, as the filter envelope can be set to be triggered only by the first note(s) while the amp envelope is triggered on each note — think 'organ percussion register,' for instance. The envelope types include the standard ADSR as well as an enhanced ADSR variant with controllable attack level and two decay and sustain stages, two different loop envelopes and a 'one shot' envelope. The loop types can be used to act as additional LFOs, while the 'one shot' is perfectly suited for percussion sounds, which typically ignore the note release.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eLFOs\u003c\/strong\u003e\u003cbr\u003eEach of the three LFOs offers sine, triangle, square and sawtooth waveforms, plus sample \u0026amp; hold and random. LFOs can be synchronized to MIDI clock, they can be polyphonic or monophonic, can be reset on key trigger to a freely definable phase, and the speed can be scaled by MIDI note (key follow). There are separate delay and fade in\/out parameters for, say, delayed vibrato (positive fade values) or a burst of vibrato at the start of each note (negative fade values). One important feature of the Blofeld LFOs is that higher rates reach well into the audio frequency range, thus making them useful extra FM sources. There are two basic modes: either linear FM as seen in classic digital synths, or logarithmic FM, which is primarily the domain of analog modular systems.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eModulations\u003c\/strong\u003e\u003cbr\u003eHere's where the real Waldorf power lies. Each and every instrument designed and built by Waldorf lets you connect dozens of modulation sources to all the important sound generation parameters. Individual or multiple oscillator pitches, their pulsewidths and waveforms, their levels and filter-balances, FM modulation amounts, individual filter cutoff and resonance, filter FM amounts and stereo panning, or just the good old sound output level — everything can be controlled from internal modulation sources or from a variety of MIDI messages such as velocity, keytrack, continuous controllers (including wheels, breath and foot controllers), etc.\u003c\/p\u003e\n\n\u003cp\u003eYou can of course 'modulate the modulators,' i.e., control LFO speeds and individual envelope rates and levels, but in Blofeld you can even specify that these sources modulate themselves — recursive modulation! For instance, modulating an envelope rate by the same envelope (or another one) can alter the shape of the slope dramatically from the standard exponential curve to linear to inverse exponential.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eModifiers\u003c\/strong\u003e\u003cbr\u003eAnd how many slots do you get in the mod matrix? Two? Three? Four? No, we're talking big here: you get 16 freely definable slots plus all the pre-routed modulation destinations such as pitch, oscillator frequency and pulse width modulation, filter cutoff, pan and amp level. Don't forget that the filter envelope is already routed to filter 1 and 2 cutoff, and the amp envelope is routed to the amp level. This makes a total of 33 simultaneous connections.\u003c\/p\u003e\n\n\u003cp\u003eWhat if you want something really really crazy, like controlling a pitch vibrato done by LFO 3 with the modulation wheel. Although there are a few such composite modulation sources such as 'LFO1*MW' (LFO 1 controlled by modulation wheel) and 'LFO2*Press' (LFO 2 controlled by monophonic aftertouch), there's nobody doing the 'LFO3*MW' thing for you. But don't worry, that's where the Modifiers come into play: in seconds you can set up a new modifier with the two sources set to LFO 3 and modulation wheel, and the 'operation' set to '*' (multiply). You can use such custom-made modulation sources in any of the modulation slots described above.\u003c\/p\u003e\n\n\u003cp\u003eOkay, maybe you are more the regular musician who simply wants to perform a binary OR between two modulation sources? Okay, go for it! This operation is just one of several at your disposal.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eArpeggiator\u003c\/strong\u003e\u003cbr\u003eBlofeld's arpeggiator features variable clock divisions from 1\/64 triplets to more than 1,000 bars, with variable swing\/shuffle and a range of up to 10 octaves. Up, down and alternate modes, selectable play order from low to high note, low to high velocity, as played or reversed, variable note length, different velocity modes. And hold or 'one shot' if you like.\u003c\/p\u003e\n\n\u003cp\u003eBut more importantly, it has the most powerful pattern editor we have ever seen. You can set each step to either play the note it would do so anyway, to pause, to play the previous note again, play the first or the last note, play those together, play a chord consisting of all held notes or a randomly selected note.\u003c\/p\u003e\n\n\u003cp\u003eThen you can adjust the accent of each step (including silence), activate or deactivate glide for each step, set the timing to play a step ahead or behind its nominal time, and finely adjust the note length between short staccato and full legato.\u003c\/p\u003e\n\n\u003cp\u003eNo wonder this arpeggiator had great reviews when it first appeared in the Waldorf Q. It will take you straight to arpeggiator heaven, as has already happened to thousands of Waldorf customers. Dig it!\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eLicense SL (sold separately)\u003c\/strong\u003e\u003cbr\u003eLicense SL (sold separately) greatly expands the sonic potential of every Blofeld desktop. With this license installed, 60MB of sample flash memory become available for factory and user samples. These samples and multisamples go through Blofeld's vast synthesis engine just like the standard oscillators. And like the oscillators, samples can be used as an FM source or destination. You can also apply ring modulation, dual filters and overdrive to go far beyond traditional sample playback technology. License SL comes with an extensive set of factory samples.\u003c\/p\u003e","brand":"Waldorf","offers":[{"title":"Default Title","offer_id":45257219834130,"sku":"WAL-BLOFELD","price":699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/Waldorf_blofeld_top.jpg?v=1720197193"},{"product_id":"waldorf-blofeld-keyboard-synthesizer-black-shadow-edition","title":"Waldorf Blofeld Keyboard Synthesizer - Black \/ Shadow Edition","description":"\u003cp\u003eWaldorf Blofeld is offspring from a noble house, the little synthesizer machine with the big and evil sound. This synthesizer offers all the unique qualities that made Waldorf a truly legendary brand. The engine inside the heavy duty, full metal chassis of Blofeld delivers the same fat and rich sound that so many Waldorf users worldwide love when they play their Pulse, Q, Q+, Micro Q, Microwave, Microwave II\/XT or even the flagship Wave.\u003c\/p\u003e\n\n\u003cp\u003eYes, you heard right: Blofeld is not only capable of producing the warm, organic analog sounds known from the Q synthesizer line, it also sports a wavetable engine like its predecessors with 'Wave' in their names. This unique synthesis system is based upon the revolutionary PPG Wave synthesizers of the early 80s, so when you listen to Blofeld for the first time you will instantly recognize those edgy, hard-hitting and bell-like timbres that have been an integral part of so many world hits from the PPG era onwards and have become increasingly popular once more. In fact, it is amazing to realize that nowadays this complex technology fits into such a slim and elegant device, and for a price nobody would have imagined back in the days of its predecessors.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eOscillators\u003c\/strong\u003e\u003cbr\u003eEach of the three oscillators offers authentic circuit models of analog waveforms: pulse with variable pulsewidth, sawtooth, triangle and, as found in relatively few analog synthesizers these days, sine wave. Furthermore, oscillators 1 and 2 feature the two wavetables that were introduced by the Waldorf Q and appeared shortly thereafter in the Micro Q series. Not only that, Blofeld includes all ROM wavetables from the mighty flagship Waldorf Wave as well as Microwave II\/XT. Plus, lo and behold, the desperately requested 'upper wavetable' from PPG Wave! For the first time in the history of Waldorf and PPG, each of these two oscillators can have its own wavetable.\u003c\/p\u003e\n\n\u003cp\u003eWhat's more, you have control over the brilliance of these wavetables, which is especially important for waves with lots of harmonics in the bass end. You decide if you prefer pure and perfect harmonics or the same edgy timbre you know and love from the earlier Waldorf and PPG synthesizers. Brilliance also affects the sawtooth and pulse oscillator models, ranging from warm and soft (for those typical LA string pads) to the hard shapes you need for punchy and biting bass sounds. Note, though, that Brilliance is not a simple filter applied after the oscillators; rather, the oscillator model itself is modified.\u003c\/p\u003e\n\n\u003cp\u003eEach of the three oscillators can be frequency-modulated by any of the other oscillators, the noise generator or one of the LFOs. With low FM amounts you can add a little dirt to the oscillator sound; with higher amounts you get typical FM effects. On top of all that, oscillator 2 can be hard-synced to oscillator 3.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eRing modulation\u003c\/strong\u003e\u003cbr\u003eOscillators 1 and 2 can be ring modulated to create bell-like metallic sounds and eerie sound effects as well as pumping basses and leads. The noise generator delivers white noise that can be filtered lowpass or highpass, depending on the noise color setting. The three oscillators, the ring modulator and the noise generator can be freely mixed into filter 1 and filter 2. This allows fine control over the harmonic content of each of the tone generators.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eFilters\u003c\/strong\u003e\u003cbr\u003eBlofeld has two multimode filters per voice that can be routed in series or in parallel. Each filter has its own pan parameter for easy creation of stereo sounds. The selection of filter types includes low pass, band pass, high pass and notch (band reject), each with 12dB\/oct or 24dB\/oct slope. The filter models are based on several famous Waldorf filter algorithms found in all their products. They offer resonance up to self-oscillation as well as frequency modulation (filter FM). Furthermore, Blofeld features the same comb filter types (with positive and negative feedback) first introduced in the Waldorf Q. These can be used to thicken bass and pad sounds or to create percussive, string or flute sounds reminiscent of physical modeling.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eOverdrive, saturation, distortion, shaping\u003c\/strong\u003e\u003cbr\u003eBlofeld offers a freely controllable drive behind each filter with more than a dozen curves. These include such standards as the drive from the Q and Micro Q, low\/medium\/hard saturation, tube saturation, two types of electric pickups, a rectifier, digital overflow as well as esoteric stuff such as 'binary distortion,' a sinusoidal waveshaper and even a distortion controlled by oscillator 1. And because Blofeld has two filters that can be routed in series, you can control the timbre of the drive output of filter 1 by dampening or emphasizing certain frequencies with filter 2.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003cbr\u003eBlofeld has two effect slots with various types. In Multimode, the first effect slot is available per part, while the second one is used for all 16 parts (i.e., global) with controllable mix levels. Part 1 determines the settings of the second effect. The first effect slot offers modulation effects such as chorus and flanger as well as a combined type called 'Triple FX.' The latter gives you several effects at once, but with a reduced parameter set. The second effect slot offers all the same types as the first, but with the addition of delay, clocked delay and reverb.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eEnvelopes\u003c\/strong\u003e\u003cbr\u003eFour envelopes with different types and trigger modes affect any sound parameters you choose. Each envelope can be either polyphonic or single trigger. This is especially interesting with the monophonic voice allocation, as the filter envelope can be set to be triggered only by the first note(s) while the amp envelope is triggered on each note — think 'organ percussion register,' for instance. The envelope types include the standard ADSR as well as an enhanced ADSR variant with controllable attack level and two decay and sustain stages, two different loop envelopes and a 'one shot' envelope. The loop types can be used to act as additional LFOs, while the 'one shot' is perfectly suited for percussion sounds, which typically ignore the note release.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eLFOs\u003c\/strong\u003e\u003cbr\u003eEach of the three LFOs offers sine, triangle, square and sawtooth waveforms, plus sample \u0026amp; hold and random. LFOs can be synchronized to MIDI clock, they can be polyphonic or monophonic, can be reset on key trigger to a freely definable phase, and the speed can be scaled by MIDI note (key follow). There are separate delay and fade in\/out parameters for, say, delayed vibrato (positive fade values) or a burst of vibrato at the start of each note (negative fade values). One important feature of the Blofeld LFOs is that higher rates reach well into the audio frequency range, thus making them useful extra FM sources. There are two basic modes: either linear FM as seen in classic digital synths, or logarithmic FM, which is primarily the domain of analog modular systems.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eModulations\u003c\/strong\u003e\u003cbr\u003eHere's where the real Waldorf power lies. Each and every instrument designed and built by Waldorf lets you connect dozens of modulation sources to all the important sound generation parameters. Individual or multiple oscillator pitches, their pulsewidths and waveforms, their levels and filter-balances, FM modulation amounts, individual filter cutoff and resonance, filter FM amounts and stereo panning, or just the good old sound output level — everything can be controlled from internal modulation sources or from a variety of MIDI messages such as velocity, keytrack, continuous controllers (including wheels, breath and foot controllers), etc.\u003c\/p\u003e\n\n\u003cp\u003eYou can of course 'modulate the modulators,' i.e., control LFO speeds and individual envelope rates and levels, but in Blofeld you can even specify that these sources modulate themselves — recursive modulation! For instance, modulating an envelope rate by the same envelope (or another one) can alter the shape of the slope dramatically from the standard exponential curve to linear to inverse exponential.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eModifiers\u003c\/strong\u003e\u003cbr\u003eAnd how many slots do you get in the mod matrix? Two? Three? Four? No, we're talking big here: you get 16 freely definable slots plus all the pre-routed modulation destinations such as pitch, oscillator frequency and pulse width modulation, filter cutoff, pan and amp level. Don't forget that the filter envelope is already routed to filter 1 and 2 cutoff, and the amp envelope is routed to the amp level. This makes a total of 33 simultaneous connections.\u003c\/p\u003e\n\n\u003cp\u003eWhat if you want something really really crazy, like controlling a pitch vibrato done by LFO 3 with the modulation wheel. Although there are a few such composite modulation sources such as 'LFO1*MW' (LFO 1 controlled by modulation wheel) and 'LFO2*Press' (LFO 2 controlled by monophonic aftertouch), there's nobody doing the 'LFO3*MW' thing for you. But don't worry, that's where the Modifiers come into play: in seconds you can set up a new modifier with the two sources set to LFO 3 and modulation wheel, and the 'operation' set to '*' (multiply). You can use such custom-made modulation sources in any of the modulation slots described above.\u003c\/p\u003e\n\n\u003cp\u003eOkay, maybe you are more the regular musician who simply wants to perform a binary OR between two modulation sources? Okay, go for it! This operation is just one of several at your disposal.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eArpeggiator\u003c\/strong\u003e\u003cbr\u003eBlofeld's arpeggiator features variable clock divisions from 1\/64 triplets to more than 1,000 bars, with variable swing\/shuffle and a range of up to 10 octaves. Up, down and alternate modes, selectable play order from low to high note, low to high velocity, as played or reversed, variable note length, different velocity modes. And hold or 'one shot' if you like.\u003c\/p\u003e\n\n\u003cp\u003eBut more importantly, it has the most powerful pattern editor we have ever seen. You can set each step to either play the note it would do so anyway, to pause, to play the previous note again, play the first or the last note, play those together, play a chord consisting of all held notes or a randomly selected note.\u003c\/p\u003e\n\n\u003cp\u003eThen you can adjust the accent of each step (including silence), activate or deactivate glide for each step, set the timing to play a step ahead or behind its nominal time, and finely adjust the note length between short staccato and full legato.\u003c\/p\u003e\n\n\u003cp\u003eNo wonder this arpeggiator had great reviews when it first appeared in the Waldorf Q. It will take you straight to arpeggiator heaven, as has already happened to thousands of Waldorf customers. Dig it!\u003c\/p\u003e","brand":"Waldorf","offers":[{"title":"Default Title","offer_id":45257220718866,"sku":"WAL-BLOFELDKBBLK","price":999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/wal-blofeldkbblk_top.jpg?v=1695405284"},{"product_id":"waldorf-streichfett-string-synthesizer-desktop-module","title":"Waldorf Streichfett String Synthesizer Desktop Module","description":"\u003cp\u003eWaldorf Streichfett combines the best of the previously extinct species of string synthesizers of the 70s and early 80s. Its dual sound engine features a fully polyphonic strings section and an eight voice solo section. The Ensemble effect handles the string section, while the effects section adds adjustable phaser and reverb. Additionally, the Animate effect can be used to modulate the strings registration, allowing spectacular sound morphs.\u003c\/p\u003e\n\n\u003cp\u003eThe Solo section offers presets named Bass, E-Piano or Clavi, and just like in your typical string machine the sound has little to do with that name. Instead, these are shimmering and slightly percussive sounds that blend well with the string section.\u003c\/p\u003e\n\n\u003cp\u003eAlthough the user interface is simple and easy to comprehend, it controls a rather complex sound engine which is capable of delivering rich and creamy pads unlike any other instrument. Twelve patches can be stored and selected in the Memory section, and USB and MIDI are of course on board.\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e128-voice fully polyphonic strings section\u003c\/li\u003e\n\u003cli\u003eContinuous morphing of violin, viola, cello, brass, organ, choir and more registrations\u003c\/li\u003e\n\u003cli\u003eAnimate effect for modulation of strings registration\u003c\/li\u003e\n\u003cli\u003eEnsemble effect for strings\u003c\/li\u003e\n\u003cli\u003eEight voice polyphonic Solo section\u003c\/li\u003e\n\u003cli\u003eLayer\/split for Solo section\u003c\/li\u003e\n\u003cli\u003eContinuous morphing of bass, e-piano, clavi, synth and Pluto for solo tone\u003c\/li\u003e\n\u003cli\u003eTremolo for Solo section\u003c\/li\u003e\n\u003cli\u003ePhaser\u003c\/li\u003e\n\u003cli\u003eReverb\u003c\/li\u003e\n\u003cli\u003e12 programmable patches\u003c\/li\u003e\n\u003cli\u003eStereo output\u003c\/li\u003e\n\u003cli\u003eHeadphone output\u003c\/li\u003e\n\u003cli\u003eUSB\u003c\/li\u003e\n\u003cli\u003eMIDI in\/out\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"Waldorf","offers":[{"title":"Default Title","offer_id":45257220948242,"sku":"WAL-STREICHFETT","price":399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/wal-streichfett_top.jpg?v=1695405283"},{"product_id":"waldorf-blofeld-desktop-synthesizer-module-black","title":"Waldorf Blofeld Desktop Synthesizer Module - Black","description":"\u003cp\u003eWaldorf Blofeld is offspring from a noble house, the little synthesizer machine with the big and evil sound. This synthesizer offers all the unique qualities that made Waldorf a truly legendary brand. The engine inside the heavy duty, full metal chassis of Blofeld delivers the same fat and rich sound that so many Waldorf users worldwide love when they play their Pulse, Q, Q+, Micro Q, Microwave, Microwave II\/XT or even the flagship Wave.