Korg Multi/Poly Module Analog Modeling Synthesizer CONTROLLER RIG

Next-level analog modeling

Multi/Poly Module features redesigned, incredible-sounding filters and oscillators – and its advances in analog modeling go even deeper. To start with, each voice has a Virtual Voice Card whose oscillators, filters, envelopes, LFOs and portamento circuits model subtle analog hardware component variations. The result is that each voice has a slightly different character, creating naturally rich timbres. Dial in as much or as little of this variation as you like, individually for each sound. Just like in an analog synth, voice cards also continue to play even if you're not hearing them. Envelopes keep evolving, so that if you play a pad with a long release time, newly played notes 'catch' the envelope at its current level instead of restarting from zero. Oscillators and LFOs maintain their phase, and resonance continues to ring. Each oscillator's pitch can also drift slightly over time, modeling the slight pitch instabilities found in analog hardware.

MIDI 2.0 Property Exchange and polyphonic aftertouch support

All models of Multi/Poly, hardware and software, support MIDI 2.0 Property Exchange and easy access to polyphonic aftertouch, making them excellent companions Korg Keystage controllers.

Oscillators

Multi/Poly Module offers four oscillators per Program for unusually thick, complex tones; each can use Classic, Digital or Waveshaper oscillator types. The Classic oscillator models traditional analog synth oscillators with stunning fidelity and effortless thickness. 11 options include both single and dual waveforms, for modeling synths that generated multiple waveforms at once. Front panel knobs give you hands-on control of pulse width, 'triangle lean,' dual-waveform blend and more. The Digital oscillator plays wavetables with up to 64 steps, like vintage hybrid synths and modern eurorack modules. Start with over 200 factory wavetables or load your own using the Editor/Librarian software for macOS and Windows. Import Modwave wavetables directly or convert wavetables from popular software formats. Use 30+ Modifiers to change the way those tables are loaded, resulting in subtle to extreme changes in timbre, and 8 Morph Types like Stretch, Flip and Mirror to process them in real time.

Dual modeled filters

All of Multi/Poly Module's filters have been redesigned, including an amazing suite of vintage filters with authentic euphonic saturation. To start with, there are five different 4-pole self-resonating models. M/Poly provides the strong, sweet sound of the classic Korg Mono/Poly. Mini is the ladder filter from a beloved American monosynth; resonance is reduced at low frequencies, critical for producing those classic bass sounds. Pro is from the first programmable polyphonic synthesizer, with strong resonant sweeps all the way down. Finally, Ladder HP and Ladder BP are 4-pole self-resonating high pass and band pass filters, respectively. The MS-20 LP and HP 12dB/octave self-resonating 'Korg 35' filters lovingly recreate the distinctive, aggressive timbral signature of the classic Korg MS-20. The SE M/P 2-pole filter is more gentle in character and features a continuous control to sweep between low pass, band reject and high pass, plus a separate band pass mode.

Modulation and control

Bursting with knobs, Multi/Poly Module invites you to explore. Oscillators, filters, envelopes, LFOs and effects are all at your fingertips with dedicated controls. Four programmable Mod Knobs are customized to bring out the most in every sound. Use the knobs in realtime performance and save the results as new sounds. The Hold button lets you sustain notes or chords indefinitely, while you explore the panel controls or play other gear. Add in Kaoss Physics and you'll always have multiple dimensions of realtime expression. Want to dig deeper? Almost all knobs and most onscreen parameters can be modulated for an astonishing total of over 5,500 modulation destinations. You can even modulate individual Motion Sequence steps! Eight Mod Processors let you transform modulation signals using quantization, smoothing, curvature and more.

Kaoss Physics

Kaoss Physics models a ball rolling on a surface and/or bouncing off walls. Start the ball by flicking a finger on the X/Y Kaoss pad or launch the ball automatically using a trigger source. You can also directly control the ball by holding your finger on the pad. The position of the ball produces four modulation signals – X and Y coordinates, distance from center and angle – which can be used to control any modulation destination you like.

You can thoroughly model the virtual environment, too, adjusting the friction of the surface, adding bumps or valleys, tweaking the bounciness of the virtual walls or removing them entirely in favor of 'wraparound' travel. Most environmental parameters, including Tilt, Friction, Time, Bump Height and Position, etc. are modulatable, too. The result is an interactive controller that amplifies your physical gestures, transforming them into complex musical results.

Randomization that inspires

Looking for even more inspiration? A dedicated panel button marked by a 'dice' icon generates new sounds via intelligent randomization. Randomize the entire sound or just a part of it, such as the oscillators, filter or effects. Use the results directly, or as a jumping-off point for your own creations.

Set Lists and Smooth Sound Transitions

Set Lists offer effortless organization of your Multi/Poly Performances and deliver instant access at a gig or in rehearsal. Smooth Sound Transitions allow previously-played voices and effects to continue to ring out naturally even after a new sound has been selected.