Thomas Elroy Oberheim. TEO. More than his initials, they mark the culmination of a synth pioneer's vision. Oberheim TEO-5 is a modern instrument, crafted with classic analog soul, yet sleek and powerful for today's sonic journeys. TEO-5 captures the secrets of OB-X, Four Voice and TVS, their legendary spirit distilled into a compact, affordable dream machine. It's what Tom, the maestro himself, always wanted to build: a timeless tone palette, unleashed and accessible.
- Two analog VCOs and sub-oscillator per voice with simultaneously selectable waveshapes for each oscillator: triangle, saw, variable pulse
- Dedicated front-panel X-Mod control for through-zero FM (frequency modulation)
- Switchable key tracking per oscillator
- White noise generator accessible in pre-filter mixer
- Classic SEM filter with selectable band pass mode
- State knob continuously morphs from low pass through notch to high pass
- Two five-stage (DADSR) envelope generators and 2 LFOs with tempo sync
- Vintage knob recreates vintage synth characteristics by adding voice-to-voice variations in component behavior
- Arpeggiator and Polyphonic Sequencer
- Dedicated overdrive and digital reverb, delay, chorus, flanger, plus Oberheim phase shifter and ring modulator emulations
- Unison (monophonic) mode with configurable voice count, from one to all five voices, and key modes to control voice triggering priority
- 256 user and 256 factory programs in 32 banks of 16 programs each
Step up to TEO-5
Take your music to the next level with genuine analog VCOs and VCFs. TEO's five inspiring voices sing with the warmth and power of pure triangle, sawtooth and pulse waves. But this isn't your grandfather's synth: updated oscillators roar with analog through-zero FM, birthing textures never heard before. It's organic and raw, ready to be sculpted with the legendary SEM filter, the heart of Oberheim that beats in countless hit songs over the last five decades.
Modern mastery meets vintage magic
Dive into TEO-5's spot-on OB-8 envelope emulations, among the multitudes of modulations shaping your sounds with pinpoint precision. Then unleash dual digital effects, letting chorus, delay and reverb paint your sonic canvas. And for a taste of true Oberheim alchemy, dial in emulations of Tom's legendary phase shifter and ring modulator, conjuring swirling textures and metallic resonances straight from the golden age of synthesis.
Creative and inspiring
It's not just a synth, it's a playground. TEO-5's 64-step polyphonic sequencer sparks infinite melodic possibilities, while the multimode arpeggiator keeps your rhythms pulsing and pounding. Or play it live with the premium Fatar keybed, every note awash with responsive joy. From soaring leads to cascading chords and thunderous bass, TEO-5 will elevate every aspect of your musical performance.
From studio to stage, TEO-5 is your sonic passport, a gateway to the Oberheim legacy and priced to unleash your own. Whether you're a seasoned pro seeking a compact powerhouse or a new artist embarking on your analog adventure, TEO-5 beckons. It's Tom Oberheim's dream, realized. It's your sonic legacy, waiting to be written. Step up to TEO-5.
| SKU | SEQ-TEO5 |
| Model Name | TEO-5 |
| Vendor | Oberheim |
| Aftertouch | Yes |
| Analog Digital | Analog |
| Included From Manufacturer | Power cable |
| Keys Weighted | Semi-Weighted |
| Number of Keys | 44 |
| Key Size | Full Size Keys |
| Midi | In, Out, Thru, and USB |
| Mono Poly | Polyphonic |
| MPN | OB-3700 |
| Product Unique Features |
Two analog VCOs and sub-oscillator per voice with simultaneously selectable waveshapes for each oscillator: triangle, saw, variable pulse Dedicated front-panel X-Mod control for through-zero FM (frequency modulation) Classic SEM filter with selectable band pass mode State knob continuously morphs from low pass through notch to high pass Vintage knob recreates vintage synth characteristics by adding voice-to-voice variations in component behavior Unison (monophonic) mode with configurable voice count, from one to all five voices, and key modes to control voice triggering priority |
| Arpeggiator | Yes |
| Control Connections | 1/4" sustain/footswitch input 1/4" expression pedal input |
| Onboard Controllers | Spring-loaded pitch bend wheel with independently adjustable upper and lower range per program Mod wheel Hold switch for latching |
| Effects | Dedicated reverb effect with damping, pre-delay, decay and tone Dedicated overdrive effect Multi-effect with stereo delay, BBD delay, tape delay, chorus, flanger, Oberheim phase shifter emulation, Oberheim ring modulator emulation, vintage rotating speaker, distortion, high pass filter and lo-fi |
| Audio Outputs | Dual 1/4" stereo output 1/4" stereo headphone output |
| Key Action | Semi-weighted premium Fatar keybed with velocity and aftertouch |
| Oscillators per Voice | 2 plus sub-oscillator |
| Programs/Presets | 256 user patches 256 factory patches |
| Sequencer | Polyphonic step sequencer with up to 64 steps with ties and rests |
| USB Port (to Host) | MIDI;System Updates |
| Voices of Polyphony | 5 |
| Width | 25" |
| Depth | 12.75" |
| Height | 4.4" |
| Product Weight | 17 lb |
Oberheim Limited Warranty
Oberheim warrants that its products will be free from defects in materials and/or workmanship for one (1) year from the date of purchase.
Please register your product online at at the Oberheim website to establish the date of purchase. This is not a requirement for warranty service, but it will help expedite the warranty service process.
Please contact a Oberheim support representative to determine the best course of action for getting your product repaired. For your own protection, please do not return any product to Oberheim without a return authorization (RA) number.
If you need to return your instrument for repair, you are responsible for getting it to Oberheim. It is highly recommended that you insure your shipment and pack it in the original packaging. Damage resulting from shipping a product with insufficient packaging is not covered by this warranty.
Ground shipping is FREE for all orders $99 and up.
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