\u003c\/p\u003e\n\n\u003cp\u003eYes, you heard right: Blofeld is not only capable of producing the warm, organic analog sounds known from the Q synthesizer line, it also sports a wavetable engine like its predecessors with 'Wave' in their names. This unique synthesis system is based upon the revolutionary PPG Wave synthesizers of the early 80s, so when you listen to Blofeld for the first time you will instantly recognize those edgy, hard-hitting and bell-like timbres that have been an integral part of so many world hits from the PPG era onwards and have become increasingly popular once more. In fact, it is amazing to realize that nowadays this complex technology fits into such a slim and elegant device, and for a price nobody would have imagined back in the days of its predecessors.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eOscillators\u003c\/strong\u003e\u003cbr\u003eEach of the three oscillators offers authentic circuit models of analog waveforms: pulse with variable pulsewidth, sawtooth, triangle and, as found in relatively few analog synthesizers these days, sine wave. Furthermore, oscillators 1 and 2 feature the two wavetables that were introduced by the Waldorf Q and appeared shortly thereafter in the Micro Q series. Not only that, Blofeld includes all ROM wavetables from the mighty flagship Waldorf Wave as well as Microwave II\/XT. Plus, lo and behold, the desperately requested 'upper wavetable' from PPG Wave! For the first time in the history of Waldorf and PPG, each of these two oscillators can have its own wavetable.\u003c\/p\u003e\n\n\u003cp\u003eWhat's more, you have control over the brilliance of these wavetables, which is especially important for waves with lots of harmonics in the bass end. You decide if you prefer pure and perfect harmonics or the same edgy timbre you know and love from the earlier Waldorf and PPG synthesizers. Brilliance also affects the sawtooth and pulse oscillator models, ranging from warm and soft (for those typical LA string pads) to the hard shapes you need for punchy and biting bass sounds. Note, though, that Brilliance is not a simple filter applied after the oscillators; rather, the oscillator model itself is modified.\u003c\/p\u003e\n\n\u003cp\u003eEach of the three oscillators can be frequency-modulated by any of the other oscillators, the noise generator or one of the LFOs. With low FM amounts you can add a little dirt to the oscillator sound; with higher amounts you get typical FM effects. On top of all that, oscillator 2 can be hard-synced to oscillator 3.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eRing modulation\u003c\/strong\u003e\u003cbr\u003eOscillators 1 and 2 can be ring modulated to create bell-like metallic sounds and eerie sound effects as well as pumping basses and leads. The noise generator delivers white noise that can be filtered lowpass or highpass, depending on the noise color setting. The three oscillators, the ring modulator and the noise generator can be freely mixed into filter 1 and filter 2. This allows fine control over the harmonic content of each of the tone generators.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eFilters\u003c\/strong\u003e\u003cbr\u003eBlofeld has two multimode filters per voice that can be routed in series or in parallel. Each filter has its own pan parameter for easy creation of stereo sounds. The selection of filter types includes low pass, band pass, high pass and notch (band reject), each with 12dB\/oct or 24dB\/oct slope. The filter models are based on several famous Waldorf filter algorithms found in all their products. They offer resonance up to self-oscillation as well as frequency modulation (filter FM). Furthermore, Blofeld features the same comb filter types (with positive and negative feedback) first introduced in the Waldorf Q. These can be used to thicken bass and pad sounds or to create percussive, string or flute sounds reminiscent of physical modeling.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eOverdrive, saturation, distortion, shaping\u003c\/strong\u003e\u003cbr\u003eBlofeld offers a freely controllable drive behind each filter with more than a dozen curves. These include such standards as the drive from the Q and Micro Q, low\/medium\/hard saturation, tube saturation, two types of electric pickups, a rectifier, digital overflow as well as esoteric stuff such as 'binary distortion,' a sinusoidal waveshaper and even a distortion controlled by oscillator 1. And because Blofeld has two filters that can be routed in series, you can control the timbre of the drive output of filter 1 by dampening or emphasizing certain frequencies with filter 2.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003cbr\u003eBlofeld has two effect slots with various types. In Multimode, the first effect slot is available per part, while the second one is used for all 16 parts (i.e., global) with controllable mix levels. Part 1 determines the settings of the second effect. The first effect slot offers modulation effects such as chorus and flanger as well as a combined type called 'Triple FX.' The latter gives you several effects at once, but with a reduced parameter set. The second effect slot offers all the same types as the first, but with the addition of delay, clocked delay and reverb.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eEnvelopes\u003c\/strong\u003e\u003cbr\u003eFour envelopes with different types and trigger modes affect any sound parameters you choose. Each envelope can be either polyphonic or single trigger. This is especially interesting with the monophonic voice allocation, as the filter envelope can be set to be triggered only by the first note(s) while the amp envelope is triggered on each note — think 'organ percussion register,' for instance. The envelope types include the standard ADSR as well as an enhanced ADSR variant with controllable attack level and two decay and sustain stages, two different loop envelopes and a 'one shot' envelope. The loop types can be used to act as additional LFOs, while the 'one shot' is perfectly suited for percussion sounds, which typically ignore the note release.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eLFOs\u003c\/strong\u003e\u003cbr\u003eEach of the three LFOs offers sine, triangle, square and sawtooth waveforms, plus sample \u0026amp; hold and random. LFOs can be synchronized to MIDI clock, they can be polyphonic or monophonic, can be reset on key trigger to a freely definable phase, and the speed can be scaled by MIDI note (key follow). There are separate delay and fade in\/out parameters for, say, delayed vibrato (positive fade values) or a burst of vibrato at the start of each note (negative fade values). One important feature of the Blofeld LFOs is that higher rates reach well into the audio frequency range, thus making them useful extra FM sources. There are two basic modes: either linear FM as seen in classic digital synths, or logarithmic FM, which is primarily the domain of analog modular systems.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eModulations\u003c\/strong\u003e\u003cbr\u003eHere's where the real Waldorf power lies. Each and every instrument designed and built by Waldorf lets you connect dozens of modulation sources to all the important sound generation parameters. Individual or multiple oscillator pitches, their pulsewidths and waveforms, their levels and filter-balances, FM modulation amounts, individual filter cutoff and resonance, filter FM amounts and stereo panning, or just the good old sound output level — everything can be controlled from internal modulation sources or from a variety of MIDI messages such as velocity, keytrack, continuous controllers (including wheels, breath and foot controllers), etc.\u003c\/p\u003e\n\n\u003cp\u003eYou can of course 'modulate the modulators,' i.e., control LFO speeds and individual envelope rates and levels, but in Blofeld you can even specify that these sources modulate themselves — recursive modulation! For instance, modulating an envelope rate by the same envelope (or another one) can alter the shape of the slope dramatically from the standard exponential curve to linear to inverse exponential.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eModifiers\u003c\/strong\u003e\u003cbr\u003eAnd how many slots do you get in the mod matrix? Two? Three? Four? No, we're talking big here: you get 16 freely definable slots plus all the pre-routed modulation destinations such as pitch, oscillator frequency and pulse width modulation, filter cutoff, pan and amp level. Don't forget that the filter envelope is already routed to filter 1 and 2 cutoff, and the amp envelope is routed to the amp level. This makes a total of 33 simultaneous connections.\u003c\/p\u003e\n\n\u003cp\u003eWhat if you want something really really crazy, like controlling a pitch vibrato done by LFO 3 with the modulation wheel. Although there are a few such composite modulation sources such as 'LFO1*MW' (LFO 1 controlled by modulation wheel) and 'LFO2*Press' (LFO 2 controlled by monophonic aftertouch), there's nobody doing the 'LFO3*MW' thing for you. But don't worry, that's where the Modifiers come into play: in seconds you can set up a new modifier with the two sources set to LFO 3 and modulation wheel, and the 'operation' set to '*' (multiply). You can use such custom-made modulation sources in any of the modulation slots described above.\u003c\/p\u003e\n\n\u003cp\u003eOkay, maybe you are more the regular musician who simply wants to perform a binary OR between two modulation sources? Okay, go for it! This operation is just one of several at your disposal.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eArpeggiator\u003c\/strong\u003e\u003cbr\u003eBlofeld's arpeggiator features variable clock divisions from 1\/64 triplets to more than 1,000 bars, with variable swing\/shuffle and a range of up to 10 octaves. Up, down and alternate modes, selectable play order from low to high note, low to high velocity, as played or reversed, variable note length, different velocity modes. And hold or 'one shot' if you like.\u003c\/p\u003e\n\n\u003cp\u003eBut more importantly, it has the most powerful pattern editor we have ever seen. You can set each step to either play the note it would do so anyway, to pause, to play the previous note again, play the first or the last note, play those together, play a chord consisting of all held notes or a randomly selected note.\u003c\/p\u003e\n\n\u003cp\u003eThen you can adjust the accent of each step (including silence), activate or deactivate glide for each step, set the timing to play a step ahead or behind its nominal time, and finely adjust the note length between short staccato and full legato.\u003c\/p\u003e\n\n\u003cp\u003eNo wonder this arpeggiator had great reviews when it first appeared in the Waldorf Q. It will take you straight to arpeggiator heaven, as has already happened to thousands of Waldorf customers. Dig it!\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eLicense SL (sold separately)\u003c\/strong\u003e\u003cbr\u003eLicense SL (sold separately) greatly expands the sonic potential of every Blofeld desktop. With this license installed, 60MB of sample flash memory become available for factory and user samples. These samples and multisamples go through Blofeld's vast synthesis engine just like the standard oscillators. And like the oscillators, samples can be used as an FM source or destination. You can also apply ring modulation, dual filters and overdrive to go far beyond traditional sample playback technology. License SL comes with an extensive set of factory samples.\u003c\/p\u003e","brand":"Waldorf","offers":[{"title":"Default Title","offer_id":45257221243154,"sku":"WAL-BLOFELDBLK","price":699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/Waldorf_blofeld_black.jpg?v=1720198265"},{"product_id":"yamaha-cs750-cymbal-stand","title":"Yamaha CS750 Cymbal Stand","description":"\u003cp\u003eThe CS-750 straight cymbal stand is medium weight and single-braced with vertical tilter and tube caps to prevent rattling. All Yamaha drum hardware is produced by Yamaha (not a third party supplier), ensuring high quality and durability.\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":45257224651026,"sku":"YAM-CS750","price":95.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/yamaha_cs750.jpg?v=1695405290"},{"product_id":"yamaha-dfp8500c-double-bass-drum-pedal","title":"Yamaha DFP8500C Double Bass Drum Pedal","description":"\u003cp\u003eThe DFP-8500C is a double chain drive double pedal, with an optional woven nylon belt included if you prefer the feel of a strap-drive pedal.\u003c\/p\u003e\n\u003cp\u003eThe DFP-8500C has adjustments for beater angle, footboard angle, and spring tension. The pedal frames have stabilizer bars cast into them below the rocker shafts to eliminate flex. This keeps the bearings in alignment and gives the pedal a smooth feel. The footboards are longer and wider for a solid feel, and make it great for anyone that uses a heel\/toe technique.\u003c\/p\u003e\n\u003cp\u003eThe hole in the beater hubs are tear drop shaped so it securely holds the beater shaft. The DFP-8500C ships with our hard felt beaters that have been a favorite of many of our artists for years.\u003c\/p\u003e\n\u003cp\u003eThe side-adjustable hoop clamp holds firmly to different thickness hoops, and tightens with a wing bolt.\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":45257224782098,"sku":"YAM-DFP8500C","price":475.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/yamaha_dfp8500c.jpg?v=1695405292"},{"product_id":"yamaha-dfp9500d-double-bass-drum-pedal","title":"Yamaha DFP9500D Double Bass Drum Pedal","description":"\u003cp\u003eThe DFP-9500D is a direct drive double pedal, with a solid cast link between the rocker shaft and the footboards. The direct drive \"pushes\" the footboards back on rebound, giving the pedal a quicker response. Many drummers that play heel-down prefer the feel of a direct drive.\u003c\/p\u003e\n\u003cp\u003eThe DFP-9500D has adjustments for beater angle, footboard angle, and spring tension. The pedal frames have stabilizer bars cast into them below the rocker shafts to eliminate flex. This keeps the bearings in alignment and gives the pedal a smooth feel.\u003c\/p\u003e\n\u003cp\u003eThe hole in the beater hubs are tear drop shaped so it securely holds the beater shafts and keeps the new two-sided beaters from spinning. The new beater is felt on one side, and hard plastic on the other.\u003c\/p\u003e\n\u003cp\u003eThe side-adjustable hoop clamp holds firmly to different thickness hoops, and tightens with a wing bolt.\u003c\/p\u003e\n\u003cp\u003eThe DFP-9500D ships in a hard sided soft case to keep the universal joints, beaters, and pedals together for transport.\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":45257224814866,"sku":"YAM-DFP9500D","price":475.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/yamaha_dfp9500d.jpg?v=1695405293"},{"product_id":"yamaha-dfp9500cl-left-foot-double-bass-drum-pedal","title":"Yamaha DFP9500CL Left-Foot Double Bass Drum Pedal","description":"\u003cp\u003eA top-of-the-line double bass drum pedal from Yamaha.\u003c\/p\u003e\n\u003cp\u003eThe DFP-9500C is a double chain drive double pedal, with an optional woven nylon belt included if you prefer the feel of a strap-drive pedal. It has adjustments for beater angle, footboard angle, and spring tension.\u003c\/p\u003e\n\u003cp\u003eThe pedal frames have stabilizer bars cast into them below the rocker shafts to eliminate flex. This keeps the bearings in alignment and gives the pedal a smooth feel. The hole in the beater hubs are tear drop shaped so it securely holds the beater shafts and keeps the new two-sided beaters from spinning. The new beater is felt on one side, and hard plastic on the other. The side-adjustable hoop clamp holds firmly to different thickness hoops, and tightens with a wing bolt.\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":45257225994514,"sku":"YAM-DFP9500CL","price":475.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/yamaha_dfp9500cl.jpg?v=1695405292"},{"product_id":"yamaha-dfp9500c-double-bass-drum-pedal","title":"Yamaha DFP9500C Double Bass Drum Pedal","description":"\u003cp\u003eA top-of-the-line double bass drum pedal from Yamaha.\u003c\/p\u003e\n\u003cp\u003eThe DFP-9500C is a double chain drive double pedal, with an optional woven nylon belt included if you prefer the feel of a strap-drive pedal. It has adjustments for beater angle, footboard angle, and spring tension.\u003c\/p\u003e\n\u003cp\u003eThe pedal frames have stabilizer bars cast into them below the rocker shafts to eliminate flex. This keeps the bearings in alignment and gives the pedal a smooth feel. The hole in the beater hubs are tear drop shaped so it securely holds the beater shafts and keeps the new two-sided beaters from spinning. The new beater is felt on one side, and hard plastic on the other. The side-adjustable hoop clamp holds firmly to different thickness hoops, and tightens with a wing bolt.\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":45257226813714,"sku":"YAM-DFP9500C","price":475.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/YAMAHA_DFP9500C.jpg?v=1695405292"},{"product_id":"yamaha-hs740-hi-hat-stand","title":"Yamaha HS740 Hi-Hat Stand","description":"\u003cp\u003eThe Yamaha HS-740 is medium weight, chain linked, tension adjustable hi-hat stand with rotating legs.\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":45257227698450,"sku":"YAM-HS740","price":143.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/yam-hs740.jpg?v=1695405304"},{"product_id":"yamaha-mg20-20-channel-stereo-mixer","title":"Yamaha MG20 20-Channel Stereo Mixer","description":"\u003cp\u003eThe MG20 offers sixteen XLR channels, eight of which feature 3 band EQ, and 1-Knob Compression, as well as twelve mono and four stereo line inputs. In addition to balanced main and headphone outputs, MG20 also features one Monitor and four Aux(FX) Send outputs for added flexibility. \u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eOptimized Steel Chassis\u003c\/strong\u003e\u003cbr\u003e\n Starting with the chassis, you will see that quality is the heart of the matter. The steel powder-coated and impact resistant chassis offers a compact and contoured design, which optimizes the way heat is moved away from the components to lower operating temperatures. In this new layout the power supply is separated from analog circuit to reduce noise, which also extends the life of internal components. This all protects the upgraded glass-substrate circuit board, which increases flexibility, protecting circuit integrity under stress.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eD-PRE Preamps\u003c\/strong\u003e\u003cbr\u003e\n The preamp is where sound creation begins, and ultimately determines the character and quality of your overall mix. The importance of this critical first step inspired Yamaha to develop the most fat and warm sounding preamps possible—their newly refined D-PRE mic preamps. Initially intended for use with Yamaha's high-end recording gear, these studio-grade, discrete Class-A mic preamps employ an inverted Darlington circuit design that features multiple circuitry elements in a multi-layered configuration in order to deliver more power with lower impedance. This means all the character, depth and feel of your original signal will be delivered with fat, natural sounding bass and smooth, soaring highs. Rediscover a favorite mic or trusted instrument by capturing the full range of your musical expression with sound that you don't hear, so much as feel. With 48V phantom power for each channel and a sound that is incomparable in a compact mixer today, these studio-grade discrete Class-A mic preamps set the MGP apart, clearly defining a class all its own.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003e1-Knob Compressors\u003c\/strong\u003e\u003cbr\u003e\n Originally a Yamaha innovation, 1-knob compression is now a popular feature on an increasing number of compact mixing consoles with good reason. These intelligent compressors add optimally set compression to a wide variety of input sources with the touch of a single control—minus the hassle of setting up and configuring complex outboard gear. The MG features Yamaha's newly upgraded 1-knob compressors that feature LED indicators allowing you to visually monitor when the compression \"kicks in\" on each channel.\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":45257232023826,"sku":"YAM-MG20","price":773.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/yam-mg20.jpg?v=1695405317"},{"product_id":"yamaha-ss850-snare-drum-stand","title":"Yamaha SS850 Snare Stand","description":"\u003cp\u003eThe basket tilter from the ever popular SS-740A snare drum stand has been fitted to the SS-850. This reduces weight, while retaining adjustability and durability. The new basket design also allows the stand to sit 1\" lower than the previous model. Available height range is 45-63cm.\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":45257235497234,"sku":"YAM-SS850","price":124.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/yamaha_ss850.jpg?v=1695405325"},{"product_id":"yamaha-ss950-snare-drum-stand","title":"Yamaha SS950 Snare Stand","description":"\u003cp\u003eThe SS-950 has a new centered ball and socket tilter that allows almost limitless angle adjustment. The location of the tilter also allows the full power of each stroke since the force is driven straight into the vertical tube.\u003c\/p\u003e\u003cp\u003eThe basket can be quickly detached from the vertical tube by loosening a single wing nut, allowing for compact storage or quick snare drum changes at a gig. The new three-arm basket design allows the SS-950 to sit almost 2\" lower than the previous model. Available height range is 45-61cm.\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":45257236021522,"sku":"YAM-SS950","price":203.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/yamaha_ss950.jpg?v=1695405326"},{"product_id":"kawai-vpc1-virtual-piano-controller","title":"Kawai VPC1 Virtual Piano Controller","description":"\u003cp\u003eKawai proudly introduces the VPC1, featuring unparalleled keyboard action realism, impressive hardware\/software flexibility, stunning piano-like design, and strong backing from the industry's leading developers. The VPC1 is a professional MIDI keyboard controller developed especially for use with virtual piano software. This unique product – the first of its kind from any musical instrument manufacturer – draws upon Kawai's 85 years of knowledge and experience crafting the world's finest acoustic and digital pianos, to deliver the ultimate virtual piano experience for the home, studio, and stage.\u003c\/p\u003e\n\n\n\u003cul\u003e\n\u003cli\u003eUltra-realistic 'RM3 Grand II' wooden-key keyboard action\u003c\/li\u003e\n\u003cli\u003eTriple-pedal accessory (included)\u003c\/li\u003e\n\u003cli\u003eUSB and standard MIDI IN\/OUT connectivity\u003c\/li\u003e\n\u003cli\u003eBuilt-in 'approved touch curve' settings for popular virtual piano packages\u003c\/li\u003e\n\u003cli\u003eVPC Editor software - Windows and Mac OS X (10.8+)*\u003c\/li\u003e\n\u003cli\u003eAttractive piano-like chassis design, detachable music rest\u003c\/li\u003e\n\u003cli\u003eHigh quality aluminium, steel, and wood construction\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\u003cp\u003eAt the heart of the VPC1 is Kawai's latest 'RM3 Grand II' wooden-key keyboard action, which combines realistic \u003cem\u003ematerials, motion,\u003c\/em\u003e and \u003cem\u003emechanism\u003c\/em\u003e to recreate the exceptional touch of the finest concert grand pianos.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e*The officially supported requirements for the VPC Editor under Mac OS are OS X 10.8 (Mountain Lion) and newer. It is still possible to run the 'VPCEditor.app' application under the 64-bit variants of OS X 10.6 (Snow Leopard) and OS X 10.7 (Lion), however these platforms are not officially supported by Kawai.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003eAll eighty-eight of the VPC1's keys are crafted from long pieces of wood, with finely textured ivory-like surfaces applied to absorb moisture and assist playing control. Aside from these authentic materials, the class-leading VPC1 keyboard action boasts a number of additional acoustic piano-like characteristics, such as naturally smooth 'seesaw' key movement, staggered balance pins for black and white keys, grade-weighted hammers, bass key counter-weights, and let-off simulation. The 'RM3 Grand II' keyboard action also boasts a new triple-sensor key detection system, improving repetition speed and responsiveness, and allowing a greater range of expressive control from staccato to legato playing.\u003c\/p\u003e\n\u003cp\u003eComplementing the VPC1's ultra-realistic 'RM3 Grand II' keyboard action is the included F-30 triple pedal accessory. This sturdily-built unit recreates the functionality of the damper, sostenuto, and soft pedals of a grand piano, allowing discerning musicians to take full advantage of the unlooped sustain and stunning modelled resonances found in modern virtual piano packages.\u003c\/p\u003e\n\n\u003cp\u003eThe VPC1 connects to a Mac or PC using a single USB cable, drawing its power directly from the computer, and doing away with unnecessary power cables. Standard MIDI IN\/OUT connectors are also provided, allowing the VPC1's outstanding keyboard action to control hardware MIDI devices such as sound modules, workstations, or microsynths. It is even possible to combine both USB and standard MIDI communication, controlling software and hardware instruments simultaneously from the same keyboard.\u003c\/p\u003e\n\n\u003cp\u003eMost MIDI keyboard controllers require a degree of customisation in order to perform effectively with different virtual piano packages. This typically takes the form of manual 'touch curve' adjustments and a considerable amount of trial and error.\u003c\/p\u003e\n\n\u003cp\u003eHowever the VPC1 has been developed to offer a seamless 'connection' between piano keyboard and software sound 'out of the box', with Kawai partnering with leading virtual piano developers to establish the 'Approved Touch Curve' program. Under this initiative, Kawai's experienced keyboard engineering team prepare custom touch curves that are optimised for the 'RM3 Grand II' keyboard action, then tested by the developers using their own VPC1 before receiving final approval. The VPC1 ships with 'Approved Touch Curves' for Ivory, Pianoteq, Galaxy, and Alicia's Keys packages. Virtual piano software developers are invited to join the 'Approved Touch Curve' program, and collaborate with Kawai to ensure that VPC1 owners can enjoy the most realistic, responsive playing experience with their latest package.\n\u003c\/p\u003e\n\u003cp\u003e\nWhile the VPC1 is designed to offer an unrivalled 'out of the box' experience, Kawai also understands that many virtual pianists and software musicians enjoy customising every aspect of their setup. For these users, the VPC1 includes a dedicated software editor, providing greater control over touch curves, key velocity offsets, and advanced MIDI routing. Individual setups can be created for different scenarios, stored to one of the VPC1's five memory presets, and recalled without a computer using a simple key assignment.\u003c\/p\u003e\n\n\u003cp\u003eClearly the VPC1 has been developed for one thing and one thing only: to deliver the finest virtual piano playing experience. This philosophy is reflected in the board's design, with the VPC1 adopting a classic, smart, and professional appearance. There are no knobs, faders, or wheels to distract the virtual pianist from their performance, just a power button and eighty-eight smoothly finished black and white keys. And finally, serving as an elegant demonstration of Kawai's rich acoustic piano heritage, the VPC1 also includes something that all other MIDI controllers overlook: a detachable music rest – allowing ambitious players to perform century-old masterpieces using the very latest software and hardware piano technology.\u003c\/p\u003e\n\n\u003cp\u003eKawai VPC1 – finally, a virtual piano controller from a real piano company.\u003c\/p\u003e","brand":"Kawai","offers":[{"title":"Default Title","offer_id":45257249587474,"sku":"KAW-VPC1","price":2824.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/kawai_vpc1.jpg?v=1695405371"},{"product_id":"presonus-faderport-8-usb-daw-controller","title":"PreSonus FaderPort 8 USB DAW Controller","description":"\u003cp\u003e\nThe FaderPort 8 features eight 100 mm motorized, touch-sensitive faders; digital scribble strip displays; and a unique Session Navigator to make mixing and controlling your favorite DAW application quick and easy. The FaderPort 8 is compatible with virtually any DAW host for Mac OS X or Windows, with support for HUI and Mackie Control and native control of Studio One, including Control Link support as well as parameter follow, allowing you quick access to any control under your mouse. Its ergonomic design makes it a comfortable companion to your keyboard and mouse.\u003c\/p\u003e\n\n\u003cul\u003e\n\u003cli\u003e8 touch-sensitive, 100 mm long-throw, motorized fader\u003c\/li\u003e\n\u003cli\u003e8 high-definition Scribble Strip displays\u003c\/li\u003e\n\u003cli\u003eComplete recording-transport controls: Play, Stop, Fast Forward, Rewind, Record, Loop\u003c\/li\u003e\n\u003cli\u003eDrop Marker, Next\/Prev Marker, Next \/ Prev Event\u003c\/li\u003e\n\u003cli\u003eGeneral session controls: Undo\/Redo, Arm All, Solo\/Mute Clear, Track Management, Click On\/Off with tap tempo\u003c\/li\u003e\n\u003cli\u003eSession Navigator provides quick control over Track Scrolling, Channel Banking, Timeline Scrolling, and much more\u003c\/li\u003e\n\u003cli\u003eChannel Controls: Level, Pan, Solo, Mute, Rec Arm\u003c\/li\u003e\n\u003cli\u003eAutomation Controls: Touch, Latch, Trim, Write, Read, Off\u003c\/li\u003e\n\u003cli\u003eOptional Fader functionality: Plug-in edit, bus sends, pan\u003c\/li\u003e\n\u003cli\u003eOS X \/ Windows compatible with native Studio One support and HUI and Mackie Control Universal emulation\u003c\/li\u003e\n\u003cli\u003eFootswitch input for hands-free start\/stop\u003c\/li\u003e\n\u003cli\u003eUSB 2.0 connectivity\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"PreSonus","offers":[{"title":"Default Title","offer_id":45588287455506,"sku":"PRE-FADERPORT8","price":499.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/pre-faderport8.jpg?v=1695405394"},{"product_id":"qsc-k10-2-powered-speaker","title":"QSC K10.2 Powered Speaker","description":"\u003cp\u003eThe QSC K10.2 is quite simply, the next standard in powered loudspeaker. It's equipped with a 2000-watt power module carefully matched to high-performance woofers and compression drivers. DMT (Directivity-Matched Transition) ensures smooth coverage across the entire listening area. Advanced on-board DSP provides Intrinsic Correction voicing and advanced system management to further optimize performance.\u003c\/p\u003e\n \n \n \n \u003cp\u003eSuperbly flexible, the K10.2 provides its operators with a library of preset contours for common applications such as Stage Monitor, Dance Music, Musical Instrument Amplification, Hand-held Microphone and more, while also offering storable Scenes to recall user-configurable settings such as input type, delay, EQ, cross-over and selected contour. Operated as either main PA or as a floor monitor, the K10.2 can also be flown, wall- or truss-mounted, or placed on a speaker pole, either straight-firing or with 7.5-degree down-tilt.\u003c\/p\u003e\n \n \n \n \u003cp\u003eRugged, light-weight and incredibly stylish, the QSC K10.2 also features a global 6-Year Warranty \n \n \u003c\/p\u003e\u003cul\u003e\n \n \n \n \u003cli\u003eBest in class audio performance\u003c\/li\u003e\n \n \u003cli\u003e2000 Watt Class-D amplifier module \u003c\/li\u003e\n \n \u003cli\u003eFactory Presets and savable\/recallable Scenes for commonly-used applications such as Stage Monitor, Dance Music, Musical Instrument Amplification, Hand-held Microphone and more \u003c\/li\u003e\n \n \u003cli\u003eMulti-function digital display for control and selection of loudspeaker functions including cross-over, EQ, delay and frequency contours \u003c\/li\u003e\n \n \u003cli\u003eIntrinsic Correction tuning and loudspeaker management \u003c\/li\u003e\n \n \u003cli\u003eDMT (Directivity Matched Transition) design provides excellent power response and consistent performance across the listening area \u003c\/li\u003e\n \n \u003cli\u003eRefined, professional appearance looks great in any application \u003c\/li\u003e\n \n \u003cli\u003eRugged ABS enclosure for long life and lasting durability \u003c\/li\u003e\n \n \u003cli\u003eDeployment in either main PA or floor monitor position \u003c\/li\u003e\n \n \u003cli\u003eDual pole cup mounts (straight-firing and 7.5 degree down-tilt) \u003c\/li\u003e\n \n \u003cli\u003eM10 fittings for flown applications \u003c\/li\u003e\n \n \u003cli\u003eOptional security panel prevents unauthorized tampering of controls \u003c\/li\u003e\n \n \u003cli\u003e6-Year Warranty with product registration\u003c\/li\u003e\n \n \n \n \n \n \u003c\/ul\u003e\n\n \u003cdiv style=\"border-radius: 5px;\" class=\"vip_greybg_last\"\u003e\n\u003ch3 class=\"pdp_heading\" style=\"margin: 0px;\"\u003eFirmware Update Version 2.1\u003c\/h3\u003e\n\u003cp\u003eThe latest K.2 Firmware Update Version 2.1 is now available, bringing new presets, improved stability, and enhanced performance to the entire K.2 Series. This update adds three fresh voicing options—CLUB, VOX BOOST, and SMOOTH—each designed to refine high-SPL playback, boost vocal clarity, or smooth out high-frequency content. Room Delay has been expanded from 100 ms to 200 ms, and the firmware includes important reliability improvements that optimize amplifier voltage management and protect user settings, even after extensive power cycling. The update is free to download on QSC's website. \n\u003c\/p\u003e\n\u003c\/div\u003e\n","brand":"QSC","offers":[{"title":"Default Title","offer_id":45588293419282,"sku":"QSC-K102","price":799.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/qsc-k102_1.jpg?v=1695405408"},{"product_id":"qsc-k8-2-powered-speaker","title":"QSC K8.2 Powered Speaker","description":"\u003cdiv style=\"\n background-color: #f9f9f9; \n border: 2px solid #e0e0e0; \n border-left: 6px solid #aa2634; \n border-radius: 8px; \n padding: 16px 20px; \n margin-bottom: 20px;\n box-shadow: 0 2px 6px rgba(0,0,0,0.05);\n\"\u003e\n \u003ch3 class=\"pdp_heading\"\u003eFirmware Update Version 2.1\u003c\/h3\u003e\n \u003cp style=\"\n font-size: 1.1em; \n line-height: 1.6; \n color: #333; \n font-weight: 500;\n \"\u003e\n\n \nThe latest K.2 Firmware Update Version 2.1 is now available, bringing new presets, improved stability, and enhanced performance to the entire K.2 Series. This update adds three fresh voicing options—CLUB, VOX BOOST, and SMOOTH—each designed to refine high-SPL playback, boost vocal clarity, or smooth out high-frequency content. Room Delay has been expanded from 100 ms to 200 ms, and the firmware includes important reliability improvements that optimize amplifier voltage management and protect user settings, even after extensive power cycling. The update is free to download on QSC's website. \u003c\/p\u003e\n\u003c\/div\u003e\n \n \u003cp\u003eThe QSC K8.2 is quite simply, the next standard in powered loudspeaker. It's equipped with a 2000-watt power module carefully matched to high-performance woofers and compression drivers. DMT (Directivity-Matched Transition) ensures smooth coverage across the entire listening area. Advanced on-board DSP provides Intrinsic Correction voicing and advanced system management to further optimize performance.\u003c\/p\u003e\n\u003cp\u003eSuperbly flexible, the K8.2 provides its operators with a library of preset contours for common applications such as Stage Monitor, Dance Music, Musical Instrument Amplification, Hand-held Microphone and more, while also offering storable Scenes to recall user-configurable settings such as input type, delay, EQ, cross-over and selected contour. Operated as either main PA or as a floor monitor, the K8.2 can also be flown, wall- or truss-mounted, or placed on a speaker pole, either straight-firing or with 7.5-degree down-tilt.\u003c\/p\u003e\n\u003cp\u003eRugged, light-weight and incredibly stylish, the QSC K8.2 also features a global 6-Year Warranty with product registration.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBest in class audio performance\u003c\/li\u003e\n\u003cli\u003e2000 Watt Class-D amplifier module\u003c\/li\u003e\n\u003cli\u003eFactory Presets and savable\/recallable Scenes for commonly-used applications such as Stage Monitor, Dance Music, Musical Instrument Amplification, Hand-held Microphone and more\u003c\/li\u003e\n\u003cli\u003eMulti-function digital display for control and selection of loudspeaker functions including cross-over, EQ, delay and frequency contours\u003c\/li\u003e\n\u003cli\u003eIntrinsic Correction tuning and loudspeaker management\u003c\/li\u003e\n\u003cli\u003eDMT (Directivity Matched Transition) design provides excellent power response and consistent performance across the listening area\u003c\/li\u003e\n\u003cli\u003eRefined, professional appearance looks great in any application\u003c\/li\u003e\n\u003cli\u003eRugged ABS enclosure for long life and lasting durability\u003c\/li\u003e\n\u003cli\u003eDeployment in either main PA or floor monitor position\u003c\/li\u003e\n\u003cli\u003eDual pole cup mounts (straight-firing and 7.5 degree down-tilt)\u003c\/li\u003e\n\u003cli\u003eM10 fittings for flown applications\u003c\/li\u003e\n\u003cli\u003eOptional security panel prevents unauthorized tampering of controls\u003c\/li\u003e\n\u003cli\u003e6-Year Warranty with product registration\u003c\/li\u003e\n\u003c\/ul\u003e\n","brand":"QSC","offers":[{"title":"Default Title","offer_id":45588294730002,"sku":"QSC-K82","price":749.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/qsc-k82_front_2.jpg?v=1695405413"},{"product_id":"qsc-k12-2-powered-speaker","title":"QSC K12.2 Powered Speaker","description":"\u003cp\u003eThe QSC K12.2 is quite simply, the next standard in powered loudspeaker. It's equipped with a 2000-watt power module carefully matched to high-performance woofers and compression drivers. DMT (Directivity-Matched Transition) ensures smooth coverage across the entire listening area. Advanced on-board DSP provides Intrinsic Correction voicing and advanced system management to further optimize performance.\u003c\/p\u003e\n \n \n \n \u003cp\u003eSuperbly flexible, the K12.2 provides its operators with a library of preset contours for common applications such as Stage Monitor, Dance Music, Musical Instrument Amplification, Hand-held Microphone and more, while also offering storable Scenes to recall user-configurable settings such as input type, delay, EQ, cross-over and selected contour. Operated as either main PA or as a floor monitor, the K12.2 can also be flown, wall- or truss-mounted, or placed on a speaker pole, either straight-firing or with 7.5-degree down-tilt.\u003c\/p\u003e\n \n \n \n \u003cp\u003eRugged, light-weight and incredibly stylish, the QSC K12.2 also features a global 6-Year Warranty with product registration.\u003c\/p\u003e\n \n \n \n \n \n \u003cul\u003e\n \n \n \n \u003cli\u003eBest in class audio performance\u003c\/li\u003e\n \n \u003cli\u003e2000 Watt Class-D amplifier module \u003c\/li\u003e\n \n \u003cli\u003eFactory Presets and savable\/recallable Scenes for commonly-used applications such as Stage Monitor, Dance Music, Musical Instrument Amplification, Hand-held Microphone and more \u003c\/li\u003e\n \n \u003cli\u003eMulti-function digital display for control and selection of loudspeaker functions including cross-over, EQ, delay and frequency contours \u003c\/li\u003e\n \n \u003cli\u003eIntrinsic Correction tuning and loudspeaker management \u003c\/li\u003e\n \n \u003cli\u003eDMT (Directivity Matched Transition) design provides excellent power response and consistent performance across the listening area \u003c\/li\u003e\n \n \u003cli\u003eRefined, professional appearance looks great in any application \u003c\/li\u003e\n \n \u003cli\u003eRugged ABS enclosure for long life and lasting durability \u003c\/li\u003e\n \n \u003cli\u003eDeployment in either main PA or floor monitor position \u003c\/li\u003e\n \n \u003cli\u003eDual pole cup mounts (straight-firing and 7.5 degree down-tilt) \u003c\/li\u003e\n \n \u003cli\u003eM10 fittings for flown applications \u003c\/li\u003e\n \n \u003cli\u003eOptional security panel prevents unauthorized tampering of controls \u003c\/li\u003e\n \n \u003cli\u003e6-Year Warranty with product registration\u003c\/li\u003e\n \n \n \n \n \n \u003c\/ul\u003e\n\n\n\u003cdiv style=\"border-radius: 5px;\" class=\"vip_greybg_last\"\u003e\n\u003ch3 class=\"pdp_heading\" style=\"margin: 0px;\"\u003eFirmware Update Version 2.1\u003c\/h3\u003e\n\u003cp\u003eThe latest K.2 Firmware Update Version 2.1 is now available, bringing new presets, improved stability, and enhanced performance to the entire K.2 Series. This update adds three fresh voicing options—CLUB, VOX BOOST, and SMOOTH—each designed to refine high-SPL playback, boost vocal clarity, or smooth out high-frequency content. Room Delay has been expanded from 100 ms to 200 ms, and the firmware includes important reliability improvements that optimize amplifier voltage management and protect user settings, even after extensive power cycling. The update is free to download on QSC's website. \n\u003c\/p\u003e\n\u003c\/div\u003e\n","brand":"QSC","offers":[{"title":"Default Title","offer_id":45588297318674,"sku":"QSC-K122","price":899.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/qsc-k122_front_3.jpg?v=1695405410"},{"product_id":"cad-mixdown-x1-condenser-mic","title":"CAD Mixdown X1 Condenser Mic","description":"\u003cp\u003eThe MixDown Series of products by CAD Audio draws from nearly 80 years of professional audio expertise. CAD Audio sprung from its Conneaut, Ohio roots in 1938 introducing industry leading technology. The MixDown Series carries forward the tradition of high performance -high value solutions for your next recording session or live performance.\u003c\/p\u003e \n\n\u003cp\u003eThe MixDown X1 Studio Condenser Microphone features the Akos capsule that delivers full range studio fidelity and outstanding transient response. Perfect for vocals or to add warmth and depth to instrument recordings. The X1 delivers an articulate representation of instruments with its excellent transient response. The X1 is a perfect foundation for your microphone locker. The MixDown X1 is supplied with a studio quality shock mount.\u003c\/p\u003e","brand":"CAD Audio","offers":[{"title":"Default Title","offer_id":45588333756690,"sku":"CAD-X1","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/CAD_X1_0b51529d-77c7-4a2e-be30-360b169cfe65.jpg?v=1715099468"},{"product_id":"alesis-samplepad-4-drum-essentials-bundle","title":"Alesis SamplePad 4 DRUM ESSENTIALS BUNDLE","description":"\u003cp\u003eThe Alesis SamplePad 4 is an all-in-one percussion and sample-playing instrument. It comes equipped with four responsive, LED-illuminated rubber pads, dual zone trigger input, and eight preset kits. With a built-in library of the most commonly requested percussion and electronic drum sounds and the ability to load samples and loops, the only limit is your imagination. For even more flexibility, you can tune and add reverb to your sounds. Intuitive navigation makes it easy to browse through your kits and you can drag and drop your samples via USB on a Mac or PC without removing your SD card. The bright blue LED lighting is clearly visible in every setting.\u003c\/p\u003e\n","brand":"Alesis","offers":[{"title":"Default Title","offer_id":45588372881682,"sku":"ALE-SAMPLEPAD4DE","price":314.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/ale-samplepad4de.jpg?v=1695405559"},{"product_id":"alesis-samplepad-pro-drum-essentials-bundle","title":"Alesis SamplePad Pro DRUM ESSENTIALS BUNDLE","description":"\u003cp\u003eSamplePad Pro is the all-in-one percussion instrument that knows no bounds. Eight isolated and responsive pads. Hundreds of professionally recorded in-demand sounds. Full compatibility with all MIDI equipped pads, triggers, sequencers, and instruments. Plus, a direct USB connection to your computer and even a card slot for loading your own custom sounds. In short, SamplePad Pro is everything you are looking for in a pad-based instrument and more. \u003c\/p\u003e \n \n \u003cp\u003eThe backlit LCD panel and minimal controls combine to deliver an uncluttered appearance and intuitive access to all parameters. Up top are eight (6 + 2) expressive rubber pads that offer a fantastic feel designed to please every level of performer. Active blue LED illumination adds a hi-tech edge, while providing a powerful assist when playing under any type of stage lighting.\u003c\/p\u003e\n \n \u003cp\u003eThe SamplePad Pro has trigger inputs for two additional drum pads. Plus, there are Kick Drum and Hi-Hat pedal inputs. The Kick Drum pedal jack provides both switch and trigger options; the Hi-Hat pedal jack can be set for either switch or variable operation. Adding pads and pedals can transform your SamplePad Pro from a percussion powerhouse into a full-blown electronic drum kit for the on-the-go performer.\u003c\/p\u003e\n \u003cp\u003e\u003ci\u003e(A convenient module mounting kit is available. Sold seperately.)\u003c\/i\u003e\u003c\/p\u003e\n \n \u003cp\u003eWith SamplePad Pro, there is no limit to your sonic creativity. Built-in are over 200 carefully-crafted drum, cymbal, and percussion sounds, each created by the professional Alesis sound design team. Sounds are arranged into ten preset drum kits for instant access during performance. Plus, each sound offers individual access to key parameters such as pitch, panning, and reverb for customized control. And when that next \"must-have\" sound comes around, you can even use an SD card (up to 32GB) to store an additional 512 sounds and 89 custom kits. Finally, all of the internal sounds can be accessed via MIDI for maximum versatility.\u003c\/p\u003e\n \n \u003cp\u003eEquipped with a standard USB port, SamplePad Pro offers convenient single-cable connectivity with your computer. Standard 1\/4\" outputs provide a direct connection to an amplifier, sound system, audio interface, or recording setup. The headphone output allows for hours of uninterrupted private practice, or for isolated on-stage monitoring, and even features a dedicated volume control. As an added bonus, SamplePad Pro includes a stereo aux input, with level control so you can play along to your smartphone or MP3 player, rehearse the set list, or jam to your favorite tunes.\u003c\/p\u003e","brand":"Alesis","offers":[{"title":"Default Title","offer_id":45588373111058,"sku":"ALE-SAMPLEPADPRODE","price":509.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/ale-samplepadprode.jpg?v=1695405561"},{"product_id":"alesis-samplepad-pro-bonus-pak","title":"Alesis SamplePad Pro BONUS PAK","description":"\u003cp\u003eSamplePad Pro is the all-in-one percussion instrument that knows no bounds. Eight isolated and responsive pads. Hundreds of professionally recorded in-demand sounds. Full compatibility with all MIDI equipped pads, triggers, sequencers, and instruments. Plus, a direct USB connection to your computer and even a card slot for loading your own custom sounds. In short, SamplePad Pro is everything you are looking for in a pad-based instrument and more. \u003c\/p\u003e \n \n \u003cp\u003eThe backlit LCD panel and minimal controls combine to deliver an uncluttered appearance and intuitive access to all parameters. Up top are eight (6 + 2) expressive rubber pads that offer a fantastic feel designed to please every level of performer. Active blue LED illumination adds a hi-tech edge, while providing a powerful assist when playing under any type of stage lighting.\u003c\/p\u003e\n \n \u003cp\u003eThe SamplePad Pro has trigger inputs for two additional drum pads. Plus, there are Kick Drum and Hi-Hat pedal inputs. The Kick Drum pedal jack provides both switch and trigger options; the Hi-Hat pedal jack can be set for either switch or variable operation. Adding pads and pedals can transform your SamplePad Pro from a percussion powerhouse into a full-blown electronic drum kit for the on-the-go performer.\u003c\/p\u003e\n \u003cp\u003e\u003ci\u003e(A convenient module mounting kit is available. Sold seperately.)\u003c\/i\u003e\u003c\/p\u003e\n \n \u003cp\u003eWith SamplePad Pro, there is no limit to your sonic creativity. Built-in are over 200 carefully-crafted drum, cymbal, and percussion sounds, each created by the professional Alesis sound design team. Sounds are arranged into ten preset drum kits for instant access during performance. Plus, each sound offers individual access to key parameters such as pitch, panning, and reverb for customized control. And when that next \"must-have\" sound comes around, you can even use an SD card (up to 32GB) to store an additional 512 sounds and 89 custom kits. Finally, all of the internal sounds can be accessed via MIDI for maximum versatility.\u003c\/p\u003e\n \n \u003cp\u003eEquipped with a standard USB port, SamplePad Pro offers convenient single-cable connectivity with your computer. Standard 1\/4\" outputs provide a direct connection to an amplifier, sound system, audio interface, or recording setup. The headphone output allows for hours of uninterrupted private practice, or for isolated on-stage monitoring, and even features a dedicated volume control. As an added bonus, SamplePad Pro includes a stereo aux input, with level control so you can play along to your smartphone or MP3 player, rehearse the set list, or jam to your favorite tunes.\u003c\/p\u003e","brand":"Alesis","offers":[{"title":"Default Title","offer_id":45588373602578,"sku":"ALE-SAMPLEPADPROBP","price":399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/ale-samplepadprobp.jpg?v=1695405560"},{"product_id":"nord-pk27-27-key-midi-foot-pedal-board-performer-pak","title":"Nord PK27 27-Key MIDI Foot Pedal Board PERFORMER PAK","description":"\u003cp\u003eNord Pedal Keys 27 is a MIDI pedal board with 27 keys that is also equipped with an integrated swell pedal. The entire unit is housed in a sturdy aluminum chassis that makes it both lightweight and rugged. It communicates via MIDI and can be used with other MIDI compatible equipment.\u003c\/p\u003e\n\u003cp\u003eTo use it with a Nord Organ 3, just connect the MIDI on the Pedal Keys 27 to the Bass Pedal MIDI input on the \u003cmeta charset=\"utf-8\"\u003eOrgan 3 and activate the Bass section.\u003c\/p\u003e\n\u003cp\u003eThe long keys have a wooden finish and a length of 13.8\" to facilitate the use of proper toe-heel technique when playing. The short keys are colored gray in order to provide better visibility even in a very dark environment.\u003c\/p\u003e\n\u003cp\u003ePedal Keys 27's range is from C2 to D4 (MIDI notes 36 to 62) and transmits on MIDI channel 3. The swell pedal is easily mounted on the top panel, providing you with comfortable and direct access to this important functionality. The resistance of the pivotal travel of the pedal can be set by using two internal adjustment screws inside the pedal housing.\u003c\/p\u003e","brand":"Nord","offers":[{"title":"Default Title","offer_id":45588374257938,"sku":"AMS-PK27PP","price":3139.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/AMS-PK27PP.jpg?v=1695405558"},{"product_id":"audio-technica-at4040-cardioid-condenser-microphone-bonus-pak","title":"Audio-Technica AT4040 Cardioid Condenser Microphone BONUS PAK","description":"\u003cp\u003eThe AT4040 side-address condenser microphone features an advanced large diaphragm tensioned specifically to provide smooth, natural sonic characteristics. A marriage of technical precision and artistic inspiration, the AT4040 offers exceptionally low noise, wide dynamic range and high-SPL capability for greatest versatility. This ultra-consistent microphone may be used with confidence in a wide variety of studio and live miking applications, even under the stringent demands of digital recording systems. The AT4040's low-noise circuitry is symmetrical and transformerless, resulting in exceptional transient response and clean output signals for transparent reproduction of even the most troublesome of instruments and sound effects.\u003c\/p\u003e\n \n \u003cul\u003e\n \n \u003cli\u003eTechnically-advanced large diaphragm tensioned specifically to provide smooth, natural sonic characteristics\u003c\/li\u003e\n \n \u003cli\u003eExternally polarized (DC bias) true condenser design\u003c\/li\u003e\n \n \u003cli\u003eExceptionally low noise, wide dynamic range and high-SPL capability for greatest versatility\u003c\/li\u003e\n \n \u003cli\u003eTransformerless circuitry virtually eliminates low-frequency distortion and provides superior correlation of high-speed transients\u003c\/li\u003e\n \n \u003cli\u003ePrecision-machined, nickel-plated brass, acoustic element baffle provides enhanced element stability and optimal sensitivity\u003c\/li\u003e\n \n \u003cli\u003eOpen acoustical environment of the symmetrical housing assembly minimizes unwanted internal reflections\u003c\/li\u003e\n \n \u003cli\u003eState-of-the-art surface-mount electronics ensure compliance with A-T's stringent consistency and reliability standards\u003c\/li\u003e\n \n \u003cli\u003eCustom shock mount provides superior isolation\u003c\/li\u003e\n \n \u003cli\u003eSwitchable 80 Hz hi-pass filter and 10 dB pad\u003c\/li\u003e\n \n \u003c\/ul\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":45588374421778,"sku":"AT-AT4040IBP","price":358.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/at-at4040ibp.jpg?v=1695405850"},{"product_id":"audio-technica-ath-m50x-professional-monitor-headphones-white-bonus-pak","title":"Audio-Technica ATH-M50x Professional Monitor Headphones - White BONUS PAK","description":" ","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":45588375470354,"sku":"AT-ATHM50XWHBP","price":199.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/at-athm50xwhbp.jpg?v=1695405879"},{"product_id":"dave-smith-instruments-sequential-prophet-rev2-8-voice-synthesizer-stage-rig","title":"Dave Smith Instruments Sequential Prophet Rev2 8-Voice Synthesizer STAGE RIG","description":"\u003cp\u003eDave Smith Instruments Prophet Rev2 is Dave Smith's reimagining of the discontinued Prophet '08 polysynth, a modern classic that has appeared on countless recordings and stages since its debut in 2007. Prophet Rev2 retains all of the key features of the Prophet '08 and expands on them: it has twice the mod matrix, waveshape modulation on all waveforms, digital effects per layer in stacked or split voice mode, a polyphonic step sequencer per layer and more. The result is a true analog powerhouse.\u003c\/p\u003e\n \n \u003cp\u003eBest of all, you can download any of the many existing libraries of Prophet '08 sounds and they will not only sound identical, but can be enhanced with the new features.\u003c\/p\u003e\n \n \u003cp\u003e\u003cstrong\u003e8-voice polyphony\u003c\/strong\u003e\u003cbr\u003eWith 8 voices to play with, you have the freedom to allocate them as you wish. Play two-fisted chords, stack two 4-voice sounds for massive, complex textures or split the keyboard into two completely separate 4-voice instruments.\u003c\/p\u003e\n \n \u003cp\u003e\u003cstrong\u003eBold sound\u003c\/strong\u003e\u003cbr\u003eProphet Rev2 gets its bold, punchy sound from its 2- or 4-pole lowpass resonant Curtis filter. This is the same filter used not only in the Prophet '08 but also in many classic instruments of the 70s and 80s. A separate Audio Mod control adds additional harmonic complexity and movement.\u003c\/p\u003e\n \n \u003cp\u003e\u003cstrong\u003eWaveshape modulation\u003c\/strong\u003e\u003cbr\u003eA powerful new feature unique to Prophet Rev2 is waveshape modulation. You can now vary the 'pulse width' of any of the four waveforms (sawtooth, saw+tri, triangle, square). Using the Shape Mod control, you can manually dial in a desired waveshape width or use an LFO or other mod source for continuously shifting timbre. Even single-oscillator sounds take on new depth and dimension. The tonal possibilities are vast.\u003c\/p\u003e\n \n \u003cp\u003e\u003cstrong\u003eEffects per layer\u003c\/strong\u003e\u003cbr\u003eThe effects section provides reverb, delays (standard and BBD), chorus, phase shifter, ring modulation and distortion. In stacked or split voice mode you can apply a different effect to each layer. Effects parameters can be modulated through the Mod Matrix.\u003c\/p\u003e\n \n \u003cp\u003e\u003cstrong\u003eExtended mod matrix\u003c\/strong\u003e\u003cbr\u003eAlso present from its predecessor is an easy-to-assign Mod Matrix, now twice as big, with 8 individual slots and many more sources\/destinations. It's a veritable sound designer's playground.\u003c\/p\u003e\n \n \u003cp\u003e\u003cstrong\u003ePoly step sequencing\u003c\/strong\u003e\u003cbr\u003eThe polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create a different sequence for each layer when you are working in stacked or split voice mode, making it a powerful tool for composition or performance. The sequencer also functions as a modulation source in gated mode, allowing you to create up to 4 different 16-step sequences for complex modulation. Sequences allow ties and rests and can sync to an external MIDI clock. The arpeggiator features note repeats and re-latching and can be synced to external MIDI clock, as well.\u003c\/p\u003e\n \n \u003cp\u003e\u003cstrong\u003ePer-knob programmability\u003c\/strong\u003e\u003cbr\u003eThe knob-per-function front panel offers instant access to Prophet Rev2 functions. Included are 512 permanent factory programs and 512 rewritable user programs.\u003c\/p\u003e\n \n \u003cp\u003e\u003cstrong\u003eEminently playable\u003c\/strong\u003e\u003cbr\u003eAll of this polyphonic power is packed into a five-octave premium-quality semi-weighted keyboard with velocity and channel aftertouch. Other roadworthy features include an integrated power supply, USB support and a crisp OLED display, making the Prophet Rev2 an ideal instrument for gigging or recording and an analog powerhouse like no other.\u003c\/p\u003e","brand":"Sequential","offers":[{"title":"Default Title","offer_id":45588375503122,"sku":"DSI-REV208SR","price":2699.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/dsi-rev208sr.jpg?v=1695405563"},{"product_id":"alesis-samplepad-4-bonus-pak","title":"Alesis SamplePad 4 BONUS PAK","description":"\u003cp\u003eThe Alesis SamplePad 4 is an all-in-one percussion and sample-playing instrument. It comes equipped with four responsive, LED-illuminated rubber pads, dual zone trigger input, and eight preset kits. With a built-in library of the most commonly requested percussion and electronic drum sounds and the ability to load samples and loops, the only limit is your imagination. For even more flexibility, you can tune and add reverb to your sounds. Intuitive navigation makes it easy to browse through your kits and you can drag and drop your samples via USB on a Mac or PC without removing your SD card. The bright blue LED lighting is clearly visible in every setting.\u003c\/p\u003e","brand":"Alesis","offers":[{"title":"Default Title","offer_id":45588375765266,"sku":"ALE-SAMPLEPAD4BP","price":214.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/ale-samplepad4bp.jpg?v=1695405559"},{"product_id":"audio-technica-at4040-cardioid-condenser-microphone-studio-pak","title":"Audio-Technica AT4040 Cardioid Condenser Microphone STUDIO PAK","description":"\u003cp\u003eThe AT4040 side-address condenser microphone features an advanced large diaphragm tensioned specifically to provide smooth, natural sonic characteristics. A marriage of technical precision and artistic inspiration, the AT4040 offers exceptionally low noise, wide dynamic range and high-SPL capability for greatest versatility. This ultra-consistent microphone may be used with confidence in a wide variety of studio and live miking applications, even under the stringent demands of digital recording systems. The AT4040's low-noise circuitry is symmetrical and transformerless, resulting in exceptional transient response and clean output signals for transparent reproduction of even the most troublesome of instruments and sound effects.\u003c\/p\u003e\n \n \u003cul\u003e\n \n \u003cli\u003eTechnically-advanced large diaphragm tensioned specifically to provide smooth, natural sonic characteristics\u003c\/li\u003e\n \n \u003cli\u003eExternally polarized (DC bias) true condenser design\u003c\/li\u003e\n \n \u003cli\u003eExceptionally low noise, wide dynamic range and high-SPL capability for greatest versatility\u003c\/li\u003e\n \n \u003cli\u003eTransformerless circuitry virtually eliminates low-frequency distortion and provides superior correlation of high-speed transients\u003c\/li\u003e\n \n \u003cli\u003ePrecision-machined, nickel-plated brass, acoustic element baffle provides enhanced element stability and optimal sensitivity\u003c\/li\u003e\n \n \u003cli\u003eOpen acoustical environment of the symmetrical housing assembly minimizes unwanted internal reflections\u003c\/li\u003e\n \n \u003cli\u003eState-of-the-art surface-mount electronics ensure compliance with A-T's stringent consistency and reliability standards\u003c\/li\u003e\n \n \u003cli\u003eCustom shock mount provides superior isolation\u003c\/li\u003e\n \n \u003cli\u003eSwitchable 80 Hz hi-pass filter and 10 dB pad\u003c\/li\u003e\n \n \u003c\/ul\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":45588376191250,"sku":"AT-AT4040ISTP","price":369.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/at-at4040istp.jpg?v=1695405860"},{"product_id":"arturia-keystep-controller-and-sequencer-studio-kit","title":"Arturia KeyStep Controller and Sequencer STUDIO KIT","description":"\u003cp\u003eYou need a portable USB MIDI controller but also want a keyboard that provides a musical playing experience? You have some MIDI modules you want to connect as well but don't want the footprint of a large keyboard? You have modular and analog gear you want to control via CV\/gate? You want a step sequencer with polyphonic capability that can sync to your favorite modern and vintage gear? If only a single piece of gear could do all of this… Well, Arturia KeyStep does all this and more.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eSlim key keyboard action with aftertouch\u003c\/strong\u003e\u003cbr\u003eArturias 'slim key' keyboard action balances the best features of compact mini-keys with the musicality of full-sized keys. The size, velocity and aftertouch of this new design provide the freedom of portability without sacrificing playability.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eStep sequencer\u003c\/strong\u003e\u003cbr\u003eKeyStep also has a polyphonic step sequencer with 8 programmable memories that you can recall at the turn of knob. You can choose gate times and swing settings instantly to change the feel of your sequenced performance on the fly. You can record, overdub and transpose your sequences in real time and still play the keyboard live. Add a flexible and fun arpeggiator mode and chord play mode and you are set for hours of musical adventures.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eConnectivity\u003c\/strong\u003e\u003cbr\u003eThese features alone would make KeyStep the best portable keyboard controller on the market, but Arturia takes it further by giving you a wealth of connectivity options: USB MIDI, standard 5-pin MIDI in and out, clock sync and DIN sync jacks, and CV\/gate outputs, plus a separate, assignable modulation CV output that can be used with the mod wheel, velocity or aftertouch. To say KeyStep is an amazing little controller does not say enough. KeyStep is the perfect performance controller in a compact package.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eAdapts to your setup\u003c\/strong\u003e\u003cbr\u003eKeyStep was imagined and designed to become the modern musician's trump card. Whatever your setup, KeyStep will merge into it to overdrive your workflow and effectiveness. With KeyStep and its range of connections you can control any digital or analog synthesizer from the past, today and even tomorrow. Sequence them all!\u003c\/p\u003e","brand":"Arturia","offers":[{"title":"Default Title","offer_id":45588376355090,"sku":"ART-KEYSTEPSTK","price":152.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/art-keystepstk.jpg?v=1695405565"},{"product_id":"dave-smith-instruments-sequential-prophet-rev2-8-voice-synthesizer-cable-kit","title":"Dave Smith Instruments Sequential Prophet Rev2 8-Voice Synthesizer CABLE KIT","description":"\u003cp\u003eDave Smith Instruments Prophet Rev2 is Dave Smith's reimagining of the discontinued Prophet '08 polysynth, a modern classic that has appeared on countless recordings and stages since its debut in 2007. Prophet Rev2 retains all of the key features of the Prophet '08 and expands on them: it has twice the mod matrix, waveshape modulation on all waveforms, digital effects per layer in stacked or split voice mode, a polyphonic step sequencer per layer and more. The result is a true analog powerhouse.\u003c\/p\u003e\n \n \u003cp\u003eBest of all, you can download any of the many existing libraries of Prophet '08 sounds and they will not only sound identical, but can be enhanced with the new features.\u003c\/p\u003e\n \n \u003cp\u003e\u003cstrong\u003e8-voice polyphony\u003c\/strong\u003e\u003cbr\u003eWith 8 voices to play with, you have the freedom to allocate them as you wish. Play two-fisted chords, stack two 4-voice sounds for massive, complex textures or split the keyboard into two completely separate 4-voice instruments.\u003c\/p\u003e\n \n \u003cp\u003e\u003cstrong\u003eBold sound\u003c\/strong\u003e\u003cbr\u003eProphet Rev2 gets its bold, punchy sound from its 2- or 4-pole lowpass resonant Curtis filter. This is the same filter used not only in the Prophet '08 but also in many classic instruments of the 70s and 80s. A separate Audio Mod control adds additional harmonic complexity and movement.\u003c\/p\u003e\n \n \u003cp\u003e\u003cstrong\u003eWaveshape modulation\u003c\/strong\u003e\u003cbr\u003eA powerful new feature unique to Prophet Rev2 is waveshape modulation. You can now vary the 'pulse width' of any of the four waveforms (sawtooth, saw+tri, triangle, square). Using the Shape Mod control, you can manually dial in a desired waveshape width or use an LFO or other mod source for continuously shifting timbre. Even single-oscillator sounds take on new depth and dimension. The tonal possibilities are vast.\u003c\/p\u003e\n \n \u003cp\u003e\u003cstrong\u003eEffects per layer\u003c\/strong\u003e\u003cbr\u003eThe effects section provides reverb, delays (standard and BBD), chorus, phase shifter, ring modulation and distortion. In stacked or split voice mode you can apply a different effect to each layer. Effects parameters can be modulated through the Mod Matrix.\u003c\/p\u003e\n \n \u003cp\u003e\u003cstrong\u003eExtended mod matrix\u003c\/strong\u003e\u003cbr\u003eAlso present from its predecessor is an easy-to-assign Mod Matrix, now twice as big, with 8 individual slots and many more sources\/destinations. It's a veritable sound designer's playground.\u003c\/p\u003e\n \n \u003cp\u003e\u003cstrong\u003ePoly step sequencing\u003c\/strong\u003e\u003cbr\u003eThe polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create a different sequence for each layer when you are working in stacked or split voice mode, making it a powerful tool for composition or performance. The sequencer also functions as a modulation source in gated mode, allowing you to create up to 4 different 16-step sequences for complex modulation. Sequences allow ties and rests and can sync to an external MIDI clock. The arpeggiator features note repeats and re-latching and can be synced to external MIDI clock, as well.\u003c\/p\u003e\n \n \u003cp\u003e\u003cstrong\u003ePer-knob programmability\u003c\/strong\u003e\u003cbr\u003eThe knob-per-function front panel offers instant access to Prophet Rev2 functions. Included are 512 permanent factory programs and 512 rewritable user programs.\u003c\/p\u003e\n \n \u003cp\u003e\u003cstrong\u003eEminently playable\u003c\/strong\u003e\u003cbr\u003eAll of this polyphonic power is packed into a five-octave premium-quality semi-weighted keyboard with velocity and channel aftertouch. Other roadworthy features include an integrated power supply, USB support and a crisp OLED display, making the Prophet Rev2 an ideal instrument for gigging or recording and an analog powerhouse like no other.\u003c\/p\u003e","brand":"Sequential","offers":[{"title":"Default Title","offer_id":45588376486162,"sku":"DSI-REV208CK","price":2499.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/DSI-REV208CK_a87fe784-eae3-4b30-96d9-63ed80a5ba2e.jpg?v=1771957011"},{"product_id":"audio-technica-ath-e40-professional-in-ear-monitor-headphones-bonus-pak","title":"Audio-Technica ATH-E40 Professional In-Ear Monitor Headphones BONUS PAK","description":"\u003cp\u003eThe proprietary dual phase push-pull driver design of the ATH-E40 professional in-ear monitor headphones provides improved fidelity and efficiency. These headphones deliver powerful bass along with balanced mid and high frequencies to convey the full emotion of the music from the stage to the street.\u003c\/p\u003e\n \n \n \n \u003cp\u003eThe ATH-E40 features specially designed housings that provide incredible isolation. The isolation and the comfort are enhanced by the four sizes of included silicone ear-tips (XS\/S\/M\/L), which allow you to create a custom fit. The headphones also come with a detachable 1.6 m (5.2') cable, with newly developed A2DC (Audio Designed Detachable Coaxial) connectors at the headphones and a 3.5 mm (1\/8\") stereo mini-plug output, and a carrying case.\u003c\/p\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":45588376715538,"sku":"AT-ATHE40BP","price":139.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/AT-ATHE40BP.jpg?v=1695405563"},{"product_id":"hammond-xk-5-organ-cable-kit","title":"Hammond XK-5 Organ CABLE KIT","description":"\u003cstyle\u003e\u003c!--\n#flexy-wrapper {max-width: 960px; } \n\n.flexy-row {\n display: flex;\n flex-direction: row;\n justify-content: center;\nalign-items: center;\npadding-bottom: 8px;\n}\n\n.flexy-text-area {\n flex: 2; }\n\n.flexy-image-area {\n flex: 1; }\n\n.flexy-image-area img{\n width: 100%;\n max-height: 200px;\n }\n\n.hide-m2 {display: none;}\n.left-padding {padding-left: 3%;}\n.right-padding {padding-right: 3%;}\n.right-float {float: right;}\n\n\n\n\n\n@media only screen and (max-width: 768px) {\n\t\n.flexy-text-area {flex: 1;}\n.flexy-image-area {flex: 1;}\n.right-float {float: none; clear: both;}\n\n\n}\n\n\n\n\n\n@media only screen and (max-width: 450px) {\n\n.flexy-row {\n display: block;\n}\n\n.left-padding {padding-left: 0px;}\n.right-padding {padding-right: 0px;}\n.show-mobile {display: block;}\n.hide-mobile {display: none;}\n.flexy-image-area {margin-bottom: 5px;}\n\n\n\n}\n--\u003e\u003c\/style\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe HAMMOND B-3 organ and its siblings such as the C-3 and A-100 have been the single most influential keyboard instruments in musical history, perhaps apart from the acoustic piano. When paired with the spinning Leslie speaker, the HAMMOND's sonic versatility defined the electrified keyboard sound of genres from rock to soul to Gospel to jazz. This sound is as sought after today as ever. With the XK-5 Hammond is proud to announce that they've closed the final millimeters of the realism gap—in terms of both sound and feel—in a form factor that's far more portable and affordable than a vintage Hammond organ. \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFour full sets of Harmonic Drawbars plus pedal drawbars, just like on original Hammond console organs including the B-3.\u003c\/li\u003e\n\u003cli\u003e12 additional virtual tone wheels are devoted to harmonically complex pedal tones (i.e. more than just 16' and 8' sine waves), as found on Hammonds beginning in 1945.\u003c\/li\u003e\n\u003cli\u003eCustom tone wheel profiles available via download.\u003c\/li\u003e\n\u003cli\u003eOur best-ever Digital Leslie effect. Anything else is just a \"rotary simulator.\"\u003c\/li\u003e\n\u003cli\u003eContinuously variable Digital Leslie speed if desired.\u003c\/li\u003e\n\u003cli\u003eDedicated octave shift \/ transpose buttons.\u003c\/li\u003e\n\u003cli\u003eImproved DSP-based overdrive complemented by vacuum tube preamp.\u003c\/li\u003e\n\u003cli\u003eImproved vibrato-chorus.\u003c\/li\u003e\n\u003cli\u003eDedicated on\/off buttons and amount knobs for reverb, overdrive, and assignable multi-FX.\u003c\/li\u003e\n\u003cli\u003eLower B drawbars can alternately control 9 MIDI CC messages for external gear.\u003c\/li\u003e\n\u003cli\u003eLeft and right 1\/4\" outs can be used at the same time as Leslie output, for running the XK-5 through a real Leslie in parallel to stationary speakers, a subwoofer, or house P.A.\u003c\/li\u003e\n\u003cli\u003eMore key-triggering modes for pedal-to-lower coupler (Manual Bass function).\u003c\/li\u003e\n\u003cli\u003eFirmware updatable via USB flash drive or directly from computer.\u003c\/li\u003e\n\u003cli\u003eCrisp new OLED display is more readable under different lighting conditions\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"flexy-wrapper\"\u003e\n\u003cdiv class=\"flexy-row\"\u003e\n\u003cdiv class=\"flexy-image-area hide-this hide-m2 show-mobile\"\u003e\u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/pianos_keyboards\/hammond\/HAM-XK5\/inline2.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"flexy-text-area right-padding\"\u003e\n\u003cp\u003e\u003cstrong\u003eHybrid Multiple Key Contact System\u003c\/strong\u003e\u003cbr\u003e On classic Hammonds pressing a key closes nine mechanical contacts: one for each drawbar. Your ears usually hear the multiple harmonics as one note. Depress a key slowly, however, and you can hear the harmonics come in at slightly different times. Normal playing created a subtle \"slop\" between otherwise crisp attacks, and the more drawbars you pull out, the more of an almost subliminal but chewy and soulful character it impacts to the sound. One perhaps feels this more than hears it, but seasoned players certainly notice its absence.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"flexy-image-area hide-this hide-mobile\"\u003e\u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/pianos_keyboards\/hammond\/HAM-XK5\/inline2.jpg\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"flexy-row\"\u003e\n\u003cdiv class=\"flexy-image-area hide-this\"\u003e\u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/pianos_keyboards\/hammond\/HAM-XK5\/inline5.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"flexy-text-area left-padding\"\u003e\n\u003cp\u003e\u003cstrong\u003eAll-New Sound Engine\u003c\/strong\u003e\u003cbr\u003e The XK-5 employs new proprietary technology to recreate Hammond's storied tone wheel generator with unprecedented accuracy and flexibility. Tone wheels were spinning discs on shafts, each with its own pickup pointing at the edge. The pattern of \"teeth\" cut into the edge of the wheel and its rotational speed determined the pitch. Modeling and sampling are combined in an exclusive process to capture the frequencies of all 91 tone wheels found in the original organs, not to mention other important sonic details such as key click, harmonic percussion, vibrato-chorus, and more.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"flexy-row\"\u003e\n\u003cdiv class=\"flexy-image-area hide-this hide-m2 show-mobile\"\u003e\u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/pianos_keyboards\/hammond\/HAM-XK5\/inline1.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"flexy-text-area right-padding\"\u003e\n\u003cp\u003e\u003cb\u003eAdvanced Modeling\u003c\/b\u003e\u003cbr\u003e Tone wheel generators have become like rare violins or classic cars: Even though Hammond originally calibrated all instruments that left the factory to sound identical, no two are exactly alike after decades of use. So they've extended the programmability of both the overall generator characteristics (such as leakage and cross-talk between pickups) and individual tone wheel behavior (such as the purity of the sine wave) to almost ludicrous depths. In addition to letting you perfectly duplicate different conditions of Hammonds—from showroom-new to road-abused if that's what you're going for—there's the ability to recreate individual organs right down to the model, year, and serial number! Presets will capture the exact tonal qualities of famous artists' instruments, from jazz great Dr. Lonnie Smith to Chuck Leavell (The Rolling Stones) to Gregg Rolie (Santana, Journey) and more.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"flexy-image-area hide-this hide-mobile\"\u003e\u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/pianos_keyboards\/hammond\/HAM-XK5\/inline1.jpg\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"flexy-row\"\u003e\n\u003cdiv class=\"flexy-image-area hide-this\"\u003e\u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/pianos_keyboards\/hammond\/HAM-XK5\/inline10.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"flexy-text-area left-padding\"\u003e\n\u003cp\u003e\u003cstrong\u003eVirtual Matching Transformer:\u003c\/strong\u003e\u003cbr\u003e An often overlooked subtlety of the Hammond sound was that the tone wheels generated tiny voltages that needed to be stepped up, and you could be \"drawing on\" some of the same wheels at the same time by playing similar notes with similar drawbar settings on both manuals. All signals from the upper, lower, and pedal manuals passed through a matching transformer that was intended to even things out before the signal moved on to the preamp and vibrato-chorus scanner. The transformer could \"remember\" some of its saturation based on how hard it had been working previously, thus affecting new notes played. Physicists call this hysteresis. Musically speaking, it affects how much \"volume robbing\" you hear and adds to what Hammond aficionados think of as the \"breathing\" quality of the organ. In the XK-5, the matching transformer and its place in the signal chain is modeled precisely, and the saturation and hysteresis amounts are adjustable from barely-there to over-the-top.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\nPlease note, if you plan on attaching a Hammond XK-5 to the Hammond Model A-3 spindle stand you must use the Hammond Model A3 lower manual. The Hammond XLK-5 lower manual is not compatible with the Model A-3 spindle stand.\u003c\/div\u003e","brand":"Hammond","offers":[{"title":"Default Title","offer_id":45588376846610,"sku":"HAM-XK5CK","price":3900.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/ham-xk5ck_1.jpg?v=1695405586"},{"product_id":"cad-gxl2200sp-microphone-studio-pack-studio-essentials-bundle","title":"CAD GXL2200SP Condenser Microphone Studio Pack STUDIO ESSENTIALS BUNDLE","description":"\u003cp\u003eThe CAD Audio GXL2200SP Studio Pack contains one GXL2200 cardioid condenser, one GXL1200 cardioid condenser and one EPF15A pop filter. Shock mount and mic clip are included. P48 (48V) phantom power is required.\u003c\/p\u003e \n \n \u003cp\u003e\u003cstrong\u003eGXL2200 Cardioid Condenser Microphone\u003c\/strong\u003e\u003cbr\u003eThe GXL2200 is a large diameter, fixed cardioid pattern, condenser microphone. High sensitivity and low distortion make this microphone an ideal candidate for recording, broadcast, sound reinforcement including vocal and instrument applications. The capsule in the GXL2200 features a 1\" gold vapor deposited diaphragm.\u003c\/p\u003e \n \n \u003cp\u003e\u003cstrong\u003eGXL1200 Cardioid Condenser Microphone\u003c\/strong\u003e\u003cbr\u003ePackaged in a small, rugged, all-metal body, the compact and durable GXL1200 condenser microphone is known for its open, transparent sound. Its transformerless design reduces distortion and optimizes low-end response. A uniform cardioid pattern controls feedback. The GXL1200's small size, accuracy, and high SPL capability make it ideal for overhead miking, high hats, cymbals, and stringed instruments. \u003c\/p\u003e","brand":"CAD Audio","offers":[{"title":"Default Title","offer_id":45588376944914,"sku":"CAD-GXL2200SPSTE","price":299.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/CAD-GXL2200SPSTE.jpg?v=1695405557"},{"product_id":"hammond-xk-5-organ-stage-kit","title":"Hammond XK-5 Organ STAGE KIT","description":"\u003cstyle\u003e\u003c!--\n#flexy-wrapper {max-width: 960px; } \n\n.flexy-row {\n display: flex;\n flex-direction: row;\n justify-content: center;\nalign-items: center;\npadding-bottom: 8px;\n}\n\n.flexy-text-area {\n flex: 2; }\n\n.flexy-image-area {\n flex: 1; }\n\n.flexy-image-area img{\n width: 100%;\n max-height: 200px;\n }\n\n.hide-m2 {display: none;}\n.left-padding {padding-left: 3%;}\n.right-padding {padding-right: 3%;}\n.right-float {float: right;}\n\n\n\n\n\n@media only screen and (max-width: 768px) {\n\t\n.flexy-text-area {flex: 1;}\n.flexy-image-area {flex: 1;}\n.right-float {float: none; clear: both;}\n\n\n}\n\n\n\n\n\n@media only screen and (max-width: 450px) {\n\n.flexy-row {\n display: block;\n}\n\n.left-padding {padding-left: 0px;}\n.right-padding {padding-right: 0px;}\n.show-mobile {display: block;}\n.hide-mobile {display: none;}\n.flexy-image-area {margin-bottom: 5px;}\n\n\n\n}\n--\u003e\u003c\/style\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe HAMMOND B-3 organ and its siblings such as the C-3 and A-100 have been the single most influential keyboard instruments in musical history, perhaps apart from the acoustic piano. When paired with the spinning Leslie speaker, the HAMMOND's sonic versatility defined the electrified keyboard sound of genres from rock to soul to Gospel to jazz. This sound is as sought after today as ever. With the XK-5 Hammond is proud to announce that they've closed the final millimeters of the realism gap—in terms of both sound and feel—in a form factor that's far more portable and affordable than a vintage Hammond organ.  \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFour full sets of Harmonic Drawbars plus pedal drawbars, just like on original Hammond console organs including the B-3.\u003c\/li\u003e\n\u003cli\u003e12 additional virtual tone wheels are devoted to harmonically complex pedal tones (i.e. more than just 16' and 8' sine waves), as found on Hammonds beginning in 1945.\u003c\/li\u003e\n\u003cli\u003eCustom tone wheel profiles available via download.\u003c\/li\u003e\n\u003cli\u003eOur best-ever Digital Leslie effect. Anything else is just a \"rotary simulator.\"\u003c\/li\u003e\n\u003cli\u003eContinuously variable Digital Leslie speed if desired.\u003c\/li\u003e\n\u003cli\u003eDedicated octave shift \/ transpose buttons.\u003c\/li\u003e\n\u003cli\u003eImproved DSP-based overdrive complemented by vacuum tube preamp.\u003c\/li\u003e\n\u003cli\u003eImproved vibrato-chorus.\u003c\/li\u003e\n\u003cli\u003eDedicated on\/off buttons and amount knobs for reverb, overdrive, and assignable multi-FX.\u003c\/li\u003e\n\u003cli\u003eLower B drawbars can alternately control 9 MIDI CC messages for external gear.\u003c\/li\u003e\n\u003cli\u003eLeft and right 1\/4\" outs can be used at the same time as Leslie output, for running the XK-5 through a real Leslie in parallel to stationary speakers, a subwoofer, or house P.A.\u003c\/li\u003e\n\u003cli\u003eMore key-triggering modes for pedal-to-lower coupler (Manual Bass function).\u003c\/li\u003e\n\u003cli\u003eFirmware updatable via USB flash drive or directly from computer.\u003c\/li\u003e\n\u003cli\u003eCrisp new OLED display is more readable under different lighting conditions\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"flexy-wrapper\"\u003e\n\u003cdiv class=\"flexy-row\"\u003e\n\u003cdiv class=\"flexy-image-area hide-this hide-m2 show-mobile\"\u003e\u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/pianos_keyboards\/hammond\/HAM-XK5\/inline2.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"flexy-text-area right-padding\"\u003e\n\u003cp\u003e\u003cstrong\u003eHybrid Multiple Key Contact System\u003c\/strong\u003e\u003cbr\u003e On classic Hammonds pressing a key closes nine mechanical contacts: one for each drawbar. Your ears usually hear the multiple harmonics as one note. Depress a key slowly, however, and you can hear the harmonics come in at slightly different times. Normal playing created a subtle \"slop\" between otherwise crisp attacks, and the more drawbars you pull out, the more of an almost subliminal but chewy and soulful character it impacts to the sound. One perhaps feels this more than hears it, but seasoned players certainly notice its absence.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"flexy-image-area hide-this hide-mobile\"\u003e\u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/pianos_keyboards\/hammond\/HAM-XK5\/inline2.jpg\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"flexy-row\"\u003e\n\u003cdiv class=\"flexy-image-area hide-this\"\u003e\u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/pianos_keyboards\/hammond\/HAM-XK5\/inline5.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"flexy-text-area left-padding\"\u003e\n\u003cp\u003e\u003cstrong\u003eAll-New Sound Engine\u003c\/strong\u003e\u003cbr\u003e The XK-5 employs new proprietary technology to recreate Hammond's storied tone wheel generator with unprecedented accuracy and flexibility. Tone wheels were spinning discs on shafts, each with its own pickup pointing at the edge. The pattern of \"teeth\" cut into the edge of the wheel and its rotational speed determined the pitch. Modeling and sampling are combined in an exclusive process to capture the frequencies of all 91 tone wheels found in the original organs, not to mention other important sonic details such as key click, harmonic percussion, vibrato-chorus, and more.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"flexy-row\"\u003e\n\u003cdiv class=\"flexy-image-area hide-this hide-m2 show-mobile\"\u003e\u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/pianos_keyboards\/hammond\/HAM-XK5\/inline1.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"flexy-text-area right-padding\"\u003e\n\u003cp\u003e\u003cb\u003eAdvanced Modeling\u003c\/b\u003e\u003cbr\u003e Tone wheel generators have become like rare violins or classic cars: Even though Hammond originally calibrated all instruments that left the factory to sound identical, no two are exactly alike after decades of use. So they've extended the programmability of both the overall generator characteristics (such as leakage and cross-talk between pickups) and individual tone wheel behavior (such as the purity of the sine wave) to almost ludicrous depths. In addition to letting you perfectly duplicate different conditions of Hammonds—from showroom-new to road-abused if that's what you're going for—there's the ability to recreate individual organs right down to the model, year, and serial number! Presets will capture the exact tonal qualities of famous artists' instruments, from jazz great Dr. Lonnie Smith to Chuck Leavell (The Rolling Stones) to Gregg Rolie (Santana, Journey) and more.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"flexy-image-area hide-this hide-mobile\"\u003e\u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/pianos_keyboards\/hammond\/HAM-XK5\/inline1.jpg\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"flexy-row\"\u003e\n\u003cdiv class=\"flexy-image-area hide-this\"\u003e\u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/pianos_keyboards\/hammond\/HAM-XK5\/inline10.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"flexy-text-area left-padding\"\u003e\n\u003cp\u003e\u003cstrong\u003eVirtual Matching Transformer:\u003c\/strong\u003e\u003cbr\u003e An often overlooked subtlety of the Hammond sound was that the tone wheels generated tiny voltages that needed to be stepped up, and you could be \"drawing on\" some of the same wheels at the same time by playing similar notes with similar drawbar settings on both manuals. All signals from the upper, lower, and pedal manuals passed through a matching transformer that was intended to even things out before the signal moved on to the preamp and vibrato-chorus scanner. The transformer could \"remember\" some of its saturation based on how hard it had been working previously, thus affecting new notes played. Physicists call this hysteresis. Musically speaking, it affects how much \"volume robbing\" you hear and adds to what Hammond aficionados think of as the \"breathing\" quality of the organ. In the XK-5, the matching transformer and its place in the signal chain is modeled precisely, and the saturation and hysteresis amounts are adjustable from barely-there to over-the-top.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\nPlease note, if you plan on attaching a Hammond XK-5 to the Hammond Model A-3 spindle stand you must use the Hammond Model A3 lower manual. The Hammond XLK-5 lower manual is not compatible with the Model A-3 spindle stand.\u003c\/div\u003e","brand":"Hammond","offers":[{"title":"Default Title","offer_id":45588380385554,"sku":"HAM-XK5SK","price":3900.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/HAM-XK5SK_ed1f5e7c-2bc2-45b0-ba45-ce58be307f4f.jpg?v=1699908654"},{"product_id":"dave-smith-instruments-sequential-prophet-rev2-8-voice-synthesizer-carry-bag-kit","title":"Dave Smith Instruments Sequential Prophet Rev2 8-Voice Synthesizer CARRY BAG KIT","description":"\u003cp\u003eDave Smith Instruments Prophet Rev2 is Dave Smith's reimagining of the discontinued Prophet '08 polysynth, a modern classic that has appeared on countless recordings and stages since its debut in 2007. Prophet Rev2 retains all of the key features of the Prophet '08 and expands on them: it has twice the mod matrix, waveshape modulation on all waveforms, digital effects per layer in stacked or split voice mode, a polyphonic step sequencer per layer and more. The result is a true analog powerhouse.\u003c\/p\u003e\n \n \u003cp\u003eBest of all, you can download any of the many existing libraries of Prophet '08 sounds and they will not only sound identical, but can be enhanced with the new features.\u003c\/p\u003e\n \n \u003cp\u003e\u003cstrong\u003e8-voice polyphony\u003c\/strong\u003e\u003cbr\u003eWith 8 voices to play with, you have the freedom to allocate them as you wish. Play two-fisted chords, stack two 4-voice sounds for massive, complex textures or split the keyboard into two completely separate 4-voice instruments.\u003c\/p\u003e\n \n \u003cp\u003e\u003cstrong\u003eBold sound\u003c\/strong\u003e\u003cbr\u003eProphet Rev2 gets its bold, punchy sound from its 2- or 4-pole lowpass resonant Curtis filter. This is the same filter used not only in the Prophet '08 but also in many classic instruments of the 70s and 80s. A separate Audio Mod control adds additional harmonic complexity and movement.\u003c\/p\u003e\n \n \u003cp\u003e\u003cstrong\u003eWaveshape modulation\u003c\/strong\u003e\u003cbr\u003eA powerful new feature unique to Prophet Rev2 is waveshape modulation. You can now vary the 'pulse width' of any of the four waveforms (sawtooth, saw+tri, triangle, square). Using the Shape Mod control, you can manually dial in a desired waveshape width or use an LFO or other mod source for continuously shifting timbre. Even single-oscillator sounds take on new depth and dimension. The tonal possibilities are vast.\u003c\/p\u003e\n \n \u003cp\u003e\u003cstrong\u003eEffects per layer\u003c\/strong\u003e\u003cbr\u003eThe effects section provides reverb, delays (standard and BBD), chorus, phase shifter, ring modulation and distortion. In stacked or split voice mode you can apply a different effect to each layer. Effects parameters can be modulated through the Mod Matrix.\u003c\/p\u003e\n \n \u003cp\u003e\u003cstrong\u003eExtended mod matrix\u003c\/strong\u003e\u003cbr\u003eAlso present from its predecessor is an easy-to-assign Mod Matrix, now twice as big, with 8 individual slots and many more sources\/destinations. It's a veritable sound designer's playground.\u003c\/p\u003e\n \n \u003cp\u003e\u003cstrong\u003ePoly step sequencing\u003c\/strong\u003e\u003cbr\u003eThe polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create a different sequence for each layer when you are working in stacked or split voice mode, making it a powerful tool for composition or performance. The sequencer also functions as a modulation source in gated mode, allowing you to create up to 4 different 16-step sequences for complex modulation. Sequences allow ties and rests and can sync to an external MIDI clock. The arpeggiator features note repeats and re-latching and can be synced to external MIDI clock, as well.\u003c\/p\u003e\n \n \u003cp\u003e\u003cstrong\u003ePer-knob programmability\u003c\/strong\u003e\u003cbr\u003eThe knob-per-function front panel offers instant access to Prophet Rev2 functions. Included are 512 permanent factory programs and 512 rewritable user programs.\u003c\/p\u003e\n \n \u003cp\u003e\u003cstrong\u003eEminently playable\u003c\/strong\u003e\u003cbr\u003eAll of this polyphonic power is packed into a five-octave premium-quality semi-weighted keyboard with velocity and channel aftertouch. Other roadworthy features include an integrated power supply, USB support and a crisp OLED display, making the Prophet Rev2 an ideal instrument for gigging or recording and an analog powerhouse like no other.\u003c\/p\u003e","brand":"Sequential","offers":[{"title":"Default Title","offer_id":45588380680466,"sku":"DSI-REV208CBK","price":2539.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/DSI-REV208CBK_79182381-1c1d-4391-9f6c-bf849623da3b.jpg?v=1717528282"},{"product_id":"hosa-dib-443-sidekick-passive-di-box-performer-pak","title":"Hosa DIB-443 Sidekick Passive DI Box PERFORMER PAK","description":"\u003cp\u003eThe Sidekick Passive DI Box by Hosa Technology makes it easy to connect your guitar, bass, or keyboard directly to a mixing console! It features an isolation transformer that transforms an instrument-level signal to a line-level signal. It works with each of the following:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eElectric guitars, basses, and keyboards\u003c\/li\u003e\n\u003cli\u003ePedal effects and effects processors\u003c\/li\u003e\n\u003cli\u003eAny electronic musical instrument with a mono phone output\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eUse the Sidekick to \"go direct\" for a pure, clean, noise-free tone that is perfect for Digital Signal Processing (DSP) or throw the INST\/SPKR switch to SPKR position to allow your amp to drive the line for a natural, overdriven tone. Either way, it's your sound - all of it!\u003c\/p\u003e","brand":"HOSA","offers":[{"title":"Default Title","offer_id":45588381368594,"sku":"HOS-DIB443PP","price":55.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/HOS-DIB443PP_e11576b8-5f50-4049-965b-33f81870fc92.jpg?v=1698074507"},{"product_id":"hammond-xk-5-heritage-pro-system-ultra-bundle","title":"Hammond XK-5 Heritage Pro System ULTRA BUNDLE","description":"\u003cdiv\u003e\n\u003cp\u003eThe HAMMOND B-3 organ and its siblings such as the C-3 and A-100 have been the single most influential keyboard instruments in musical history, perhaps apart from the acoustic piano. When paired with the spinning Leslie speaker, the HAMMOND's sonic versatility defined the electrified keyboard sound of genres from rock to soul to Gospel to jazz. This sound is as sought after today as ever. This system is for touring musicians who want the sounds and appearance B-3, but in a more portable, versatile instrument.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFour full sets of Harmonic Drawbars plus pedal drawbars, just like on original Hammond console organs including the B-3.\u003c\/li\u003e\n\u003cli\u003e12 additional virtual tone wheels are devoted to harmonically complex pedal tones (i.e. more than just 16' and 8' sine waves), as found on Hammonds beginning in 1945.\u003c\/li\u003e\n\u003cli\u003eCustom tone wheel profiles available via download.\u003c\/li\u003e\n\u003cli\u003eThe best-ever Digital Leslie effect. Anything else is just a \"rotary simulator.\"\u003c\/li\u003e\n\u003cli\u003eContinuously variable Digital Leslie speed if desired.\u003c\/li\u003e\n\u003cli\u003eDedicated octave shift \/ transpose buttons.\u003c\/li\u003e\n\u003cli\u003eImproved DSP-based overdrive complemented by vacuum tube preamp.\u003c\/li\u003e\n\u003cli\u003eImproved vibrato-chorus.\u003c\/li\u003e\n\u003cli\u003eDedicated on\/off buttons and amount knobs for reverb, overdrive, and assignable multi-FX.\u003c\/li\u003e\n\u003cli\u003eLower B drawbars can alternately control 9 MIDI CC messages for external gear.\u003c\/li\u003e\n\u003cli\u003eLeft and right 1\/4\" outs can be used at the same time as Leslie output, for running the XK-5 through a real Leslie in parallel to stationary speakers, a subwoofer, or house P.A.\u003c\/li\u003e\n\u003cli\u003eMore key-triggering modes for pedal-to-lower coupler (Manual Bass function).\u003c\/li\u003e\n\u003cli\u003eFirmware updatable via USB flash drive or directly from computer.\u003c\/li\u003e\n\u003cli\u003eCrisp new OLED display is more readable under different lighting conditions\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"flexy-wrapper\"\u003e\n\u003cdiv class=\"flexy-row\"\u003e\n\u003cdiv class=\"flexy-image-area hide-this hide-m2 show-mobile\"\u003e\u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/pianos_keyboards\/hammond\/HAM-XK5\/inline5.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"flexy-text-area right-padding\"\u003e\n\u003cp\u003e\u003cb\u003eHammond XK-5 Drawbar Organ\u003c\/b\u003e\u003cbr\u003eThe most versatile organ\/keyboard anywhere. For all practical purposes, the XK-5 is the “Upper Manual\" of a B-3. All the familiar ingredients are there. Reverse Presets, Chorus- Vibrato on the left, Percussion on the right. A 2-tube preamp, and full MIDI controller capability are just a few of the features of this beast. The nameplate says \"XK-5\" but play it, and you’ll think \"B-3\".\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"flexy-image-area hide-this hide-mobile\"\u003e\u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/pianos_keyboards\/hammond\/HAM-XK5\/inline5.jpg\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"flexy-row\"\u003e\n\u003cdiv class=\"flexy-image-area hide-this\"\u003e\u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/pianos_keyboards\/hammond\/HAM-XK5\/inline10.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"flexy-text-area left-padding\"\u003e\n\u003cp\u003e\u003cb\u003eXLK-5 Lower Manual\u003c\/b\u003e\u003cbr\u003eThe XLK-5 lower manual uses the same key-bed and multi-contact system as the XK-5. It features the same high-quality cabinetry, with vertically extended side panels designed to cradle your XK-5. Remove the existing side panels from the main unit (a quick and simple operation), slide it into place, and you have an integrated dual-manual rig with a seamless appearance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"flexy-row\"\u003e\n\u003cdiv class=\"flexy-image-area hide-this hide-m2 show-mobile\"\u003e\u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/pianos_keyboards\/hammond\/HAM-XK5\/inline14.png\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"flexy-text-area right-padding\"\u003e\n\u003cp\u003e\u003cb\u003eXK Pro Stand (Black)\u003c\/b\u003e\u003cbr\u003eSturdy and well built, this stand holds the XK-5 and lower manual at an appropriate height for comfortable and ideal play.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"flexy-image-area hide-this hide-mobile\"\u003e\u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/pianos_keyboards\/hammond\/HAM-XK5\/inline14.png\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"flexy-row\"\u003e\n\u003cdiv class=\"flexy-image-area hide-this\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/red-pedal-board.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"flexy-text-area left-padding\"\u003e\n\u003cp\u003e\u003cb\u003eXPK-250W 25-Note Pedal Board\u003c\/b\u003e\u003cbr\u003eFor players who kick bass, the XPK-250 two-octave radiating pedalboard is included to provide you with a 25-note pedal board, and an on-board EXP-250 expression pedal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"flexy-row\"\u003e\n\u003cdiv class=\"flexy-image-area hide-this hide-m2 show-mobile\"\u003e\u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/pianos_keyboards\/hammond\/HAM-XK5\/inline16.png\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"flexy-text-area right-padding\"\u003e\n\u003cp\u003e\u003cb\u003ePro XK-System Bench (Black)\u003c\/b\u003e\u003cbr\u003eSit comfortably at the correct level with this collapsable bench. Made out of the same materials used on the other components to match the style. Dimensions: Width 36\", Depth 14-1\/2\", Height 23\" , Weight 30 lbs\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"flexy-image-area hide-this hide-mobile\"\u003e\u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/pianos_keyboards\/hammond\/HAM-XK5\/inline16.png\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Hammond","offers":[{"title":"Default Title","offer_id":45588382023954,"sku":"HAM-XK5HPROSYSUB","price":14315.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/HAM-XK5HPROSYSUB_398f47ae-6c89-465b-93b9-e039f53743d9.jpg?v=1765828886"},{"product_id":"focusrite-scarlett-octopre-cable-kit","title":"Focusrite Scarlett OctoPre CABLE KIT","description":"\u003cp\u003e\u003cstrong\u003eExpand your studio via ADAT with eight 2nd generation Scarlett mic preamps\u003c\/strong\u003e\u003cbr\u003eScarlett OctoPre is the ideal 8-channel expansion for any Scarlett or other digital interface with ADAT inputs. ADAT is a simple and easy way of increasing the number of simultaneous recording channels available in your studio. With eight channels of Focusrite's 2nd generation Scarlett preamps and precision A-D conversion at sample rates up to 192 kHz, Scarlett OctoPre is the ideal way of increasing the number of inputs in your studio. It also offers eight balanced line outputs, sourced directly from their respective mic preamps for use on stage in a live environment.\u003c\/p\u003e\n\n\u003cp\u003eEight natural-sounding 2nd generation Scarlett mic\/line inputs deliver high headroom, plenty of clean gain, low noise and minimal distortion – ideal for tracking drums as well guitars, keyboards, vocals and more. The front panel features two newly-designed instrument inputs with extended headroom. ADAT outputs let you connect to any interface or digital system with ADAT optical inputs, and analog line outputs let you feed an analog console at the same time as recording with the digital outputs.\u003c\/p\u003e\n\n\u003cul class=\"disc\"\u003e\n\n\u003cli\u003eEight natural-sounding 2nd generation Scarlett mic preamps\u003c\/li\u003e\n\u003cli\u003eEight balanced line inputs\u003c\/li\u003e\n\u003cli\u003eFocusrite precision A-D conversion up to sample rates of 192 kHz\u003c\/li\u003e \n\u003cli\u003eDual front-panel instrument inputs\u003c\/li\u003e \n\u003cli\u003ePad on every channel for extra headroom - ideal for loud sources such as drums\u003c\/li\u003e\n\u003cli\u003eEight balanced line outputs - ideal for live use \u003c\/li\u003e\n\u003cli\u003eAccurate 5-segment LED input metering \u003c\/li\u003e\n\u003cli\u003eSimple ADAT connectivity via optical cables \u003c\/li\u003e\n\u003cli\u003e48V Phantom power available on every channel for condenser mics \u003c\/li\u003e\n\u003cli\u003eState-of-the-art digital clocking with Word Clock I\/O and JetPLL jitter elimination\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\u003ch3 class=\"pdp_heading\"\u003eHitmaker Expansion\u003c\/h3\u003e\n\n\u003cp\u003eScarlett products include the Hitmaker Expansion, an incredibly comprehensive and powerful plug-in bundle. Create studio quality vocals, powerful guitars, luscious keys and huge drums, then mix and master with iconic Focusrite studio hardware – all in the box.\u003c\/p\u003e\n\n\u003cul class=\"disc\"\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eAntares Auto-Tune Access\u003c\/strong\u003e – Allows everything from natural sounding, near-real-time pitch adjustment for getting the best vocal takes to lightning-fast hip-hop-inspired pitching for adding a whole new sound to your tracks.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSoftube Marshall Silver Jubilee 2555\u003c\/strong\u003e – The modern evolution of the iconic JCM800, brought to you by analog modeling experts Softube. Silver Jubilee offers everything from warm cleans through classic crunch and up to modern high-gain tube amp sounds.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNative Instruments Massive\u003c\/strong\u003e – Want to add some real drama to your track? Massive from Native Instruments is all about the big synth sounds, from huge bass to scorching leads. This high-end engine delivers stunning quality and an expansive universe of sounds to power and inspire your music. If deep-diving into synthesis is not on your radar, there’s over 1300 production-ready that you can use as-is or fine tune to perfection.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLandr Studio, plus five free masters\u003c\/strong\u003e – Produce and release your best work with two months' access to Landr Studio as well as five free masters you can use even when your two-month subscription is over. Landr Studio provides everything you need to mix and master your tracks, including unlimited MP3 mastering and unlimited distribution on streaming platforms such as Spotify, Apple Music, YouTube Music, TikTok and many more.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBrainworx Bx_console Focusrite SC\u003c\/strong\u003e – The preamps that made Focusrite what it is today to your music. No other plug-in offers the unique character of the iconic large format console with ISA 110 preamps – the origin of the famous 'air' we still hear on Focusrite interfaces today. Bx_console Focusrite SC is a full channel strip, offering EQ, de-esser, compressor, limiter, gate and expander.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFocusrite Red 2 \u0026amp; 3 Plug-in Suite\u003c\/strong\u003e – Featuring a pair of meticulously captured digital models of the truly iconic EQ and compressors which have made the Focusrite name a staple in world-class facilities across the globe. If you've kept up with major releases over the last 30 years, you've heard Red 2 and 3.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eXLN Audio Addictive Keys\u003c\/strong\u003e – Add beautifully captured piano to your tracks with the choice of one of four professional-sounding models from Steinway, Yamaha and the classic Rhodes. Plug in your MIDI controller and play; instantly be transported to a professional recording studio set up to capture one of these beautiful pianos – right from your studio.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eXLN Audio Addictive Drums 2: Studio Rock\u003c\/strong\u003e – Add the sounds of a pro drummer to your songs easily. Featuring expertly captured samples from high-end Tama and Pearl drums. and Paiste and Sabian cymbals recorded at Decibel Studios in Stockholm.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRelab LX480 Essentials\u003c\/strong\u003e – Get four reverbs modeled on The Hit Factory NYC's reverb unit and used on countless hits. LX480 Essentials gives you the sounds of a studio which has played host to names from Springsteen, the Stones and Kool \u0026amp; the Gang to The Weeknd, Pharell, Katy Perry and everyone in between.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFast Balancer\u003c\/strong\u003e – When you want the fast track to a solid mix, Fast Balancer accelerates the mix process using powerful AI that listens to your instrument or vocal tracks and serves up three selectable options to enhance the track and help them shine in the mix.\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\u003cp\u003eThe Hitmaker Expansion is available to every newly registered Scarlett OctoPre user and is built to get you creating records immediately. These are all the tools you need to write, produce, mix and master your music in studio quality.\u003c\/p\u003e\n\n\u003ch3 class=\"pdp_heading\"\u003eThree-month Avid Pro Tools Artist subscription with Complete Plugin Bundle included\u003c\/h3\u003e\n\n\u003cp\u003eRecord and produce bigger and better studio-grade tracks with Pro Tools Artist and Avid's Complete Plugin Bundle with all the effects and plug-ins you need to write, mix and master your productions. At the end of the three-month subscription, you can purchase an annual subscription with 25% off Pro Tools Artist or 33% off Pro Tools Studio. Both plans include the Complete Plugin Bundle..\u003c\/p\u003e\n\n\u003ch3 class=\"pdp_heading\"\u003eAbleton Live Lite included\u003c\/h3\u003e\n\n\u003cp\u003eQuickly organize and arrange your sounds and start making tracks with this staple electronic music-making digital audio workstation software. The iconic DAW gives you everything you need to get started including instruments, effects and Live’s trademark clip and scene launching for taking ideas further or performance.\u003c\/p\u003e\n\n\u003ch3 class=\"pdp_heading\"\u003eThree-month Splice Sounds subscription included\u003c\/h3\u003e\n\n\u003cp\u003eFocusrite partnered with Splice to give third-generation interface owners a free 3-month Splice Sounds subscription when setting up a new Splice account. Splice Sounds offers millions of high-quality, royalty-free one-shots, loops and presets with new releases daily from your favorite producers, sound designers and artists.\u003c\/p\u003e\n\n\u003ch3 class=\"pdp_heading\"\u003eEnjoy three years of warranty\u003c\/h3\u003e\n\n\u003cp\u003eWherever you happen to be in the world, you can rely on a 3-year warranty if any Focusrite hardware needs repairing or replacing due to a manufacturing fault.\u003c\/p\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":45588382417170,"sku":"FOC-SCRLTOCTOPRECK","price":579.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/FOC-SCRLTOCTOPRECK.jpg?v=1695405887"},{"product_id":"audio-technica-ath-m50x-professional-monitor-headphones-bonus-pak","title":"Audio-Technica ATH-M50x Professional Monitor Headphones BONUS PAK","description":"\u003cp\u003eAs the most critically acclaimed model in the M-Series line, the ATH-M50 is praised by top audio engineers and pro audio reviewers year after year. Now, the ATH-M50x professional monitor headphones feature the same coveted sonic signature, with the added feature of detachable cables. From the large aperture drivers, sound isolating ear-cups and robust construction, the M50x provides an unmatched experience for the most critical audio professionals.\u003c\/p\u003e \n\n\u003cp\u003e\u003cstrong\u003eMore About the M-Series Headphones\u003c\/strong\u003e \u003cbr\u003e\nCritically acclaimed M-Series professional monitor headphones deliver accurate audio and outstanding comfort, perfect for long sessions in the studio and on the go. Contoured ear-cups seal tight for excellent sound isolation, with minimal bleed. And the pro-grade materials are durable, yet comfortable. Find out why online reviewers, top audio engineers, and cult followers agree, M-Series is an unmatched combination of audio and build-quality that gets the job done. Hour after hour, year after year.\u003c\/p\u003e \n\n\u003cul\u003e \n\u003cli\u003eCritically acclaimed sonic performance praised by top audio engineers and pro audio reviewers\u003c\/li\u003e \n\u003cli\u003eProprietary 45 mm large-aperture drivers with rare earth magnets and copper-clad aluminum wire voice coils\u003c\/li\u003e \n\u003cli\u003eExceptional clarity throughout an extended frequency range, with deep, accurate bass response\u003c\/li\u003e \n\u003cli\u003eCircumaural design contours around the ears for excellent sound isolation in loud environments\u003c\/li\u003e \n\u003cli\u003e90° swiveling ear-cups for easy, one-ear monitoring\u003c\/li\u003e \n\u003cli\u003eConvenient single-side cable exit\u003c\/li\u003e \n\u003cli\u003eCollapsible for space-saving portability\u003c\/li\u003e \n\u003cli\u003eTop choice for studio tracking and mixing, as well as DJ monitoring and personal listening\u003c\/li\u003e \n\u003cli\u003eDriver Diameter: 45 mm \u003c\/li\u003e \n\u003cli\u003eMagnet: Neodymium \u003c\/li\u003e \n\u003cli\u003eVoice Coil: Copper-clad aluminum wire \u003c\/li\u003e \n\u003cli\u003eFrequency Response: 15-28,000 Hz \u003c\/li\u003e \n\u003cli\u003eMaximum Input Power: 1,600 mW at 1kHz \u003c\/li\u003e \n\u003cli\u003eSensitivity: 99 dB \u003c\/li\u003e \n\u003cli\u003eImpedance: 38 ohms \u003c\/li\u003e \n\u003cli\u003eWeight: 285 g (8.5 oz), w\/o cable and connector \u003c\/li\u003e \n\u003cli\u003eCables: detachable 1.2 m - 3.0 m (3.9' - 9.8') coiled cable, detachable 3.0 m (9.8') straight cable and detachable 1.2 m (3.9') straight cable\u003c\/li\u003e \n\u003cli\u003eAccessory Included: 6.3 mm (1\/4\") snap-on adapter, protective carrying pouch \u003c\/li\u003e \n\u003c\/ul\u003e ","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":45588384973074,"sku":"AT-ATHM50XBP","price":184.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/at-athm50xbp.jpg?v=1695405881"},{"product_id":"hammond-xk-5-organ-dual-manual-stage-essentials-bundle","title":"Hammond XK-5 Organ Dual Manual STAGE ESSENTIALS BUNDLE","description":"\u003cstyle\u003e\u003c!--\n#flexy-wrapper {max-width: 960px; } \n\n.flexy-row {\n display: flex;\n flex-direction: row;\n justify-content: center;\nalign-items: center;\npadding-bottom: 8px;\n}\n\n.flexy-text-area {\n flex: 2; }\n\n.flexy-image-area {\n flex: 1; }\n\n.flexy-image-area img{\n width: 100%;\n max-height: 200px;\n }\n\n.hide-m2 {display: none;}\n.left-padding {padding-left: 3%;}\n.right-padding {padding-right: 3%;}\n.right-float {float: right;}\n\n\n\n\n\n@media only screen and (max-width: 768px) {\n\t\n.flexy-text-area {flex: 1;}\n.flexy-image-area {flex: 1;}\n.right-float {float: none; clear: both;}\n\n\n}\n\n\n\n\n\n@media only screen and (max-width: 450px) {\n\n.flexy-row {\n display: block;\n}\n\n.left-padding {padding-left: 0px;}\n.right-padding {padding-right: 0px;}\n.show-mobile {display: block;}\n.hide-mobile {display: none;}\n.flexy-image-area {margin-bottom: 5px;}\n\n\n\n}\n--\u003e\u003c\/style\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe HAMMOND B-3 organ and its siblings such as the C-3 and A-100 have been the single most influential keyboard instruments in musical history, perhaps apart from the acoustic piano. When paired with the spinning Leslie speaker, the HAMMOND's sonic versatility defined the electrified keyboard sound of genres from rock to soul to Gospel to jazz. This sound is as sought after today as ever. With the XK-5 Hammond is proud to announce that they've closed the final millimeters of the realism gap—in terms of both sound and feel—in a form factor that's far more portable and affordable than a vintage Hammond organ.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFour full sets of Harmonic Drawbars plus pedal drawbars, just like on original Hammond console organs including the B-3.\u003c\/li\u003e\n\u003cli\u003e12 additional virtual tone wheels are devoted to harmonically complex pedal tones (i.e. more than just 16' and 8' sine waves), as found on Hammonds beginning in 1945.\u003c\/li\u003e\n\u003cli\u003eCustom tone wheel profiles available via download.\u003c\/li\u003e\n\u003cli\u003eOur best-ever Digital Leslie effect. Anything else is just a \"rotary simulator.\"\u003c\/li\u003e\n\u003cli\u003eContinuously variable Digital Leslie speed if desired.\u003c\/li\u003e\n\u003cli\u003eDedicated octave shift \/ transpose buttons.\u003c\/li\u003e\n\u003cli\u003eImproved DSP-based overdrive complemented by vacuum tube preamp.\u003c\/li\u003e\n\u003cli\u003eImproved vibrato-chorus.\u003c\/li\u003e\n\u003cli\u003eDedicated on\/off buttons and amount knobs for reverb, overdrive, and assignable multi-FX.\u003c\/li\u003e\n\u003cli\u003eLower B drawbars can alternately control 9 MIDI CC messages for external gear.\u003c\/li\u003e\n\u003cli\u003eLeft and right 1\/4\" outs can be used at the same time as Leslie output, for running the XK-5 through a real Leslie in parallel to stationary speakers, a subwoofer, or house P.A.\u003c\/li\u003e\n\u003cli\u003eMore key-triggering modes for pedal-to-lower coupler (Manual Bass function).\u003c\/li\u003e\n\u003cli\u003eFirmware updatable via USB flash drive or directly from computer.\u003c\/li\u003e\n\u003cli\u003eCrisp new OLED display is more readable under different lighting conditions\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"flexy-wrapper\"\u003e\n\u003cdiv class=\"flexy-row\"\u003e\n\u003cdiv class=\"flexy-image-area hide-this hide-m2 show-mobile\"\u003e\u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/pianos_keyboards\/hammond\/HAM-XK5\/inline2.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"flexy-text-area right-padding\"\u003e\n\u003cp\u003e\u003cstrong\u003eHybrid Multiple Key Contact System\u003c\/strong\u003e\u003cbr\u003e On classic Hammonds pressing a key closes nine mechanical contacts: one for each drawbar. Your ears usually hear the multiple harmonics as one note. Depress a key slowly, however, and you can hear the harmonics come in at slightly different times. Normal playing created a subtle \"slop\" between otherwise crisp attacks, and the more drawbars you pull out, the more of an almost subliminal but chewy and soulful character it impacts to the sound. One perhaps feels this more than hears it, but seasoned players certainly notice its absence.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"flexy-image-area hide-this hide-mobile\"\u003e\u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/pianos_keyboards\/hammond\/HAM-XK5\/inline2.jpg\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"flexy-row\"\u003e\n\u003cdiv class=\"flexy-image-area hide-this\"\u003e\u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/pianos_keyboards\/hammond\/HAM-XK5\/inline5.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"flexy-text-area left-padding\"\u003e\n\u003cp\u003e\u003cstrong\u003eAll-New Sound Engine\u003c\/strong\u003e\u003cbr\u003e The XK-5 employs new proprietary technology to recreate Hammond's storied tone wheel generator with unprecedented accuracy and flexibility. Tone wheels were spinning discs on shafts, each with its own pickup pointing at the edge. The pattern of \"teeth\" cut into the edge of the wheel and its rotational speed determined the pitch. Modeling and sampling are combined in an exclusive process to capture the frequencies of all 91 tone wheels found in the original organs, not to mention other important sonic details such as key click, harmonic percussion, vibrato-chorus, and more.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"flexy-row\"\u003e\n\u003cdiv class=\"flexy-image-area hide-this hide-m2 show-mobile\"\u003e\u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/pianos_keyboards\/hammond\/HAM-XK5\/inline1.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"flexy-text-area right-padding\"\u003e\n\u003cp\u003e\u003cb\u003eAdvanced Modeling\u003c\/b\u003e\u003cbr\u003e Tone wheel generators have become like rare violins or classic cars: Even though Hammond originally calibrated all instruments that left the factory to sound identical, no two are exactly alike after decades of use. So they've extended the programmability of both the overall generator characteristics (such as leakage and cross-talk between pickups) and individual tone wheel behavior (such as the purity of the sine wave) to almost ludicrous depths. In addition to letting you perfectly duplicate different conditions of Hammonds—from showroom-new to road-abused if that's what you're going for—there's the ability to recreate individual organs right down to the model, year, and serial number! Presets will capture the exact tonal qualities of famous artists' instruments, from jazz great Dr. Lonnie Smith to Chuck Leavell (The Rolling Stones) to Gregg Rolie (Santana, Journey) and more.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"flexy-image-area hide-this hide-mobile\"\u003e\u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/pianos_keyboards\/hammond\/HAM-XK5\/inline1.jpg\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"flexy-row\"\u003e\n\u003cdiv class=\"flexy-image-area hide-this\"\u003e\u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/pianos_keyboards\/hammond\/HAM-XK5\/inline10.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"flexy-text-area left-padding\"\u003e\n\u003cp\u003e\u003cstrong\u003eVirtual Matching Transformer:\u003c\/strong\u003e\u003cbr\u003e An often overlooked subtlety of the Hammond sound was that the tone wheels generated tiny voltages that needed to be stepped up, and you could be \"drawing on\" some of the same wheels at the same time by playing similar notes with similar drawbar settings on both manuals. All signals from the upper, lower, and pedal manuals passed through a matching transformer that was intended to even things out before the signal moved on to the preamp and vibrato-chorus scanner. The transformer could \"remember\" some of its saturation based on how hard it had been working previously, thus affecting new notes played. Physicists call this hysteresis. Musically speaking, it affects how much \"volume robbing\" you hear and adds to what Hammond aficionados think of as the \"breathing\" quality of the organ. In the XK-5, the matching transformer and its place in the signal chain is modeled precisely, and the saturation and hysteresis amounts are adjustable from barely-there to over-the-top.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\nPlease note, if you plan on attaching a Hammond XK-5 to the Hammond Model A-3 spindle stand you must use the Hammond Model A3 lower manual. The Hammond XLK-5 lower manual is not compatible with the Model A-3 spindle stand.\u003c\/div\u003e","brand":"Hammond","offers":[{"title":"Default Title","offer_id":45588386808082,"sku":"HAM-XK5SE","price":6399.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/HAM-XK5SE.jpg?v=1763069895"},{"product_id":"arturia-beatstep-pro-controller-and-sequencer-cable-kit","title":"Arturia BeatStep Pro Controller and Sequencer CABLE KIT","description":"\u003cp\u003eArturia BeatStep Pro is a world-class controller and a dynamic performance sequencer that is unmatched in power and connectivity. On stage or in the studio, BeatStep Pro is designed to perform. Whether you work with MIDI, USB, CV\/gate or DIN sync gear, BeatStep Pro is all about no limits and total creative control.\u003c\/p\u003e \n\n\u003cp\u003e\u003cstrong\u003eStep up your music\u003c\/strong\u003e\u003cbr\u003eDesigned for an amazing hands-on hardware sequencing environment, BeatStep Pro allows for 2 fully independent sequencers that have been greatly expanded. Up to 64 steps per sequence, 16 sequences per project and 16 projects make this the most impressive step sequencer ever made. The additional drum sequencer allows for 16 separate tracks of sequencing. Record in quantized real time via the pads or use the step buttons for a classic drum machine workflow.\u003c\/p\u003e \n\n\u003cp\u003e\u003cstrong\u003eTake control\u003c\/strong\u003e\u003cbr\u003eBeatStep Pro's controller mode allows you to trigger clips in your favorite DAW, play drum sounds in a module or adjust parameters in your favorite plug-in. The possibilities are only limited by your imagination.\u003c\/p\u003e \n \n\u003cp\u003e\u003cstrong\u003eTotal integration\u003c\/strong\u003e\u003cbr\u003eWith USB, MIDI in and out, CV\/gate outputs and clock in\/out that can work as a 1:1 clock with an external clock generator or DIN sync, BeatStep Pro goes well beyond any other step sequencer on the market.\u003c\/p\u003e \n \n\u003cp\u003e\u003cstrong\u003ePerformance maestro\u003c\/strong\u003e\u003cbr\u003eAs if all this were not enough, Arturia added a number of performance effects, such as a looper with touch strip, a randomizer, swing settings and other hands-on control possibilities that are sure to make this a modern classic.\u003c\/p\u003e","brand":"Arturia","offers":[{"title":"Default Title","offer_id":45588389265682,"sku":"ART-BEATSTEPPROCK","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/ART-BEATSTEPPROCK.jpg?v=1695405558"},{"product_id":"cad-gxl2200bp-large-diaphragm-cardioid-condenser-microphone-with-black-pearl-chrome-finish-studio-essentials-bundle","title":"CAD GXL2200BP Condenser Microphone STUDIO ESSENTIALS BUNDLE","description":"\u003cp\u003eThe GXL2200 is a large diameter, fixed cardioid pattern, condenser microphone. High sensitivity and low distortion make this microphone an ideal candidate for recording, broadcast, sound reinforcement including vocal and instrument applications. The capsule in the GXL2200 features a 1\" gold vapor deposited diaphragm.\u003c\/p\u003e","brand":"CAD Audio","offers":[{"title":"Default Title","offer_id":45588399390994,"sku":"CAD-GXL2200BPSTE","price":229.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/CAD-GXL2200BPSTE.jpg?v=1695405557"},{"product_id":"jomox-mbase-11-analog-bass-drum-module-cable-kit","title":"JoMoX MBase11 Analog Bass Drum Module CABLE KIT","description":"\u003cp\u003eJoMoX MBase11 can do only one thing, but it does it right: phat kick drums! It generates analog bass drums, from extremely powerful to soft and covers the whole range from 909-style to 808-fashioned. And much more...the LFO has 8 different waveforms including true sine that can be used to create very different envelopes. The resulting sounds are not simply kicks - this turns out to be a bass drum synthesizer.\u003c\/p\u003e\n \n \u003cp\u003eMBase11 has a compression parameter to vary the thickness of decaying sound, offers a variable gate time to to create very different sounding attacks, and also has a 'metalize' parameter to have hundreds of variations on the attack noise. For more intuitive editing, JoMoX has included an analog potentiometer that works alternatively to the parameter editing when scrolling the data wheel is too hard.\u003c\/p\u003e\n \n \u003cp\u003eMBase11 purposefully sounds a bit different from other JoMoX drum machines, making it a great sounding expansion for their other drum products and other analog percussion. The kick sets in very precisely and the attack sounds very snappy at all kinds of sound variations.\u003c\/p\u003e\n \n \u003cp\u003eMBase11 can also be used as a real bass with some limitations. If decay is cranked up it is long enough for tones and the pitch can be played on the keyboard in semitones over three octaves.\u003c\/p\u003e\n \n \u003cp\u003eThe kick drum can be triggered by an external analog trigger input. This is especially useful for live drummers who want to thicken up their live drum kit. The trigger input works with regular piezo pickups or audio signals.\u003c\/p\u003e\n \n \u003cp\u003eLast but not least, one of the most convincing arguments for the MBase11 is the price: this is an inexpensive tool that helps you to create great kick sounds, without the time consuming searching associated with mostly unsatisfying samples. You save time and energy while reaching the sound quality you always imagined!\u003c\/p\u003e\n \n \u003cp\u003eTweak the sound you need. Everything is REAL.\u003c\/p\u003e\n \n \u003cul\u003e\n \n \u003cli\u003ePresets: 110 (10 user RAM, 100 flash)\u003c\/li\u003e\n \u003cli\u003eSound engine: fully analog with storable parameters\u003c\/li\u003e\n \u003cli\u003eEnvelopes: analog\u003c\/li\u003e\n \u003cli\u003eLFO: 8 waveforms: saw +\/-, sine +\/-, tri +\/-, rect +\/-, modulates the pitch, MIDI synchronizable\u003c\/li\u003e\n \u003cli\u003eDisplay: LED 7-segment 3 digit\u003c\/li\u003e\n \u003cli\u003eUser interface: 1 data wheel, 1 potentiometer, 5 buttons, 16 LEDs for parameters and functions\u003c\/li\u003e\n \u003cli\u003eOutputs: 1 mono out 1\/4\" jack\u003c\/li\u003e\n \u003cli\u003eOutput level: about 0dBu\u003c\/li\u003e\n\u003cli\u003eInput: external analog trigger, sensitivity adjustable\u003c\/li\u003e\n \u003cli\u003ePower supply: external wall wart 9V DC\u003c\/li\u003e\n \n \u003c\/ul\u003e","brand":"JoMoX","offers":[{"title":"Default Title","offer_id":45588402340114,"sku":"JOM-MBASE11CK","price":289.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/JOM-MBASE11CK.jpg?v=1695405601"},{"product_id":"kat-percussion-ktmp1-electronic-drum-percussion-pad-sound-module-complete-drum-bundle","title":"KAT Percussion KTMP1 Electronic Drum Pad Sound Module COMPLETE DRUM BUNDLE","description":"\u003cp\u003eThe KAT ktmp1 is the quick and easy solution to expand any setup. Playable with both hands or sticks, this single module adds electronic drum, dance, and percussion sounds immediately to your fingertips. This compact and affordable module features 50 high-quality, fully-adjustable, multi-purpose sounds. Sounds can be tuned, panned and assigned to one of the four highly-responsive pads. Additionally, you can fine-tune reverb, sensitivity and level control to shape every sound to perfectly suit your needs.\u003c\/p\u003e\u003cp\u003e\n \n The KAT ktmp1 is a great addition to any drum set, percussion rig, DJ set-up and is also the perfect tool for laying down studio tracks.\u003c\/p\u003e","brand":"KAT Percussion","offers":[{"title":"Default Title","offer_id":45588404830482,"sku":"KAT-KTMP1CD","price":232.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/kat-ktmp1cd.jpg?v=1695405801"},{"product_id":"hammond-xk-5-organ-stage-rig","title":"Hammond XK-5 Organ STAGE RIG","description":"\u003cstyle\u003e\u003c!--\n#flexy-wrapper {max-width: 960px; } \n\n.flexy-row {\n display: flex;\n flex-direction: row;\n justify-content: center;\nalign-items: center;\npadding-bottom: 8px;\n}\n\n.flexy-text-area {\n flex: 2; }\n\n.flexy-image-area {\n flex: 1; }\n\n.flexy-image-area img{\n width: 100%;\n max-height: 200px;\n }\n\n.hide-m2 {display: none;}\n.left-padding {padding-left: 3%;}\n.right-padding {padding-right: 3%;}\n.right-float {float: right;}\n\n\n\n\n\n@media only screen and (max-width: 768px) {\n\t\n.flexy-text-area {flex: 1;}\n.flexy-image-area {flex: 1;}\n.right-float {float: none; clear: both;}\n\n\n}\n\n\n\n\n\n@media only screen and (max-width: 450px) {\n\n.flexy-row {\n display: block;\n}\n\n.left-padding {padding-left: 0px;}\n.right-padding {padding-right: 0px;}\n.show-mobile {display: block;}\n.hide-mobile {display: none;}\n.flexy-image-area {margin-bottom: 5px;}\n\n\n\n}\n--\u003e\u003c\/style\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe HAMMOND B-3 organ and its siblings such as the C-3 and A-100 have been the single most influential keyboard instruments in musical history, perhaps apart from the acoustic piano. When paired with the spinning Leslie speaker, the HAMMOND's sonic versatility defined the electrified keyboard sound of genres from rock to soul to Gospel to jazz. This sound is as sought after today as ever. With the XK-5 Hammond is proud to announce that they've closed the final millimeters of the realism gap—in terms of both sound and feel—in a form factor that's far more portable and affordable than a vintage Hammond organ.  \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFour full sets of Harmonic Drawbars plus pedal drawbars, just like on original Hammond console organs including the B-3.\u003c\/li\u003e\n\u003cli\u003e12 additional virtual tone wheels are devoted to harmonically complex pedal tones (i.e. more than just 16' and 8' sine waves), as found on Hammonds beginning in 1945.\u003c\/li\u003e\n\u003cli\u003eCustom tone wheel profiles available via download.\u003c\/li\u003e\n\u003cli\u003eOur best-ever Digital Leslie effect. Anything else is just a \"rotary simulator.\"\u003c\/li\u003e\n\u003cli\u003eContinuously variable Digital Leslie speed if desired.\u003c\/li\u003e\n\u003cli\u003eDedicated octave shift \/ transpose buttons.\u003c\/li\u003e\n\u003cli\u003eImproved DSP-based overdrive complemented by vacuum tube preamp.\u003c\/li\u003e\n\u003cli\u003eImproved vibrato-chorus.\u003c\/li\u003e\n\u003cli\u003eDedicated on\/off buttons and amount knobs for reverb, overdrive, and assignable multi-FX.\u003c\/li\u003e\n\u003cli\u003eLower B drawbars can alternately control 9 MIDI CC messages for external gear.\u003c\/li\u003e\n\u003cli\u003eLeft and right 1\/4\" outs can be used at the same time as Leslie output, for running the XK-5 through a real Leslie in parallel to stationary speakers, a subwoofer, or house P.A.\u003c\/li\u003e\n\u003cli\u003eMore key-triggering modes for pedal-to-lower coupler (Manual Bass function).\u003c\/li\u003e\n\u003cli\u003eFirmware updatable via USB flash drive or directly from computer.\u003c\/li\u003e\n\u003cli\u003eCrisp new OLED display is more readable under different lighting conditions\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"flexy-wrapper\"\u003e\n\u003cdiv class=\"flexy-row\"\u003e\n\u003cdiv class=\"flexy-image-area hide-this hide-m2 show-mobile\"\u003e\u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/pianos_keyboards\/hammond\/HAM-XK5\/inline2.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"flexy-text-area right-padding\"\u003e\n\u003cp\u003e\u003cstrong\u003eHybrid Multiple Key Contact System\u003c\/strong\u003e\u003cbr\u003e On classic Hammonds pressing a key closes nine mechanical contacts: one for each drawbar. Your ears usually hear the multiple harmonics as one note. Depress a key slowly, however, and you can hear the harmonics come in at slightly different times. Normal playing created a subtle \"slop\" between otherwise crisp attacks, and the more drawbars you pull out, the more of an almost subliminal but chewy and soulful character it impacts to the sound. One perhaps feels this more than hears it, but seasoned players certainly notice its absence.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"flexy-image-area hide-this hide-mobile\"\u003e\u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/pianos_keyboards\/hammond\/HAM-XK5\/inline2.jpg\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"flexy-row\"\u003e\n\u003cdiv class=\"flexy-image-area hide-this\"\u003e\u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/pianos_keyboards\/hammond\/HAM-XK5\/inline5.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"flexy-text-area left-padding\"\u003e\n\u003cp\u003e\u003cstrong\u003eAll-New Sound Engine\u003c\/strong\u003e\u003cbr\u003e The XK-5 employs new proprietary technology to recreate Hammond's storied tone wheel generator with unprecedented accuracy and flexibility. Tone wheels were spinning discs on shafts, each with its own pickup pointing at the edge. The pattern of \"teeth\" cut into the edge of the wheel and its rotational speed determined the pitch. Modeling and sampling are combined in an exclusive process to capture the frequencies of all 91 tone wheels found in the original organs, not to mention other important sonic details such as key click, harmonic percussion, vibrato-chorus, and more.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"flexy-row\"\u003e\n\u003cdiv class=\"flexy-image-area hide-this hide-m2 show-mobile\"\u003e\u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/pianos_keyboards\/hammond\/HAM-XK5\/inline1.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"flexy-text-area right-padding\"\u003e\n\u003cp\u003e\u003cb\u003eAdvanced Modeling\u003c\/b\u003e\u003cbr\u003e Tone wheel generators have become like rare violins or classic cars: Even though Hammond originally calibrated all instruments that left the factory to sound identical, no two are exactly alike after decades of use. So they've extended the programmability of both the overall generator characteristics (such as leakage and cross-talk between pickups) and individual tone wheel behavior (such as the purity of the sine wave) to almost ludicrous depths. In addition to letting you perfectly duplicate different conditions of Hammonds—from showroom-new to road-abused if that's what you're going for—there's the ability to recreate individual organs right down to the model, year, and serial number! Presets will capture the exact tonal qualities of famous artists' instruments, from jazz great Dr. Lonnie Smith to Chuck Leavell (The Rolling Stones) to Gregg Rolie (Santana, Journey) and more.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"flexy-image-area hide-this hide-mobile\"\u003e\u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/pianos_keyboards\/hammond\/HAM-XK5\/inline1.jpg\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"flexy-row\"\u003e\n\u003cdiv class=\"flexy-image-area hide-this\"\u003e\u003cimg src=\"https:\/\/files.kraftmusic.com\/media\/wysiwyg\/inline_images\/pianos_keyboards\/hammond\/HAM-XK5\/inline10.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"flexy-text-area left-padding\"\u003e\n\u003cp\u003e\u003cstrong\u003eVirtual Matching Transformer:\u003c\/strong\u003e\u003cbr\u003e An often overlooked subtlety of the Hammond sound was that the tone wheels generated tiny voltages that needed to be stepped up, and you could be \"drawing on\" some of the same wheels at the same time by playing similar notes with similar drawbar settings on both manuals. All signals from the upper, lower, and pedal manuals passed through a matching transformer that was intended to even things out before the signal moved on to the preamp and vibrato-chorus scanner. The transformer could \"remember\" some of its saturation based on how hard it had been working previously, thus affecting new notes played. Physicists call this hysteresis. Musically speaking, it affects how much \"volume robbing\" you hear and adds to what Hammond aficionados think of as the \"breathing\" quality of the organ. In the XK-5, the matching transformer and its place in the signal chain is modeled precisely, and the saturation and hysteresis amounts are adjustable from barely-there to over-the-top.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\nPlease note, if you plan on attaching a Hammond XK-5 to the Hammond Model A-3 spindle stand you must use the Hammond Model A3 lower manual. The Hammond XLK-5 lower manual is not compatible with the Model A-3 spindle stand.\u003c\/div\u003e","brand":"Hammond","offers":[{"title":"Default Title","offer_id":45588405551378,"sku":"HAM-XK5SR","price":4109.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/HAM-XK5SR.jpg?v=1699908780"},{"product_id":"kawai-vpc1-virtual-piano-controller-complete-studio-bundle","title":"Kawai VPC1 Virtual Piano Controller COMPLETE STUDIO BUNDLE","description":"\u003cp\u003eKawai proudly introduces the VPC1, featuring unparalleled keyboard action realism, impressive hardware\/software flexibility, stunning piano-like design, and strong backing from the industry's leading developers. The VPC1 is a professional MIDI keyboard controller developed especially for use with virtual piano software. This unique product - the first of its kind from any musical instrument manufacturer - draws upon Kawai's 85 years of knowledge and experience crafting the world's finest acoustic and digital pianos, to deliver the ultimate virtual piano experience for the home, studio, and stage.\u003c\/p\u003e\n \n \n \u003cul\u003e\n \u003cli\u003eUltra-realistic 'RM3 Grand II' wooden-key keyboard action\u003c\/li\u003e\n \u003cli\u003eTriple-pedal accessory (included)\u003c\/li\u003e\n \u003cli\u003eUSB and standard MIDI IN\/OUT connectivity\u003c\/li\u003e\n \u003cli\u003eBuilt-in 'approved touch curve' settings for popular virtual piano packages\u003c\/li\u003e\n \u003cli\u003eVPC Editor software - Windows and Mac OS X (10.8+)*\u003c\/li\u003e\n \u003cli\u003eAttractive piano-like chassis design, detachable music rest\u003c\/li\u003e\n \u003cli\u003eHigh quality aluminium, steel, and wood construction\u003c\/li\u003e\n \n \u003c\/ul\u003e\n \n \u003cp\u003eAt the heart of the VPC1 is Kawai's latest 'RM3 Grand II' wooden-key keyboard action, which combines realistic \u003cem\u003ematerials, motion,\u003c\/em\u003e and \u003cem\u003emechanism\u003c\/em\u003e to recreate the exceptional touch of the finest concert grand pianos.\u003c\/p\u003e\n \u003cp\u003e\u003cem\u003e*The officially supported requirements for the VPC Editor under Mac OS are OS X 10.8 (Mountain Lion) and newer. It is still possible to run the 'VPCEditor.app' application under the 64-bit variants of OS X 10.6 (Snow Leopard) and OS X 10.7 (Lion), however these platforms are not officially supported by Kawai.\u003c\/em\u003e\u003c\/p\u003e\n \n \u003cp\u003eAll eighty-eight of the VPC1's keys are crafted from long pieces of wood, with finely textured ivory-like surfaces applied to absorb moisture and assist playing control. Aside from these authentic materials, the class-leading VPC1 keyboard action boasts a number of additional acoustic piano-like characteristics, such as naturally smooth 'seesaw' key movement, staggered balance pins for black and white keys, grade-weighted hammers, bass key counter-weights, and let-off simulation. The 'RM3 Grand II' keyboard action also boasts a new triple-sensor key detection system, improving repetition speed and responsiveness, and allowing a greater range of expressive control from staccato to legato playing.\u003c\/p\u003e\n \u003cp\u003eComplementing the VPC1's ultra-realistic 'RM3 Grand II' keyboard action is the included F-30 triple pedal accessory. This sturdily-built unit recreates the functionality of the damper, sostenuto, and soft pedals of a grand piano, allowing discerning musicians to take full advantage of the unlooped sustain and stunning modelled resonances found in modern virtual piano packages.\u003c\/p\u003e\n \n \u003cp\u003eThe VPC1 connects to a Mac or PC using a single USB cable, drawing its power directly from the computer, and doing away with unnecessary power cables. Standard MIDI IN\/OUT connectors are also provided, allowing the VPC1's outstanding keyboard action to control hardware MIDI devices such as sound modules, workstations, or microsynths. It is even possible to combine both USB and standard MIDI communication, controlling software and hardware instruments simultaneously from the same keyboard.\u003c\/p\u003e\n \n \u003cp\u003eMost MIDI keyboard controllers require a degree of customisation in order to perform effectively with different virtual piano packages. This typically takes the form of manual 'touch curve' adjustments and a considerable amount of trial and error.\u003c\/p\u003e\n \n \u003cp\u003eHowever the VPC1 has been developed to offer a seamless 'connection' between piano keyboard and software sound 'out of the box', with Kawai partnering with leading virtual piano developers to establish the 'Approved Touch Curve' program. Under this initiative, Kawai's experienced keyboard engineering team prepare custom touch curves that are optimised for the 'RM3 Grand II' keyboard action, then tested by the developers using their own VPC1 before receiving final approval. The VPC1 ships with 'Approved Touch Curves' for Ivory, Pianoteq, Galaxy, and Alicia's Keys packages. Virtual piano software developers are invited to join the 'Approved Touch Curve' program, and collaborate with Kawai to ensure that VPC1 owners can enjoy the most realistic, responsive playing experience with their latest package.\n \u003c\/p\u003e\n \u003cp\u003e\n While the VPC1 is designed to offer an unrivalled 'out of the box' experience, Kawai also understands that many virtual pianists and software musicians enjoy customising every aspect of their setup. For these users, the VPC1 includes a dedicated software editor, providing greater control over touch curves, key velocity offsets, and advanced MIDI routing. Individual setups can be created for different scenarios, stored to one of the VPC1's five memory presets, and recalled without a computer using a simple key assignment.\u003c\/p\u003e\n \n \u003cp\u003eClearly the VPC1 has been developed for one thing and one thing only: to deliver the finest virtual piano playing experience. This philosophy is reflected in the board's design, with the VPC1 adopting a classic, smart, and professional appearance. There are no knobs, faders, or wheels to distract the virtual pianist from their performance, just a power button and eighty-eight smoothly finished black and white keys. And finally, serving as an elegant demonstration of Kawai's rich acoustic piano heritage, the VPC1 also includes something that all other MIDI controllers overlook: a detachable music rest - allowing ambitious players to perform century-old masterpieces using the very latest software and hardware piano technology.\u003c\/p\u003e\n \n \u003cp\u003eKawai VPC1 - finally, a virtual piano controller from a real piano company.\u003c\/p\u003e","brand":"Kawai","offers":[{"title":"Default Title","offer_id":45588405715218,"sku":"KAW-VPC1CST","price":3194.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/KAW-VPC1CST_645bd687-a821-42fc-8c1f-4d2c051135ac.jpg?v=1720804248"},{"product_id":"kat-percussion-ktmp1-electronic-drum-percussion-pad-sound-module-drum-essentials-bundle","title":"KAT Percussion KTMP1 Electronic Drum \u0026 Pad Sound Module DRUM ESSENTIALS BUNDLE","description":"\u003cp\u003eThe KAT ktmp1 is the quick and easy solution to expand any setup. Playable with both hands or sticks, this single module adds electronic drum, dance, and percussion sounds immediately to your fingertips. This compact and affordable module features 50 high-quality, fully-adjustable, multi-purpose sounds. Sounds can be tuned, panned and assigned to one of the four highly-responsive pads. Additionally, you can fine-tune reverb, sensitivity and level control to shape every sound to perfectly suit your needs.\u003c\/p\u003e\u003cp\u003e\n \n The KAT ktmp1 is a great addition to any drum set, percussion rig, DJ set-up and is also the perfect tool for laying down studio tracks.\u003c\/p\u003e","brand":"KAT Percussion","offers":[{"title":"Default Title","offer_id":45588406665490,"sku":"KAT-KTMP1DE","price":194.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/4110\/9522\/files\/kat-ktmp1de.jpg?v=1695405802"}],"url":"https:\/\/kraftmusic.com\/collections\/shop-deals.oembed?page=3","provider":"Kraft Music","version":"1.0","type":"link"}